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											Working across a number of media including digital print, wall drawing, video, sculpture and installation, Mark Titchner’s practice explores systems of belief, both secular and spiritual, often focusing on the marginalized, discredited or forgotten ideologies and objects we place our faith in. Using the impersonal language of the public realm, ranging from the quasi-mysticism of corporate mission statements to the maxims of revolutionary socialism, his work exhorts us to believe in it. Motifs taken from advertising, religious iconography, club flyers, trade union banners, prog rock and political propaganda all vie for our attention. The common denominator of this quest for idealism is a quest for enlightenment; a desire for some form of transcendence; and yet, abstracted from its original context, the message appears drained of meaning. We know that we are being asked to respond but the purpose is unclear, leaving us only with the formal means of exhortation and our own desire for meaning. 
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								                	  Mark Titchner, CGP, 2014, London, Installation View 
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								                	  Mark Titchner, CGP, 2014, London, Installation View 
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								                	  A Naiad, 2013, M shed, Bristol 
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								                	  Love and Work, 2013, Millennium Square, Bristol 
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								                	  Please Believe These Days Will Pass, 2012, The Art Gallery of Ontario, Canada 
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								                	  BE TRUE TO YOUR OBLIVION, 2011, New Art Gallery, Walsall, Installation View 
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								                	  BE TRUE TO YOUR OBLIVION, 2011, New Art Gallery, Walsall, Installation View 
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								                	  BE TRUE TO YOUR OBLIVION, 2011, New Art Gallery, Walsall, Installation View 
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								                	  N (I) B, 2011, HD projection, 45 minutes, New Art Gallery, Walsall, Installation View 
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								                	  Nothing is Forever, 2010, South London Gallery, London, Installation View 
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								                	  2010, Vilma Gold, London, Installation View 
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								                	  2010, Vilma Gold, London, Installation View 
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								                	  AN IMAGE OF TRUTH. ONE WORD LESS, 2010, Cellulose paint on Aluminium and fixing, 250 x 250 x 18 cm, 98 3/8 x 98 3/8 x 7 1/8 ins 
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								                	  The Age of Happiness, 2009, Hellenic American Union, Athens, Stitched installation view 
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								                	  The Age of Happiness, 2009, Hellenic American Union, Athens, Stitched installation view 
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								                	  Run, Black River, Run, 2008, BALTIC, Gateshead 
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								                	  Run, Black River, Run, 2008, BALTIC, Gateshead 
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								                	  Run, Black River, Run, 2008, BALTIC, Gateshead 
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								                	  Plateau Aurora Borealis, 2008, Peres Projects, Berlin, Installation View 
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								                	  Plateau Aurora Borealis, 2008, Peres Projects, Berlin, Installation View 
