Artist and filmmaker Lynn Hershman Leeson is acclaimed for the pioneering use of new technologies through which she deals with issues such as identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds. Her extensive career focuses on the changing relationship between the body and technology which led to her innovative work with artificial intelligence, biological computing, dna manipulation including bio printed body parts. Hershman Leeson’s work, more recently focuses on the ethical context surrounding genetics. As a film director she wrote, directed and produced *Strange Culture*, *Conceiving Ada* and *Teknolust*, all starring Tilda Swinton, which were in the Sundance Film Festival, Toronto International Film Festival and Berlin International Film Festival and her ground-breaking documentary *!Women Art Revolution* in 2011 has been screened at major museums internationally, also The Digital Art Museum in Berlin and Siggraph recognized her work with the develop digital art award (d.daa), for Lifetime Achievement Awards. Her retrospective of 2015, Civic Radar, organized by ZKM mediamuseum is currently at the Wilhelm Lehmbruch Museum. The accompanying catalogue CIVIC RADAR edited by Peter Weibel and published by Hatje Cantz and distributed by DAP was released in April 2016. Her work is in the collection of NY MOMA, SF MOMA, The Tate Modern and numerous private collections.

Born 1941, Cleveland, Ohio, United States

Lives and works in San Francisco, California and New York

1958B.S. Case Western Reserve University

1968M.A. San Francisco State University

Solo Exhibitions

2017Bridget Donahue, New York (upcoming)
Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California (upcoming)

2016Trans Genesis: Evaporations and Mutations, Vilma Gold, London
Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech
Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio
Lynn turning into Roberta, Vilma Gold, London
Liquid Identities: Lynn Hershman Leeson, Identities in the 21st Century, The Lehmbruck Museum, Duisburg, Germany

2015Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany
Lynn Hershman Leeson: Origins of the Species (Part 2), Modern Art Oxford, Oxford
Lynn Hershman Leeson: Origins of the Species, Bridget Donahue, New York

2014Lynn Hershman Leeson: Civic Radar, ZKM Center for Media and Art, Karlsruhe, Germany
How to Disapear, Aanant & Zoo, Berlin, Germany

2012Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Germany Catalogue with essays by Griselda Pollock, Laura Sillers
Museum of Contemporary Art, Krakow, Poland, Catalogue with an essay by Delfina Poltriach

2011Lynn Hershman Leeson: Investigations, Katherine E. Nash Gallery, University of Minnesota, co-organized with the Walker Art Center, Minneapolis
Waldburger Gallery, Brussels, Belgium, pamphlet with an essay by Katerina Gregos
Paule Anglim, San Francisco, CA

2010The Complete Roberta Breitmore, Whitworth Art Gallery, Manchester, UK

2008The Floating Museum Archive, New Langton Arts, San Francisco
Paule Anglim, San Francisco
Found Objects, bitforms gallery, New York
Lynn Hershman Leeson: No Body Special, DeYoung Museum, San Francisco with essays by Daniel Cornell, Steve Dietz, Rudolf Frieling, Donald Hess
CyberActive: The Work of Lynn Hershman Leeson, The Hess Collection, San Francisco

2007Autonomous Agents, Whitworth Art Gallery, University of Manchester

2006bitforms gallery, Seoul

2005Hershmalandia, Retrospective, Henry Art Museum, Seattle
1974-2004 Selected Work, bitforms gallery, New York
Paule Anglim, San Francisco

2004Lynn Hershman: Reactive Sculpture and Prints, bitforms gallery, New York

2002Paule Anglim, San Francisco

2001Lynn Hershman: Media and Identity. Sweeney Art Gallery, University of California, Riverside
Masquerades, University of Virginia Art Museum, Charlottesville,

2000Feminale Film Festival, Cologne, Germany. Featuring a tribute and retrospective of her films and videos

1999Tribute and Retrospective, The Kitchen, New York

1996Lynn Hershman: Captured Bodies of Resistance, Centre for Contemporary Art, Ujazdowski Castle, Warsaw
Lynn Hershman: Captured Bodies of Resistance, Leon Wyczolkowski Regional Museum, Bydgosz, Poland.
Treasures & Visions, Kunsthaus Graz, Graz, Austria.
Lynn Hershman: Neue Photos und Videoskulpturen, Lutz Teutloff Galerie, Cologne

1995Virtually Yours: Retrospective of Lynn Hershman, National Gallery of Canada, Ottawa
America’s Finest, Gallery Paule Anglim, San Francisco
Paranoid Mirror, Seattle Art Museum, Seattle

1994Richard L. Nelson Gallery and The Fine Arts Collection, University of California, Davis
Electronic Diary, Artists Space, New York
Room of One’s Own, Contemporary Arts Center, CincinnatiGroup Exhibitions

1992Lynn Hershman, Centre International de Création Vidéo, Montbéliard-Belfort, France

1991Lynn Hershman Retrospective, Institute of Contemporary Arts, London
Deep Contact, International Center of Photography, New York
Deep Contact: Video Lynn Hershman, Video Galleriet Huset, Copenhagen
Video Viewpoints: Lynn Hershman, Museum of Modern Art, New York

1990Lynn Hershman: Photographs Never Lie. Robert Koch Gallery, San Francisco

1984Lynn Hershman: Hero Sandwiches, The Alternative Museum, New York
Lynn Hershman: An Installation of Lorna/The First Interactive Laser Artdisk, Fuller Goldeen Gallery, San Francisco

1983An Environmental “Light” Opera for Fog, Film, and Recombinant News, Chain Reaction, Alice Tully Hall, Lincoln Center, New York

1981Non-Credited Americans, Wanamaker’s, Philadelphia
Hero Sandwiches, Annina Nosei Gallery, New York

1980One Story Building, Portland Center for the Visual Arts, Portland
Lynn Hershman, Musée d’Art Moderne, Nice

