Vilma Gold

Erika Landström, Dana Munro and Anna Zacharoff

Nein ist für lange weile

27 Jun – 01 Aug 2015

  • Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view
  • Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view
  • Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Nein ist für lange Weile, 2015, Erika Landström, Dana Munro and Anna Zacharoff, Vilma Gold, installation view
  • Anna Zacharoff, Swimmers Against Tide, 2015, oil paint and pigment on cotton canvas, 200 x 200 cm, 78 3/4 x 78 3/4 ins
. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Anna Zacharoff, Swimmers Against Tide, 2015, oil paint and pigment on cotton canvas, 200 x 200 cm, 78 3/4 x 78 3/4 ins
  • Anna Zacharoff, Sukeltaja 3, 2015, oyster shells, other shells and concrete, 29 x 18 x 14 cm, 11 3/8 x 7 1/8 x 5 1/2 ins
. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Anna Zacharoff, Sukeltaja 3, 2015, oyster shells, other shells and concrete, 29 x 18 x 14 cm, 11 3/8 x 7 1/8 x 5 1/2 ins
  • Anna Zacharoff, Sukeltaja 1, 2015, oyster shells, other shells and concrete, 29 x 18 x 14 cm, 11 3/8 x 7 1/8 x 5 1/2 ins. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Anna Zacharoff, Sukeltaja 1, 2015, oyster shells, other shells and concrete, 29 x 18 x 14 cm, 11 3/8 x 7 1/8 x 5 1/2 ins
  • Erika Landström, Need for Speed, 2015, Magazine page and gesso on canvas, 63 x 50 cm, 24 3/4 x 19 3/4 ins. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Erika Landström, Need for Speed, 2015, Magazine page and gesso on canvas, 63 x 50 cm, 24 3/4 x 19 3/4 ins
  • Erika Landström, xyz (Homage to some male birds, some male fish and crustaceans such as the giant river prawn, some male insects (including butterflies and moths), and some male reptiles, including komodo dragons, 2015, laserprint on tracing paper and gesso on canvas, 63 x 50 cm, 24 3/4 x 19 3/4 ins. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Erika Landström, xyz (Homage to some male birds, some male fish and crustaceans such as the giant river prawn, some male insects (including butterflies and moths), and some male reptiles, including komodo dragons, 2015, laserprint on tracing paper and gesso on canvas, 63 x 50 cm, 24 3/4 x 19 3/4 ins
  • Erika Landström, New Acquisition (Chairs), 2015, cropped magazine page, glass paper weight, aluminium CCTV camera holder, epoxy, velvet, 9 x 9 x 15 cm (variable), 3 1/2 x 3 1/2 x 5 7/8 ins. Nein ist für lange weile
, Erika Landström, Dana Munro and Anna Zacharoff
    Erika Landström, New Acquisition (Chairs), 2015, cropped magazine page, glass paper weight, aluminium CCTV camera holder, epoxy, velvet, 9 x 9 x 15 cm (variable), 3 1/2 x 3 1/2 x 5 7/8 ins
  • Like heavy bricks in a wall covering the view of my early summer days, so are the words that I type. I’m chained to this grind mill until I have mauered myself into freedom again. I will lose friends in the process, lovers too. All desire is gone, not even the sight of a mole on an ear lobe will stir the mouse in me. They will start to say no, I haven’t seen her in a while now, have you seen her around? No, not in several weeks. I think she might be dead. Dead?! Maybe she just left town for the countryside to get into better habits. When she’s back she’ll have stepped into some meat and rosy apple cheeks. But when? It’s not about habits, habits I can handle, it’s about something unforeseen like this dropping into your lap and you didn’t ask for it or perhaps you did by some unconscious smugness. Yesterday I relapsed into grabbing for the scissors, forbidding the use of laptops, like a schoolteacher getting in touch with creativity through material encounters, freely generating content like nothing-matters matters. I had an idea to write about the weather while drinking tea at Tee-di-um, but that would have been too apparent. I relapsed even further into deep-sea misquotations of Greek philosophy, trying to merge with my own sad time by going to the dry cleaner and asking not, is this my shirt but when I get my shirt back, is it really my shirt? I’m not the river, not the parrot, not the castoff draft on the table, I’m past pasting patterns and payment shouldn’t happen by the word but by the hour.


    For further information or images please contact Martin Rasmussen: +44 (0)20 7729 9888 or: martin@vilmagold.com