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								                	  Plateau Aurora Borealis, 2008, Peres Projects, Berlin, Installation View 
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								                	  PLATEAU AURORA BOREALIS (detail), 2008, jesonite, pigment, graphite, wood, steel, candles, 310 x 490 x 12 cm, 122 x 192 7/8 x 4 3/4 ins 
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								                	  100 Years, 100 Artists, 100 Works of Art, 2008, Art on the Underground 
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								                	  ‘WE WANT WHAT WE NEVER THOUGHT POSSIBLE’, 2008, 100 Years, 100 Artists, 100 Works of Art, Art on the Underground 
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								                	  The Eye Don’t See Itself, 2007, Vilma Gold, London, Installation View 
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								                	  The Eye Don’t See Itself, 2007, Vilma Gold, London, Installation View 
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								                	  The Eye Don’t See Itself (Poppa), 2007, dvd loop and reflecting pool, Vilma Gold, London 
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								                	  How To Change Behaviour (Tiny Masters Of The World Come Out), Turner Prize 2006, Tate Britain, London 
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								                	  How To Change Behaviour (Tiny Masters Of The World Come Out), Turner Prize 2006, Tate Britain, London 
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								                	  How To Change Behaviour (Tiny Masters Of The World Come Out), Turner Prize 2006, Tate Britain, London 
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								                	  Times Square billboard, 2006 
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								                	  Be Angry But Don’t Stop Breathing, 2003, Art Now, Tate Britain, London 
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								                	  lightboxes, 2003, Be Angry But Don’t Stop Breathing, Art Now, Tate Britain, London 
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									        																									Lives and works in London 
 1973 Born in Luton, UK1995Central St Martins College of Art & Design 1992Hertfordshire College of Art & Design Solo Exhibitions (selected)2014Mark Titchner, CGP, London 
 Rose, Dilston Grove, London
 An image of truth, The Gallery at Foyles, London
 2013Our Knot, Maudsley Learning Centre, public commision 2012Please Believe These Days Will Pass, The Art Gallery of Ontario, Canada 
 Mark Titchner “Be no Content” and Dennis Rudolph “Wege in den Nihilismus”, Upstream Gallery, Amsterdam2011New Art Gallery, Walsall 2010Vilma Gold, London 
 Motto, Art House Foundation, London2009The Age of Happiness, Hellenic American Union, Athens 
 Disclosure, Broadway cinema/backlit studios, Nottingham2008Plateau Aurora Borealis, Peres Projects, Berlin 
 Run, Black River, Run, BALTIC, Gateshead2007The Eye Don’t See Itself, Vilma Gold, London 
 Vertigo: Marcel Duchamp and Mark Titchner at Chelsea Space, Chelsea College of Art and Design, London (cat)
 Commission for BALTIC Centre for Contemporary Art, Gateshead2006How To Change Behaviour (Tiny Masters Of The World Come Out), Turner Prize, Tate Britain, London 
 IT IS YOU, Arnolfini, Bristol2005When We Build Let Us Think That We Build Forever, Vilma Gold project space, Berlin 
 Behold the Man, Waiting For the Man, Peres Projects, Los Angeles
 After the Punchline… Eternity, Vacio 9, Madrid200420th Century Man, Vilma Gold, London 
 Mark Titchner, Carlos Amorales & The Sun City Girls, De Appel, Amsterdam
 I, WE, IT, (public art commission), Platform for Art, London2003Be Angry But Don’t Stop Breathing, Art Now, Tate Britain, London 