1979Two Stories Building, San Francisco Academy of Art, San Francisco

1978Lynn Hershman is Not Roberta Breitmore, Roberta Breitmore is Not Lynn Hershman, M. H. de Young Memorial Museum, San Francisco
Lynn Hershman’s New Works, Gallery Paule Anglim, San Francisco

1977Dream Weekend, Melbourne

197625 Windows: A Portrait of Bonwit Teller, Bonwit Teller, New York
Selected Past Projects, The Clocktower, Institute for Art and Urban Resources, New York

1975Lady Luck: A Double Portrait of Las Vegas, Circus Circus, Las Vegas
Reforming Familiar Environments, Home of Eleanor and Francis Ford Coppola, San Francisco
Lynn Hershman, Stefanotty Gallery, New York

1974Forming a Sculpture Drama in Manhattan, Hotel Chelsea, Central YWCA, and The Plaza, New York

1973The Dante Hotel. Dante Hotel, San Francisco

1972Lynn Hershman: Completed Fragments, Berkeley Art Museum, University of California, Berkeley

1970Lynn Lester Hershman, William Sawyer Gallery, San Francisco

1966Adventure of a Line: Drawing Experiences by Lynn Lester Hershman, Santa Barbara Museum of Art, Santa Barbara

1965Lynn Lester Hershman, Feingarten Galleries, Los Angeles

Group Shows

2016Art in Europe 1945 - 1965, Haus Der Kunst, Munich, Germany (upcoming)
Monsters of the Machine, Laboral Centro de Arte, Gijon, Spain (upcoming)
Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum of American Art, New York
Transitions, Zuckerman Museum of Art Galleries, Kennesaw State University, Kennesaw, Georgia
The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, California
Postwar: Art Between the Pacific and the Atlantic, Haus der Kunst, Munich, Germany
Opening Collection Exhibition, San Francisco Museum of Modern Art, San Francisco, California
Flavr Savr, The Pit, Glendale, California
Wait for Me at the Bottom of the Pool, Gladstone, Brussels, Belgium
On Item #8, Agnes Maybach Gallery, Köln, Germany
The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, California
Real Fine Arts Presents, New York, 809 Washington Street, New York, New York
Concept, Performance, Documentation, Language, Mitchell Algus Gallery, New York
The Imitation Game, Manchester Art Gallery, Manchester, UK
Electronic Superhighway, Whitechapel Gallery, London, UK

2015Technologism, Monash University, Melbourne, Australia
Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis
The Transformation Marathon, Serpentine Galleries, London, United Kingdom
Lynn Hershman Leeson, mi art, booth in THENnow section, Milan, Italy

2014Systems and Subjects, Museum der Moderne, Salzburg, Austria
Vertigo of Reality, Academy of Arts, Berlin, Germany with Olafur Eliasson, Bruce Nauman, Nam June Paik and others
Taking A Stand Against War, Lehmbruck Museum, Duisburg. Germany
Playback. Autocenter, Berlin, Germany with Eli Cortiñas
Pop Departures, Seattle Art Museum, Seattle with Barbara Kruger, Richard Prince and others
Women and Women being seen: Scott Nichols Gallery, San Francisco
Post Speculation, P! Curated by Prem Krishnamurthy and Carin Kuoni, New York

2013Skin Trade: an in depth look at the surface of things, P.P.O.W., New York
19 New Acquisitions, Museum of Modern Art, New York

2012Moments, A History of Performance in 10 Acts, ZKM Museum of Contemporary Art, Karlsruhe, Germany, with Adrien Piper, Marina Abromovic and Yvonne Rainer, Catalogue
Newtopia – Curated by Katerina Gregos, Mecheline, Belgium
State of Mind, UC Berkeley Art Museum & Pacific Film Archive, Berkeley, CA
A Bigger Splash, Painting After Performance, curated by Cahterine Wood, Tate Modern, London
Under the Big Black Sun, MOCA, Los Angeles
The Deconstructive Impulse, Contemporary Arts Museum of Huston, Texas

2011Double Life, Tate Modern, London
Under the Big Black Sun: California Art 1974–1981, The Geffen Contemporary at MOCA, Los Angeles (Catalogue Essays by Kristine Stiles, Paul Schimmel, Thomas Crow, Charles Desmarais)
State of Mind: New California Art Circa 1970, Orange County Museum of Art, Newport Beach, CA
Dolls- Figures of Projection in Contemporary Art, Museum Villa Rot, BurgriedenRot, Germany
Touched: A Space of Relations, bitforms gallery, New York
RESPONSE:ABILITY, transmediale.11, Haus der Kulteren Welt, Berlin
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1992, Neuberger Museum of Art, New York, Catalogue with essays by Kristine Stiles, Griselda Pollock, Nancy Princenthal, Helaine Posner, Tom McDonough
New Frontier, Sundance Film Festival, Park City and Salt Lake City, Utah

2010Know the Rules – Then Break Them, di Rosa Gatehouse Gallery, Napa CA
The Future Lasts Forever – An Autobiography of the San Francisco Bay Area, SF Camerawork, San Francisco
Now and When, San Francisco Arts Commission Gallery

2009Footloose, Galerie Waldburger, Brussels
BAC! CAM, Centre de Cultura Contemporania de Barcelona, Spain
Darkside II, Fotomuseum Winterthur, Switzerland
Futurist Life Redux, San Francisco Museum of Modern Art and Anthology Film Archives, New York
100 Years (version #2), PS1, New York
Art and Electronic Media, bitforms gallery, New York
Vistas / Vision of U-city, Incheon Digital Art Festival, Incheon, Korea
Primary Views, Monash University Museum of Art, Clayton, Australi

2008Verbund: Held Together With Water, Istanbul Museum of Modern Art, Istanbul
The Art of Participation: 1950 to Now, SF MoMA, San Francisco
DIALOG: Denver, Robischon Gallery, Denver
Zero One, San Jose, California
WACK! Art and the Feminist Revolution, Vancouver Art Gallery, Vancouver
WACK! Art and the Feminist Revolution, PS 1, New York

2007e-art: New Technologies and Contemporary Art - Ten Years of Accomplishments by the Daniel Langlois Foundation, Musée des Beaux-Arts, Montréal
Edinburgh International Film Festival, Edinburgh
Beauty and the Blonde, Kemper Art Museum, St. Louis
Video Positive, FACT (Foundation for Art and Creative Technology), Liverpool
Taiwan National Museum of Fine Arts, Taiwan
Fast Time Slow Bodies, MoCA Tapei, Taiwan
WACK! Art and the Feminist Revolution, Los Angeles Museum of Contemporary Art, Los Angeles
WACK! Art and the Feminist Revolution, National Museum of Women in the Arts,Washington D.C
Identity Theft: Eleanor Antin, Lynn Hershman, and Suzy Lake, 1972-78, Santa Monica Museum of Art, Santa Monica
Musée d’art Contemporain de Montréal, Montréal
Faith in Exposure, Netherlands Media Art Institute, Amsterdam
Berlin Film Festival, Berlin
San Francisco International Film Festival, San Francisco
Sundance Film Festival, Park City

20064th Seoul International Media Art Biennale, Media_City Seoul, Seoul Museum of Art, Seoul
Cyberfem. Feminisms in the Electronic Landscape, Espai d’Art Contemporani de Castelló, Castellón, Spain
Perspectives in New Media, bitforms gallery, Seoul
Zero One Festival, San Jose Museum of Art, San Jose
ARCO ’06, Art Fair in Madrid, Spain, with bitforms gallery, New York
All Digital. MOCA Cleveland
L’Altro, lo Stesso, Franco Soffiantino Arte Contemporanea, Turin
New Langton Arts, San Francisco
Wood Street Gallery, Pittsburgh

2005Inaugural Exhibition, bitforms gallery, Seoul
Only Skin Deep: Changing Visions of the American Self, San Diego Museum of
Art and The Museum of Photographic Arts, San Diego
Upstarts and Matriarchs: Jewish Women Artists and the Transformation…, Mizel Center for Arts and Culture, Denver
Inside Out Loud: Visualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington
University, St. Louis
Western Biennale of Art, John Natsoulas Center for the Arts, Davis, California
Techno/ Sublime: An Exhibition + Symposium, CU Art Museum, University of Colorado at Boulder

2004Tribeca Film Festival Awards Exhibit, Gallery Viet Nam, New York
Digital Avant-garde: Celebrating 25 Years of Ars Electronica, Eyebeam, New York
Ars Electronica, Linz, Austria
Villette Numerique 2004. Grande Halle, Parc de la Villete, Paris
Touch and Tempreature, bitforms gallery, New York

2003V2_, Dutch Electronic Art Festival, Rotterdam
Vectors: Digital Art of Our Time, 10th New York Digital Salon (at the World Financial Center Courtyard Gallery and Winter Garden), New York
Preview, bitforms gallery, New York
Identitat schreiben/Writing Identity—Autobiographie in der Kunst, Galerie für Zeitgenössische Kunst, Leipzig, Germany

2002High Tech/Low Tech Hybrids: Art in a Digital Age, Bedford Gallery, Dean Lesher Regional Center for the Arts, California
I-5 Resurfacing: Four Decades of California Contemporary Art, San Diego Museum of Art, San Diego
Bay Area Conceptualism, Pasadena Museum of California Art, Pasadena
Parallels and Intersections: Art/Women/California, 1950–2000, San Jose Museum of Art, San Jose
e.space. San Francisco Museum of Modern Art, San Francisco
Die Wohltat der Kunst. Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
PhotoGENEsis: Opus 2. Santa Barbara Museum of Art, Santa Barbara
Crimes and Misdemeanors. Contemporary Arts Center, Cincinnati
Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York
Only Skin Deep: Changing Visions of the American Self, Seattle Art Museum, Seattle

2001Beyond Boundaries, The Friends of Photography, San Francisco
Telematic Connections: The Virtual Embrace, San Francisco Art Institute, San Francisco
Double Life: Identität und Transformation in der Zeitgenössischen Kuns, Generali Foundation, Vienna
Avatars & Others. Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
AKT1/AKT2/AKT3, Kunsthalle Exnergasse, Vienna
Capturing Light: Masterpieces of California Photography, Oakland Museum of California, Oakland

2000Art Entertainment Network/Let’s Entertain. Walker Art Center, Minneapolis
Ich ist etwas Anderes (The Self Is Something Else). Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Media_City Seoul 2000, Seoul Metropolitan Museum of Art, Seoul
Made in California, 1900–2000, Los Angeles County Museum of Art, Los Angeles

1999Connected Cities, Wilhelm Lehmbruck Museum, Duisburg, Germany
Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
Net_Condition, NTT InterCommunication Center, Tokyo
Net_Condition, Museu d’Art Contemporani de Barcelona, Barcelona
Ars Electronica 99, Linz, Austria
Meaning and Message, Oakland Museum of California, Oakland
Digital Pioneers, The Museum of Modern Art, New York

1998Out of Actions: Actionism, Body Art & Performance 1949–1979, Museum of Contemporary Art, Los Angeles (Catalogue with essays by Paul Schimmel and Kristine Stiles)
Out of Actions: Actionism, Body Art & Performance 1949–1979, MAK-Austrian, Museum of Applied Arts, Vienna
Out of Actions: Actionism, Body Art & Performance 1949–1979, Museu d’Art Contemporani, Barcelona
Out of Actions: Actionism, Body Art & Performance 1949–1979, Museum of Contemporary Art, Tokyo
Avatar: Of Postmodern Times and Multiple Identities. Amsterdam
Body Méchanique: Artistic Exploration of Digital Realms. Wexner Center for the Arts, The Ohio State University, Columbus
Frauen am Computer, Frauenkino Xenia, Zurich