 Do Not Attempt To Reform Man. We Are What We Are, Galerie Jorg Hasenbach, Antwerp
 We Were Thinking Of Evolving, Vilma Gold, London2001Love, Work & Knowledge, Vilma Gold, London 1999Mark Titchner, Vilma Gold, London 1998Mark Titchner, One in the Other, London Group Exhibitions and Public Projects (selected)2017A certain kind of light, Towner Art Gallery, Eastbourne, UK (upcoming) 2016So many steps, so little time, curated by Jerome Jacobs, De BOND, Bruges, Belgium 
 Beacon, Public Commission, The Hat Factory, Luton, UK
 Let us be all we can be, Public Commission, Newmarket Road, Cambridge, UK
 Flat Time House Retrospective Show – The Shift, Flat Time House, London
 INTO BOUNDLESS SPACE I LEAP, Maxwell Centre, University of Cambridge, Cambridge, UK
 2050. A Brief History of the Future, Palazzo Reale, Milan
 ME HERE NOW (Burning Too), Mark Titchner & Jeremiah Day, Antwerp Art Weekend, Antwerp, Belgium
 Forever, Bubox, Kortrijk, Belgium
 Prememories, Aeroplastics contemporary, Brussels20152050: A Brief History of the Future, Royal Museums of Fine Art Belgium, Brussels 
 Then For Now, Delphina Foundation, London
 Island, g39, Cardiff
 Inside Cities: art and the built environment, Arup, London
 Behold continues to return, curated by Mark Titchner, Bethlem Gallery, Bethlem Royal Hospital, UK
 Ma Voix, Le Silo U1: Château-Thierry, France
 Our Work is Together Today, public work for Sceaux Gardens Estate Peckham, commissioned by SouthLondon Gallery
 Provocation, Queen Elizabeth Hall entrance, Love flags across the site; South Bank Centre Festival of Love, London2014Plastic Words, Raven Row, London 
 Diagrams, The Holden Gallery, Manchester
 News from Nowhere, Kelmscott House, London2013Once More, Lokaal 01, Breda, Nederlands 
 Altars of Madness, Casino Luxembourg, travelled to Confort Moderne, Poitiers, France
 Victoriana; The art of Revival, Guildhall Art Gallery, London
 2012Mark Titchner “Ends Thou”, Focal Point Gallery, Essex 
 Made In Britain: Contemporary Art from the British Council Collection 1980 - 2010, Benaki Museum, Athens
 REMIX: Contemporary Art from Greece, Turkey, Israel and Britain. Touring Benaki Museum, Athens, Sakip Sabançi Museum, Istanbul, The Israel Museum, Jerusalem.2011An Action, Event or Other Thing That Occurs To Happen Again, One Thoresby Street and Bonnington Gallery, Nottingham 
 Galeria Filomena Soares, Lisbon, Portugal
 Trompe La Monde, Galerie Transit, Mechelen
 Change The World Or Go Home, Down Stairs, Madley
 Train Fantome, Cruise and Callas, Berlin
 Art Paris - Just Art, Grand Palais, Paris 2011
 Made In Britain: Contemporary Art from the British Council Collection 1980 - 2010 (touring exhibition in partnership with the Sichuan Provincial Museum, Xi’an Art Museum, Hong Kong Heritage Museum and Suzhou Museum)
 Peeping Tom, KAde Kunsthal, AAMersfoort, The Netherlands2010The Future Demands your Participation, China, Shanghai, Minsheng Art Gallery 
 Art Moves 2010, 3rd International Festival of Art on Billboards, Torun, Poland
 Nothing is Forever, South London Gallery, London
 Deptford X, London
 Peeping Tom, Vegas Gallery, London2009The Dark Monarch, Tate St.Ives and Towner Gallery, Eastbourne 
 Black Hole, CCA Andratax, Mallorca, curated by Friedrieke Nymphius
 Minneapolis, Peres Projects, Los Angeles
 State of the art - the condition of liberty and the art of objection, European Commission Headquarters, Hague
 Art Moves: The 2nd International Festival of Art on Billboards, Torun, Poland
 Dreaming the Mainstream, Vilma Gold, London
 Mark Titchner - Debating Society & Run, Commissioned by Radar Arts Programme, Loughborough University
 On Joy, Sadness and Desire, Smart Project Space, Amsterdam
 Rank: picturing the social order 1516-2009, Northern Gallery for Contemporary Art, Sunderland2008Manifesto Marathon, Serpentine Gallery 
 100 Years, 100 Artists, 100 Works of Art, Art on the Underground
 GSK Contemporary, Royal Academy, London
 Material Presence, 176, London