1997Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York
Photography After Photography. Siemens, Munich
Photography After Photography, Adelaide Festival, Adelaide, Australia
Photography After Photography, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
Photography After Photography, Finlands Fotografiska Museum, Helsinki
Das Neue Gesicht, Kunstverein Konstanz, Konstanz, Germany
New Realities: Hand-Colored Photographs 1839 to the Present, University of Wyoming Art Museum, Laramie
New Realities: Hand-Colored Photographs 1839 to the Present, Boise Art Museum, Boise
New Realities: Hand-Colored Photographs 1839 to the Present, James A. Michener Art Museum, Doylestown
New Realities: Hand-Colored Photographs 1839 to the Present, DeCordova Museum and Sculpture Park, Lincoln
New Realities: Hand-Colored Photographs 1839 to the Present, Yellowstone Art Center, Billings
Arte Chido, Antiguo Colegio de San Ildefonso, Mexico City
Interakt! Schlüsselwerke Interaktiver Kunst, April 27–June 15, Wilhelm Lehmbruck Museum, Duisburg, Germany
Deep Storage: Arsenale der Erinnerung, Haus der Kunst, Munich, Germany
Deep Storage: Collecting, Storing and Archiving in Art, P.S.1, New York
Deep Storage: Collecting, Storing and Archiving in Art, Henry Art Gallery, University of Washington, Seattle
Internationaler Video Kunstpreis. Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany

1996Ich @ Du: Communication and New Media. Museum für Gestaltung Zürich, Zürich
European Media Art Festival, Osnabrück, Germany
Sexual Politics: Judy Chicago’s The Dinner Party in Feminist Art History, Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles
Alternative Spaces/Medienwelten: Kultur im Sommer. Ausstellung Festung Rüsselsheim, Rüsselsheim, Germany
Discord, Sabotage of Realities, Kunstverein and Kunsthaus, Hamburg

1995Utopia/Dystopia, SF Camerawork and Yerba Buena Center for the Arts, San Francisco
New Interactive Art, Centre for Contemporary Art, Ujazdowski Castle, Warsaw
Video Positive, Tate Liverpool, Liverpool
Siemens Medienkunstpreis, Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany
New Interactive Electronic Art, Ikon Gallery, Birmingham
Art as Signal, Krannert Art Museum, University of Illinois
Champaign Obsessions: From Wunderkammer to Cyberspace, Rijksmuseum Twenthe, Enschede, The Netherlands
Cologne Art Fair, Lutz Teutloff Galerie, Cologne
Scenes of a Theory: The Artwork as Agent of Filmic Discourse, Depot, Vienna
Photography After Photography, Aktionsforum Praterinsel, Munich
Photography After Photography, Kunsthalle Krems, Krems, Austria
Städtische Galerie Erlangen, Erlangen, Germany
Brandenburgische Kunstammlungen, Cottbus, Germany
Museet for Fotokunst, Odense, Denmark
Fotomuseum Winterthur, Winterthur, Switzerland

1994Three Visions, Carpenter Center for the Visual Arts, Harvard University, Cambridge
Altered Egos, Santa Monica Museum of Art, Santa Monica
Arts Électroniques, Musée d’Art Contemporain de Montréal, Montréal
Conceptual Art from the Bay Area, Artists Space, New York
Doors of Perception 2: @Home, RAI Exhibition and Congress Centre, Amsterdam
Duchamp’s Leg, Walker Art Center, Minneapolis

1993Diaries: Michel, Long Beach Museum of Art, Long Beach
Disorderly Conduct, Auder, Sadie Benning, Lynn Hershman, George Kuchar. PPOW, New York
Künstliche Spiele, Medienlabor München, Munich
Art in the Age of Electronic Media, San Francisco Art Institute, San Francisco

1992“Bitte berühren”: Interaktive Videoinstallationen, ZKM, Karlsruhe, Germany
Through the Looking Glass: Artists’ First Encounters with Virtual Reality, Jack Tilton Gallery, New York
Art at the Armory: Occupied Territory, Chicago Avenue Armory, Chicago
Chicago Video and Orality, National Gallery of Canada, Ottawa

1991Currents, Institute of Contemporary Art, Boston
Interaktiivisen Mediataiteen Näyttely, Gallery Otso, Espoo, Finland
De-Persona, Oakland Museum of California, Oakland
Images du Futur ’91, La Cité des Arts et des Nouvelles Technologies, Montreal

1990Festival of New Journalism, Hallwalls, Buffalo
Video Witness: Bay Area Media, San Francisco Museum of Modern Art, San Francisco

1989Ars Electronica 89, Linz, Austria
Extended Definitions: Video Experiments in Perception, Artists Space, New York

1988Identity: Representations of the Self, Whitney Museum of American Art, New York
Guerilla Art, A Space, Toronto
Events by Eight Artists, Rochester Institute of Technology, Rochester

1987Corporate Crime/Malicious Mischief, Power and Mediation: A Fin de Siècle Tautology, University Art Gallery, University of California at San Diego, La Jolla

1986Tecnologia e informatica (part of XLII Biennale di Venezia), Venice Install-video-side, Galleria d’Arte Moderna, Bologna

1985Art in the San Francisco Bay Area: 1945–1980, Oakland Museum of California, Oakland

1984What’s Happening: Contemporary Art from California, Oregon, and Washington, The Alternative Museum, New York

1983Inside Self, Someone Else, Dayton Art Institute, Dayton

1981Persona, New Museum of Contemporary Art, New York
ICA Street Sights 2: Non-Credited Americans, Institute of Contemporary Art, University of Pennsylvania, Philadelphia

1980Women in Performance, Contemporary Arts Center, New Orleans

1979Space, Time, Sound: Conceptual Art in the San Francisco Bay Area: The 1970’s, San Francisco Museum of Modern Art, San Francisco

1978Museum des Geldes: über die seltsame Natur des Geldes in Kunst Wissenschaft und Leben II, Städtische Kunsthalle and Kunstverein für die Rheinlande und Westfalen, Düsseldorf

1977American Narrative/Story Art: 1976–1977, Contemporary Arts Museum, Houston
Open to New Ideas: A Collection of New Art for Jimmy Carter, Georgia Museum of Art, The University of Georgia, Athens
(H)errata, Angel Island, San Francisco

1976Rooms P.S.1, P.S.1, Institute for Art and Urban Resources, New York

1975Women, The Bronx Museum of the Arts, New York
Images of Women, Linda Ferris Gallery, Seattle

1974New Acquisitions, Berkeley Art Museum, University of California, Berkeley

1973Drawings, Richard Demarco Gallery, Edinburgh

1972The Games Show, San Francisco Art Institute, San Francisco

1969Drawings U.S.A.: Fourth Biennial, St. Paul Art Center, St. Paul, Minneapolis

196850th May Show: Annual Exhibition of Artists and Craftsmen of the Western Reserve, Cleveland Museum of Art, Cleveland

Awards

2012College Art Association, First Prize for Lifetime Contribution to Media Art Jury Prize, best film on Art, Montreal International Festival of Films on Art

2010d.velop Digital Art Award [ddaa] for Lifetime Achievement
Nathan Cummings Foundation Grant
Tides Foundation Grant
Kenneth Rainin Foundation and San Francisco Film Society, Narrative Film Grant for Killer App
Eureka Fellowship, supported by the Fleishhacker Foundation

2009John Simon Guggenheim Memorial Foundation Fellowship
ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art

2008Creative Capital Grant

2007Marlon Riggs Award, San Francisco Film Critics Circle, for innovative contribution to media, awarded for Strange Culture

2006ISEA/ZeroOne, Innovation Matters Award

2005National Endowment for the Arts Grant, Media
Stanford University Libraries acquired Hershman archive from 1966-2002 (alone with archives of Allen Ginsberg and Buckminster Fuller)
International Digital Media and Arts Association Award for Positive Innovations in Media

2002Alfred P. Sloan Foundation Feature Film Prize in Science and Technology, Hamptons International Film Festival, awarded for Teknolust

1999Golden Nica, Interactive Art, Ars Electronica, Linz, Austria, awarded for The Difference Engine #3

1995Anne Gerber Award, Seattle Art Museum, awarded for Paranoid Mirror
Siemens Media Art Prize, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (along with Peter Greenaway and Jean Baudrillard)
Cyberstar Award, WDR (Westdeutscher Rundfunk) Cologne and GMD, Cologne, Germany
Honorable Mention, Interactive Art, Ars Electronica, Linz, Austria, awarded for America’s Finest

1994Special tribute (Reaching through the Screen: A Tribute to Lynn Hershman), San Francisco International Film Festival; included retrospective of video work

1993Honorable Mention, Interactive Art, Ars Electronica, Linz, Austria, awarded for Room of One’s Own

1991Barbara Aronofsky Latham Memorial Award, Art Institute of Chicago, awarded for Conspiracy of Silence
Jonas Mekas Award, Humboldt International Short Film Festival, Arcata, California, awarded for Shadow’s Song
First Prize, Festival Internacional de Video Cidade de Vigo, Vigo, Spain, awarded for Seeing Is Believing

1990Grand Prize (Trophée de cristal), Montbéliard Video and Television Festival, Montbéliard, France, awarded for Longshot

1989Film of the Year, London Film Festival, British Film Institute, awarded for Longshot

1987Golden Gate Award, San Francisco International Film Festival, Chameleon

Films

2016Tania Libre

2010!Women Art Revolution

2007Strange Culture

2002Teknolust

1997Conceiving Ada

1986Electroniic Diary

Selected Screenings OF “Tania Libre aka Tania Bruguera: A State of Vulnerability”

2016Tate Modern, London, UK (upcoming)

Selected Screenings OF “!WOMEN ART REVOLUTION”

2016Screening in Special Screenings, NW Film Center, Portland Art Museum, Portland, Oregon, US

2015RA Schools Public Programme, London, (45 minutes showing and in conversation with Ciara Moloney)

2014The Parlour, Goldsmiths Hall, Trinity College Dublin

2013The Whitechapel Gallery, London

2012Ladyfest London & The London Public Library

2011Museum of Modern Art, New York
National Gallery of Art, Washington D.C
Whitechapel Art Gallery, London
Migros Museum, Zurich
Hammer Museum, Los Angeles
Walker Art Center, Minneapolis
Institute for Contemporary Art, Boston
Museum of Fine Arts, Boston
Detroit Institute of Arts
Phoenix Art Museum
Mildred Lane Kemper Art Museum, St. Louis
Museum of Fine Arts, Houston
Wexner Center for the Arts, Columbus
Jordan Schnitzer Museum of Art, Eugene OR
Oklahoma City Museum of Art
Sundance Film Festival, Park City UT
Berlin International Film Festival
San Francisco International Film Festival
Northwest Film Center, Portland OR
International House of Philiadelphia
Virginia Film Festival, Charlottesville
Northwest Film Forum, Seattle
Zeitgeist Multi-Disciplinary Art Center, New Orleans
IFC Center, New York

2010Toronto International Film Festival

Selected Screenings OF “Strange Culture”

2013MoMA PS1, New York

2012Aksioma, Institute of Contempoary Art, Lijubljana, Slovenia

2011The Sharing, Torino, Italy
Arsenal Berlin, Germany

2009Art Laboratory Berlin, Germany

2008Sundance Film Festival, Ohio
Berlin International Film Festival, Germnay

2007University of Manchester, UK
Wexner Center for the Arts, Ohio
San Francisco Museum of Modern Art, California

Selected Screenings OF ‘‘Teknolust’’

2015B3 Biennial of the Moving, Frankfurt, Germany
ZKM center for art and media, Karlsruhe, Germany

2014Glasgow Film Theatre, Scotland

2006University of Wisconsin, Wisconsin

2005University of Colorado Art Museum, Colorado

2003Berkeley Art Museum and Pacific Film Archive, California
Cambridge Film Festival, UK

2002Sundance Film Festival, Ohio
Hamptons International Film Festival, New York

Selected Screenings OF ‘‘Conceiving Ada’’