 ARTLV 08, Tel Aviv Museum of Art, Tel Aviv
 Summer Video Program, Peres Projects, Berlin
 Nature is a Workshop, Turner Contemporary, Margate
 Here and Now, Regina Gallery, Moscow
 In The Beginning, University of California Art Gallery, San Diego
 The Brotherhood, Kunstbunker, Nuremberg2007Fusion Now, Rokeby, London, Curated by JJ Charlesworth 
 Hope and Despair, Cell Project Space, London, curated by Bob Matthews
 Frozen Waves, Yama, Istanbul
 Its Simply Beautiful, Laboral Centro de Arte y Creacion Industrial (cat)
 When We Build, Let Us Think That We Build Forever, BALTIC, Newcastle
 A Poem about an Inland Sea 52nd Venice Biennale, Ukraine Pavillion with Serhiy Bratkov, Dzine (Carlos Rolon), Alexander Hnilitsky, Boris Mikhailov, Juergen Teller and Sam Taylor-Wood, Taylor-Wood, Venice, Italy
 Left Pop, The Second Moscow Biennale of Contemporary Art, Moscow Museum of Modern Art, Petrovka, Russia
 Art Plus Drama Party 2007 with Fiona Banner, Jenny Holzer and Ed Ruscha, Whitechapel Art Gallery, London
 Between Two Deaths, ZKM, Karlsruhe, Germany (cat)
 Los Vinilos, El Basilisco, Buenos Aires, Argentina
 Metal, Walsall New Art Gallery, Birmingham2006How to Improve the World, Hayward Gallery, (touring) (cat) 
 SCAPE – Don’t Misbehave!, Christchurch Art Gallery, New Zealand (cat)
 The Starry Messenger: Visions of the Universe, Compton Verney (cat)
 XII Biennale of Visual Arts, Pancevo, Serbia (cat)
 Momentum (Nordic festival of Contemporary Art), Moss, Norway (cat)
 EV+A, Limerick (cat)
 Check-in Europe, European Patent Office, Munich
 His life is full of miracles…Animation Videotheque, Site Gallery, Sheffield
 And yet it moves! MOT, London
 The Galleries Show, Extra City, Antwerp
 59th Minute, (public video commission organized by Creative Time), Times Square, New York
 Metropolis Rise, CQL Design Centre, Shanghai (cat)
 Para todos los publicos, Sala Rekalde, Bilbao (cat)
 Black and White, Hellenic American Union, Athens
 Sculpture Grande 06, Prague2005British Art Show 6, touring exhibition beginning Baltic, Newcastle (cat.) 
 British Art Show 6, public billboard commission, Newcastle
 Hidden Rythms, Museum Het Valkhof, Nijmegen (cat.)
 Odiseado Tra Tempo, Peter Kilchmann Gallery, Zurich
 Offside, Dublin City Gallery The Hugh Lane, Dublin
 Summer Daze, South London Gallery, London
 Centrifuge: For Spirit and Ritual, The Drawing Room, London
 Jaybird, Zero, Milan
 The Hardest Thing to Draw is a Kiss, The Gallery at Wimbledon School of Art, Wimbledon (cat.)
 The Music of the Future, Gasworks, London2004showCASe, South London Gallery, London 
 Vilma Gold at Galerie Diana Stigter, Galerie Diana Stigter, Amsterdam
 If you think you see with just your eyes you are mad, Peres Projects, Los Angeles
 Plaza Suite, Union, London
 Expander, Royal Academy of Arts, London (cat.)
 Wilkommen, Metropole Galleries, Plymouth
 Rear View Mirror, Kettle’s Yard, Cambridge (cat.)
 Britannia Works, British Council, Athens (cat.)
 Nocturnal Emissions, The Groninger Museum, Groninger
 Asphalt and Neon, Museo Tamayo, Mexico City (cat.)
 Happy Go Lucky, (public art commission), VHDG, Leeuwarden (cat.)
 Nit Niu, commissioned by Vacio 9, Mallorca
 A Secret History of Clay, Tate Liverpool, Liverpool (cat.)
 Now is Good, Northern Gallery for Contemporary Art, Sunderland (cat.)
 Tonight, Studio Voltaire, London
 Candyland Zoo, Kent Institute of Art & Design, Canterbury2003Matchine Machine, (curated by Chris Noraika) One in the Other, London 
 Electric Earth, State Russian Museum, St Petersburg (cat.)
 Strange Messengers, Breeder Projects, Athens
 PONR, Pallas Heights, Dublin
 Talking Pieces, Museum Morsbroich, Leverkeusen (cat.)
 Dirty Pictures, The Approach, London2002The Movement Began With A Scandal, Lenbachhaus Museum, Munich 
 The Galleries Show, Royal Academy of Arts, London (cat.)
 The Dirt of Love, (with Roger Hiorns & Gary Webb), The Mission, London
 Strike, Wolverhampton City Art Gallery (cat.)