2013The Lang Center, New York

Bibliography

2016"Dreamlands: Immersive Cinema and Film, 1905-2016 at the Whitney Museum", Lee, Jongho, Eyes Towards the Dov
"An Overview of Frieze 2016 on the Fringe", aqnb, 31 October 2016e, 1 November 2016
" 8 Radical, Feminist Artists From The 1970s Who Shattered The Male Gaze", Frank, Priscilla Frank, The Huffington Post Online, Autumn 2016, 24th October 2016
“The Second Life of Net Art”, Gronlund, Melissa, Spike Art Quarterly, Autumn 2016, pg 75 - 83
“A Brief History of Cyberfeminism”, Scott, Izabella, Artsy Online, October 2016
“8 Works to Collect at EXPO CHICAGO”,Gotthardt, Alexxa, Artsy Online, September 2016
“PERSONAE OF INTEREST, Lynn Hershman Leeson and Juliana Huxtable in conversation”, Huxtable, Juliana, Artforum International, Summer 2016, pg. 313 - 319
“Hot Babe, Isobel Harbison Reconsiders the Issue of Obejectification in the Era of Social Media”, Harbison, Isobel, Art Monthly, No 395, April 2016, pg. 5-9
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“Lynn Hershman Leeson on Cyberfeminism, Genetics, and Retooling Technology for the Benefit of Humankind”, Thakara, Tess, Artsy Online, May 2016
“Lynn Hershman Leeson”, Archey, Karen, Art Review, Vol.67, May 2015, pg. 126-129
“Lynn Hershman Leeson is making a documentary about Tania Bruguera”, Greenberger, Alex, Art News Online, March 2016

2015"What We Know, Roberta, Frankfurt, Germany Review," Draganova, Viktoria, Frieze (online), 19 August 2015
“Civic Radar, Lynn Hershman Leeson” (ed.) Peter Wibel, ZKM Catalogue, Hattje Cantz Press
“Lynn Hershman Leeson, Origins of the Species (part 2) - always alert to the future, Modern Art Oxford” Cumming, Laura, The Guardian, Online, Sunday 31 May 2015
“Lynn Hershman Leeson, ZKM | Museum Of Contemporary Art, Karlsruhe, Germany”, Artforum, Diederichsen, Diedrich, May 2015, pg. 364
“Lynn Hershman Leeson, Zentrum Für Kunst Und Medientechnologie, Karlsruhe, Germany”, Simmons, William J, Frieze, March 2015, pg. 172-173
“Origins: Lynn Hershman Leeson in NYC”, Kaplan, Zachary, Rhizome Blog, 19 Febuary 2015
“Electronic Superhighway (2016 - 1966). Towards a possible future for Art and the Internet”, Laia, João, Mousse Magazine, No. 52, Febuary 2015, pg. 218-210
“Electronic Superhighway Review -50 years of internet sex and roadkill, Whitechapel Gallery”, Searle, Adrian, The Guardian, January 2015

2010“The Studio Present,” in Jacob, Mary Jane and Michelle Grabner (eds.), The Studio Reader: On the Space of Artists, The University of Chicago Press, pp. 218-219

2005“The Raw Data Diet, All-Consuming Bodies and the Shape of Things to Come,” Leonardo, vol. 38 no.3, MIT Press (cover)

2000“Virtual Space, Expanded Interaction and Infinite Surveillance: Techniques for the New Reality,” Felix voyeurism, vol. 2, no. 2. 1999, pp. 287-291
“Romantiserung des Antik–rpers. Gier und Begehren im (Cyber)space,” Ich ist etwas Anderes. Kunst am Ende des 20.
Jahrhunderts, Kunstammlung Nordrheiin-Westfalen, Dumont, pp. 60-65

1999“Difference Engine #3,” Artist’s Statement, Leonardo, vol. 32, no. 4, pp. 269-70

1996Hershman, Lynn, (ed.) Clicking In, Seattle: Bay Press
“Romancing the Antibody,” Kunstforum International, BD 132, Nov - Jan, pp. 158 - 167

1995“Lust and Longing in Cyberspace,” Kunstforum, Sept
“Romancing The Antibody,” Catalogue, Seattle Art Museum, Aug
“Preliminary Notes,” ZKM Medienalle Catalogue, May
Florian Rötzer. “Romantisierung des Antikörpers: Gier und Begehren im
(Cyber)space,” Trans. Kunstforum International, no. 132, Nov 1995–Jan 1996, pp. 158–67
Florian Rötzer. “Einleitende Bemerkungen,” Trans. In ZKM Siemens
Medienkunstpreis, exh. cat. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie (ZKM)
“Reflections and Preliminary Notes,” In Paranoid Mirror, exhibition catalogue Seattle: Seattle Art Museum
“Room of One’s Own – Again,” Cherche La Femme, Museum of Art, Hamburg

1994“The Fantasy Beyond Control: Lorna and Deep Contact,” Art and Design 9, Nov–Dec, pp. 32–37.
“Re Covered Diary,” High Performance 17 (Winter), pp. 52–53
[Contribution to] Hankwitz, Molly (ed.) Children, Youth & City: A Collaborative Publications Assemblage Book, San Francisco: Lure Art Books
“Room of One’s Own - Slightly Behind The Scenes,” in Druckery, Timothy, (ed.)
Iterations: the New Image, Cambridge and London: MIT Press, pp. 150 -156

1993“Art-ificial Sub-versions, Inter-action and the New Reality,” Camerawork 20, no. 1, cover and pp. 20-25, ill.
“Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork,”Leonardo 26, no.5, pp. 431- 436, ill.
“Lynn by Lynn,” Video Taide Media. Helsinki: Taide, p. 141

1992“Terminal Reality and the Disembodied Presence,” NACA Journal 1, pp. 117-124, ill.
“Preliminary Notes,” Chimaera Monographie: Lynn Hershman. Hérimoncourt, France: Édition du Centre International de Création Vidéo.
[Contribution to] “Words on Works,” Leonardo 25, no. 1, p. 93

1991“Changes in Performance.” Studio Art Magazine. Haifa, Israel, August, p. 63
“The Fantasy Beyond Control,” in Hall Doug, and Fifer, Sally Jo, (eds.),
Illuminating Video: An Essential Guide to Video Art, New York and San Francisco: Aperture in Association with the Bay Area Video Coalition, pp.267-273, ill.
[Contribution to] Pierre Restany, Le Coeur et la Raison, Musée des Jacobins, Morlaiz, France

1990“Photographs Never Lie” Zyzzyva 22, Summer, pp. 86-87, ill.
“The Electronic Diary -- An Ongoing Life Cycle,” Whitewalls 25 (Spring), pp 71-79, ill.
[Contribution to] Stretch Camera Project, Supplement to Shift 11, published by Artspace, San Francisco

1989“Die Fantasie ausser Kontrolle,” Kunstforum 104 (September - October), pp 232-239, ill.

1988“Lust and Anger: The Commodification of Marginality (excerpts from Seven Deadly Sins),” Cinematograph 3, pp 47-48
“The Function of Art in Culture Today,” High Performance 41/42, Spring- Summer, p. 47.

1987“Bodyheat: Interactive Media and Human Response,” High Performance 37, pp. 45-46, ill.
Lynn Hershman: Hero Sandwiches, Madison: Madison Art Center

1985“Politics and Interactive Media Art,” Journal of Contemporary Studies 8, no. 1, Winter-Spring, pp. 62-70, ill. Reprinted in Corporate Crime/Malicious
Mischief. San Diego: Installation Press, 1987

1982Van Bibber, Jack, and Sonino, Michael, (eds.), “Imprisoned Eggs for Timothy Leary,” in California Artists Cookbook, New York: Abbeville Press, pp. 156-157, ill.
“Objective Self/Kristine Stiles -- A Dialogue/Subjective Referent,” in Stiles, Kristine, (ed.), Questions 1977-1982, San Francisco: KronOscope Press

1978Global Passport, San Francisco: San Francisco Museum of Modern Art. Catalogue/guide to The Floating Museum, Global Space Invasion (Phase II), Jul 7- Aug 20.
“Floating Spaces: Notes on a Portable Alternative,” The New Arts Space: A Summary of Alternative Visual Arts Organizations Prepared in Conjunction with a Conference, Los Angeles Institute of Contemporary Art, pp. 33-34
“Reflections on the Electric Mirror,” in Battcock, Gregory, (ed.), New Artists Video: A Critical Anthology, New York: Dutton

1977“California Oggi,” Data 27, Jul-Sep, pp. 50-55, ill.; English translation, pp. 1-2
“The Floating Museum Phase I and Phase II,” La Mamelle Magazine: Art Contemporary, vol. 2, no. 8, p. 66, ill.

1976Lady Luck: A Double Portrait of Las Vegas, Artist’s book documenting a work presented at the Circus Circus Casino and Spa, Las Vegas, Nevada, Mar 2, 1975
“Roberta Breitmore: An Alchemical Portrait Begun in 1975,” La Mamelle: Art Contemporary 5, pp. 24-27, ill.

1975Forming a Sculptured/Drama in Manhattan, New York: Marginal Art and Stefanotty Gallery, Artist’s book/documentation of installations at the Chelsea and Plaza Hotels, and the Y.W.C.A. in New York, Oct 21 - Dec 15, 1974
“Behind the Running Fence,” Currant, Jun-Jul, pp. 8-9, ill.
Re:Forming Familiar Environments, Artist’s book/documentation of installation with Eleanor Coppola, San Francisco, May
[Contributions to] Paul Kagawa, (ed.), A Survey of Alternative Art Spaces: Floating Seminar #2, San Francisco: The Floating Seminar.

1974Y.W.C.A.: October 27-31, 1974, Artist’s book/documentation of Y.W.C.A. installation, New York, Surrounding Areas, Walnut Creek, California
Civic Arts Gallery, exhibition catalogue Plaza Hotel: November 2-3, 1974, Artist’s book/documentation of Plaza Hotel installation, New York

1973“Interview with [Dennis] Oppenheim,” Studio International 960, Nov, pp. 196-197, ill.
“Visual Arts at the Edinburgh Festival,” Studio International 959, Oct, pp. 158- 160, ill.
“Slices of Silence, Parcels of Time: The Book as Portable Sculpture,” Artists Books, exhibition catalogue, Philadelphia: Moore College of Art, pp. 8-14

1972“Jack the Ripper: Alive and Well in San Francisco,” Artweek, Oct 21, pp. 22-23 ill. Lynn Hershman interviews Jack Chipman.
“Tom Marioni: On Record,” Artweek, May 6, p. 2. Interview conducted by Lynn Hershman.

1971“De Forest is De Forest is De Forest” Artweek, Nov 27, p. 1, ill.

Panels and Lecures Since 1994

2010“The Complete Roberta Breitmore Symposium,” Whitworth Art Gallery, Manchester, UK. Apr 24
“75 Years of Looking Forward,” San Francisco Museum of Modern Art. Jan 15

2009Houston Cinema Arts Festival, with Patricia Zimmerman and Tilda Swinton
“Renegade Art and Democracy,” Sonoma, CA. Oct 4

2008Featured Speaker, “Women and Courage,” Omega Institute, Rhinebeck, NY.