 Exchange, Richard Salmon, London
 Loco for Rococo, The Nunnery, London
 Mathematique, Danielle Arnaud, London (cat.)2001Sages, Mystics & Madmen, One in the Other, London 
 Brown, The Approach, London
 Playing Amongst the Ruins, Royal College of Art, London (cat.)
 City Racing (A Partial History), ICA, London (cat.)
 Curatorial Mutiny Pt 4, Nylon, London
 Best Eagle, (with Michele Naismith & Duncan McQuarrie), Transmission, Glasgow
 Fear it, do it anyway, Vilma Gold Project Space, London2000Mark Titchner & Lena Seraphin, Sali Gia, London 
 Very Nice Film Club, Vilma Gold, London
 Multiples, Temple Bar Gallery, Dublin (cat.)
 Heart & Soul, Sandroni Rey, Los Angeles
 The Poster Show, Cabinet Gallery, London
 Insanity Benefit, Vilma Gold Gallery, London
 Point of View, (collection of Thomas Frangenburg), Richard Salmon, London
 Mark Titchner & David Musgrave, Grey Matter, Sydney
 297 x 210, The Art House, Dublin (cat.)1999Limit Less, Galerie Krinziger, Vienna 
 297 x 210, Arthur R Rose, London (cat.)
 … Nice to Meet You, Kunstbunker, Nuremburg
 New Build, Platform, London
 Cave, Sali Gia London
 297 x 210, Firestation, Dublin
 The Poster Show, Gavin Brown Enterprises, New York
 Heart & Soul, 60 Long Lane, London
 Painting Lab, Entwistle Gallery, London1998Social Security, Ex Teresa, Mexico City / Royal College of Art, London (cat.) 
 True Science, Curated by BUND, KX, Hamburg
 Surfacing, Institute of Contemporary Art, London
 Kling Klang, HMS Plymouth in association with Tate Liverpool, Liverpool
 Show me the money 3, 8 Dukes Mews, London
 The Bible of Networking, Sali Gia London (Touring)
 Sociable Realism, Stephen Friedman Gallery, London1997Show 47, City Racing, London 
 Peripheral Visionary, De Fabriek, Eindhoven
 High Precision/Low Maintenance, 172 Deptford High St / Hales Gallery, London
 Recent Acquisitions, BUND, London
 TransMat, One in the Other, London
 Physionomical Corpus, One in the Other, London1996LIFE/LIVE, ARC, Museum of Modern Art, Paris (cat.) 
 BANK TV/Viper, DOG (BANK), London
 Is this Happening, 112a Denmark Hill, LondonSelected BibliographyPublications2010Russo, Karen, ‘The Remote Viewing Project’, The Center for Contemporary Art, Tel Aviv, 2010 
 ‘Art, Word and Image’: 2000 Years of Visual/ Textual Interaction, Hunt, John Dixon, Lomas, David and Corris, Michael, Reaktion Books, , London, 2010 p.2312009‘Lubok 8’, ed. Ruckhäberle, Christophe and Siemon, Thomas, Lubok Verlag, 2009 
 ‘The Age of Happiness – Mark Titchner’, Exhibition catalogue, published by Hellenic American Union, Athens
 ‘The Dark Monarch’, Exhibition Catalogue, Tate Publishing, London
 Selby, Aimee, ‘Art and Text’, Black Dog Publishing Ltd, London, 2009
 ‘On Joy, Sadness and Desire’, The Smart Papers, Smart Project Space, Amsterdam.2008‘Rank Picturing the Social Order 1516 – 2009’, (Exhibition catalogue) Northern Gallery for Contermporary Art 
 ‘Material Presence’, Exhibition Publication/Edition, Zabuldowicsz Collection, 176, London
 ‘The Hey Hey Glossolalia’ Mark Beasley, Creative Time, New York
 ‘Has man a Function in Universe’, Curated by Gavin Wade, Bookworks/Eastside Projects2007Dillon, Tamsin, Platform for Art; Art on the Underground, Black Dog Publishing 
 Its Simply Beautiful, Laboral Centro de Arte y Creation Industrial, CajAstur
 Marcel Duchamp and Mark Titchner, Vertigo, Chelsea Space
 Ensslin, Felix, Between Two Deaths, Exhibition Catalogue, ZKM2006Mark Titchner, Exhibition Catalogue, Arnolfini 
 Para Todos Los Publicos, Exhibition Catalogue, Rekalde, BFA/DFB
 Turner Prize, Exhibition Catalogue, Tate Britain
 How to Improve the World, Exhibition Catalogue, Hayward Gallery Press
 The Starry Messenger: Visions of the Universe, Exhibition Catalogue, Compton Verney
 SCAPE – Don’t Misbehave!, Exhibition Catalogue, Christchurch Art Gallery, New Zealand
 XII Biennale of Visual Arts, Exhibition Catalogue, Pancevo, Serbia
 Momentum (Nordic festival of Contemporary Art), Exhibition Catalogue, Moss, Norway
 EV+A, Exhibition Catalogue, Limerick
 Metropolis Rise, Exhibition Catalogue, CQL Design Centre, Shanghai
 Para todos los publicos, Exhibition Catalogue, Sala Rekalde, Bilbao2005Hidden Rythms, Exhibition Catalogue, Museum Het Valkhof, Nijmegen 
 The Hardest Thing to Draw is a Kiss, Exhibition Catalogue, Wimbledon School of Art
 Art Now Yearbook, Tate Publishing, January
 Sodio y asfalto, British Council, exhibition Catalogue
 British Art Show 6, Hayward Gallery Publishing2004Britannia Works, Exhibition Catalogue, British Council 
 Rear View Mirror, Exhibition Catalogue, Kettle’s Yard
 Asphalt and Neon, Exhibition Catalogue, British Council
 Expander, Exhibition Catalogue, Royal Academy of Art
 Nocturnal Emissions, Exhibition Catalogue, Groninger Museum
 Tate Art Now Yearbook, Tate Press
 The Secret History of Clay, Exhibition Catalogue, Tate Press
 Why and Why Not, Bookworks
 Annual, Exhibition Catalogue, KIAD Press
 Frieze Art Fair Yearbook 2004, Frieze Publications
 Now is Good, Exhibition Catalogue, Northern Gallery for Contemporary Art, Sunderland
 Happy Go Lucky, Exhibition Catalogue, VHDG, Leeuwarden2003Electric Earth, Film and Video from Britain, Exhibition Catalogue, British Council 
 Talking Pieces, Exhibition Catalogue, Museum Morsbroich, Leverkusen
 Fox, Dan, ‘Mark Titchner’, Frieze Art Fair Yearbook 2003, Frieze Publications
 Beasley, Mark, ‘Earache My Ear’, Ledworth, Colin, ‘Powers of Ten’2002City Racing 1999-1998, ICA, Black Dog Publishing 
 Playing Amongst the Ruins, Exhibition Catalogue, Royal College of Art
 The Galleries Show, Exhibition Catalogue, Royal Academy of Arts
 Mathematique, Exhibition Catalogue, Danielle Arnaud, London
 Platforms, Jubilee Arts
 Am Anfag der bewgung stand ein skandal, Lenbachhaus Museum2001Carey-Thomas, Lizzie, Art Now, Tate Britain 
 Riess, Ute, Talking Pieces, Exhibition Catalogue Text, Museum Morsbroich2000Multiples, Temple Bar Gallery, Dublin 1999Some Stuff, ZING, Spring 
 297 x 210, Arthur R Rose Publications1998Social Security, Exhibition Catalogue, Ex Teresa, Mexico City / Royal College of Art, London 1996Life/Live, Exhibition Catalogue, Museum of Modern Art, Paris Selected Articles2014Hill, Susannah. ‘Review: Diagrams, The Holden Gallery, Manchester’, Corridor 8 online, January 
 Cafe Gallery, Dilston Grove, ArtUpdate online, April 2014
 Gleeson. David, Review of Mark Titchner, CGP London, Aesthetica Blog, online,
 aestheticamagazine.com/blog/review-mark-titchner-cgp-london/, 17 April 20142013New Age of Aquarius, Cura, online, May 2013 
 Mark Titchner: A Naiad, ArtRabbit, online, April 20132012Hancox. Dan, And Then?, Frieze Magazine, January - February, 2012, pp.102-103 
 Lefèvre Jérôme. WE SHALL ARISE / QUESTIONS DE CONTEMPORANÉITÉ, dust-distiller.com2011Levine, Charlie. ‘Change the World or Go Home’, A-N Interface, October 26, 2011. http://www.a-n.co.uk/interface/reviews 
 Dixon, Tom. ‘Mark Titchner - I We It’, Openfile, October 27, 2011. http://openfileblog.blogspot.com
 Jacobs, Emma. ‘For Those About To Rock...’, Financial Times, July 1
 Titchner, Mark. ‘Home Of Metal’, ArtReview, May, pg 52.
 Beanland, Chris. ‘Praise the Sabbath: now Birmingham shows its metal’, The Independent, Friday May 6
 Art Paris - Just Art, Grand Paris 31.3-3.4.2011, www.artParis.fr2010Sherwin, Skye, Mark Titchner, Guardian Guide, 4 September, p.38 
 Gavin, Francesca, Power, Consumption and Lies, Twin Magazine
 Potts, Rachel, ‘A Multi-Faceted Zone of Protection’, Garageland, Issue 10, pp.22-25
 Cotton, Michelle. ‘The Dark Monarch’, Frieze, January - February, Issue 128, pg 1222009Eleftherios, Arelis, The Age Of Happiness, Nictoglobe, Online Magazine of Transmedial Arts & Acts Vol. 18, Ed. 4, Fall 2009 
 Titchner, Mark, ‘Futurama’, Art & Music, Issue 08, Winter 2009
 Griffin, Jonathan, ‘Material Presence’, Frieze, 7 January2008Gavin, Francesca, ‘Mark Titchner - Artist, On Religious Tracts’, Another Magazine, 15th issue 
 Bi-Annual Autumn/Winter, pg. 108
 I Can’t Make Out A Peace Sign To Save my Life, Dominikus Müller, Artnet, 20 November
 White Light, Founding and Fleetness, ARTLV_8: Prologue, September 27-October 18
 ‘Mark Titchner: In the Studio, Time Out, November 27- December 3 2008
 Jankowicz, Mia, ‘Fusion Now’, Frieze
 Saville, Helen, ‘Mark Titchner’, North East Times Magazine, 1 February
 ‘Run, Black River, Run’, Citylights, 8 February
 Whetstone, David, ‘Questioning the Truth’, The Journal, 30 January
 ‘Mark Titchner: Run, Black River, Run’, The Metro, 29 January2007Martin, Francesca, ‘Arts Diary’, The Guardian 
 Cohen, Louise, ‘Tube Giveaway Lets Commuters Take Art’, The London Paper
 Arts Professional, News
 ‘Take Home A Masterpiece for Free’, Metro
 Jones, Jonathon, ‘Art’s Bright Ideas Ignite Debate’, Guardian Unlimited Blog
 Mr Motley Magazine, NL
 Button, Virginia, ‘The Turner Prize’, Tate
 Thornton, Sarah, ‘Reality Art Show’, The New Yorker, March 192006Mulholland, Neil and Hunt, Andrew, ‘British Art (does it) Show?’ Frieze, January-February 
 Maddocks, Fiona, ‘Turner’s Poster Boy’, Evening Standard, March
 Herbert, Martin, ‘Mark Ttchner’, Art Monthly, April
 Hack, Jefferson, ‘Burning Questions’, Another Magazine
 ‘And Yet It Moves’, The Guardian Guide, 12 August
 Dorment, Richard, ‘’One Of The Most Exciting Artists In Britain Today’, The Telegraph, Wednesday 4 October
 Wullschlager, Jackie, ‘Turner prompts fresh attack on female body’, The Financial Times,
 Duguid, Hannah, ‘Mark Titchner: Turner Prize Nominee’, The Independent, September
 ‘Is Art Power?’ The Power 100 Issue, Art Review, November2005Wilson, Michael, ‘Words to Live By – Michael Wilson on the Art of Mark Titchner’, Artforum, May 2004Burnett, Craig, ‘20th Century Man’, Guardian Guide, 2 October 
 ‘Mark Titchner: 20th Century Man’, Flash Art, November
 Gruner, Fisun, ‘Baulking at Bulk’, Metro, 22 December
 Bedell, Geraldine, ‘The Best of British’, Observer Monthly Magazine, 31 October
 Wilsher, Mark, ‘Rear View Mirror’, Art Monthly issue 281
 ‘Exhibitions Pick of the Week’, Guardian Guide, 9 October
 ‘La Jornada de Enmedio’, La Jornada Newspaper, page 2, 9 July
 Excelsior Newspaper, page 5B, 24 July
 ‘Sodio y asfalto’, Donde Ir Magazine, page 92, July
 ‘Brillo y color’, El Norte, 5 November
 ‘Sodio y asfalto’, Quien Magazine, page 138, August
 ‘Sodio y asfalto’, Map Magazine, issue 1, Spring2003Beasley, Mark, ‘Black Magic Mind War’, Frieze: issue 74 
 Hammonds, Chris, ‘Mark Titchner’, Tema Celeste, issue 972002O’Reilly, Sally, ‘Exchange’, Frieze, May 
 Beasley, Mark, ‘Exchange’, Art Monthly, April
 Charlesworth, JJ, ‘Exchange’, Contemporary, April2001Beasley, Stephen, ‘Playing Amongst the Ruins’, Untitled, Summer 
 Littlefield, David, ‘Thanks for the Memory’, BLUEPRINT, March
 Musgrave, David, ‘Mark Titchner’, Untitled, March
 Maclaren, Duncan, ‘Mark Titchner’, The Independent on Sunday, 21/1
 Glover, Izi, ‘Mark Titchner’, Time Out, January2000Zakiewicz, Neil, ‘Invasive Properties’, Artists Newsletter, October 
 Price, Dick, ‘Mark Titchner & David Musgrave’, ZING, Fall
 Syd, Courtney, ‘Mind over Matter’, Sydney Morning Herald, 7/31999Beech, Dave, ‘New Build’, Art Monthly, November 
 Wilson, Michael, ‘Mark Titchner’, Art Monthly, July/August
 Maclaren, Duncan, ‘Heart & Soul’, Independent on Sunday, 5/9
 Jones , Jonathan, ‘Heart & Soul’, The Guardian, 24/8
 Williams, Gilda, ‘Heart & Soul’, Art Monthly, September
 Prince, Nigel, ‘Kling Klang’, ZING, Summer
 Coomer, Martin, ‘Art London’, Elipsis Press
 Farquharson, Alex, ‘Painting Lab’, Art Monthly, April
 Parmentier, Katrin, ‘Briten mit Pappnase’, Abendzeitung, Nuremberg, 2/10
 Urban, Regina, ‘Kreatives Mischverhaltnis’, NurnBerger, 2/101998Ashton, Edwina, ‘Mark Titchner’, Untitled, Summer 
 Coomer, Martin, ‘Mark Titchner’, Time Out, June
 Wade, Gavin, ‘Show 47 & Gonzo’, ZING, Summer
 Beech, Dave, ‘Sociable Realism’, Art Monthly, March
 Geraghty, Ian, ‘Show 47’, Untitled, Spring