2006“Can We Fall in Love With a Machine,” College Art Association Panel, Boston. Feb 25.
“Artists on Film,” Sundance Film Festival. Jan 22
“All Digital,” Cleveland Museum of Contemporary Art, Cleveland

2005“Clones, Tele-Robots and AI: The Multi-Media Art of Lynn Hershman Leeson,”
The Commonwealth Club of California, San Francisco. Dec 6
“Hershmanlandia,” Henry Art Gallery, Seattle. Nov 4
Guest Lecture, DX Arts: Center for Digital Arts and Experimental Media, University of Washington, Seattle. Nov 2
Virtual Minds: Kongress fur Fiktive Figuren, Bremen, Germany, Feb 27-Mar 28

2003“Conversations with Artists,” Los Angeles County Museum of Art, Nov 6
“Great Cities, Great Ideas,” Forum Series, Regency Center, San Francisco, Oct 20
“030303: Collective Play,” Intel Research Laboratory, Berkeley, Mar 3
“Making Movies by the Bay,” San Francisco, Feb 26
International Media Art Festival, Berlin, Feb 1-5

2002“Conversation between B. Ruby Rich and Lynn Hershman Leeson,” San Francisco Film Society, San Francisco, Jun 13
“Vision: Filmmakers in Conversation”, Film Arts Foundation, San Francisco, Mar 25

2000“Interactive Net Works,” University of Ulster, Belfast, Dec
“Interactive Net Works,” Maryland Institute of Art, Nov
“Photography and the Digital Age,” Columbia College, Chicago, Nov
“The Work of Art in the Age of Digital Technology,” UC Davis, May 19
“Artists in the Digital Age,” Bay Area Video Coalition, San Francisco, May 3
“High Touch/High Tech: Making Art in the 21st Century,” Oakland Museum, Apr 8
“Sins of Change: Media Arts in Transition,” Walker Art Center, Minneapolis, Minnesota, Apr 6-8
“Connected Cities,” Wilhelm Lehmbruck Museum, Duisberg, Germany

1999Public Lecture. Columbia College Chicago. Nov 11
“Interactivity- Digital Film,” UCLA Design and Media Department, Mar 13
“Phantom Limbs and other Cyborgs,” Oakland Museum, Mar 12.
“Social Simulation in the Digital Domain,” College Art Association, New York, Feb 24
“Crash,” U.C. Berkeley Symposium on Critical Issues in Net Art, Feb 16-19
“A Brief History,” Napa Arts Council, Napa, California.
International Film Financing Conference, Jan. S.F. Digital Films
Museum of Modern Art, New York
The Kitchen Center for Art and Music
Ars Electronica, Austria
Lehmbruck Museum, Duisberg
“Mediamatic”, Doors of Perception Conference, Netherlands Design Insitute

1998“Tracking the Avant-Garde: From Spectacle to Commodity,” Society for Photographic Education Western Regional Conference. San Francisco Art Institute, San Francisco, Ca. Nov 6, 7. Featured Speaker.
“Weaving and the Consumption of Memory” Digitale Schnitte/Digital Cuts, Cinemathek Köln im Museum Ludwig, Oct 29
“Interactivity, Electronic Cinema, and Infinite Time,” University of Virginia, Office of Information Technolologies, Digital Directions Speakers Series
Charlottesville, Oct 31, Demonstration and Lecture.

1997“Visual Doublespeak,” Panel Discussion, Goethe Institut of San Francisco, Nov
Chik-Tek 97, San Jose Museum of Art in conjunction with CADRE Insitute, San Jose State University and Art-Tech: Silicon Valley Institute of Art and Technology. Nov 2.
“Clicking In- Digital Cinema- Infinite Reality,” Mediasalon ‘Theatralitaet-Medialitaet’ Jun 3-8, Bayerisches Staatschauspiel, Munich, Germany
“Clicking In: Hot Links to a Digital Culture,” Museum of Contemporary Art, Los Angeles, California, Jun
“John Cassavetes and Shadows.” Guest programmer and presenter, The Indelible Images Series, 40th San Francisco Film Festival Catalogue, Apr 24- May 8
“Clicking In: Digital Cinema, Virtual Sets and Infinite Reality,” Art, Technology and Culture Lecture Series. University of California, Berkeley. Mar 31
“Virtual Sets, Infinite Reality: The History of Electronic Arts,” Washington State University, Mar 27
“An evening with Lynn Hershman Leeson,” Film Arts Foundation, May 27.
“Who Owns the Images on the Internet,” Tech Nation Americans and Technology, with Dr. Moira Gunn, KQED-FM, Feb
“Romantizar el anti-cuerpo,” Arte en la Era Electronica, Centre of Contemporary Culture, Barcelona, Spain, Jan 30

1996“A Filmmaker’s Toolkit: Putting Your Career Together,” Moderator, Outdoor Art Club, Mill Valley Film Festival, California, Oct 12
Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, University of California Press, Kristine Stiles and Peter Selz
“Women & Interactivity,” Camerawork Conference. Sep

1995ZKM, Karlsruhe, Germany Siemens Award

1994Art Institute of Chicago, Chicago Illinois, Nov 28
Virginia Festival of American Film, Nov
Seattle Museum of Art, Seattle, Washington
Yerba Buena Center for the Arts, in conjunction with San Francisco Cameraworks and The Lab
National Gallery of Canada, Ottowa

Selected Collections

San Francisco Museum of Modern Art (SFMOMA), San Francisco, (The Agent Ruby Files)
Tate Modern, London (4 prints of Roberta Breitmore prints)
Stanford University Libraries, Stanford (Working archive including 118 file boxes of preliminary conceptual research and drawings, technical specifications, media, correspondence, and photographs
Museum of Modern Art, New York (Roberta Breitmore (31 art works), 4 films and 8 videotapes)
Walker Art Center, Minneapolis (Lorna, Roberta Breitmore Selection)
Whitworth Art Gallery, Manchester (Roberta Breitmore 3/3)
University Art Museum, Berkeley (Roberta Breitmore Selections)
Los Angeles County Museum of Contemporary Art, Los Angeles (10 Roberta Photographs)
Seattle Museum of Art, Seattle (Paranoid Mirror)
ZKM Media Museum, Karlsruhe, Germany (Difference Engine 3, Lorna, America’s Finest, 2 videotapes)
Willhelm Lehmbruck Museum, Duisberg, Germany (Room of One’s Own)
National Gallery of Canada, Ottowa (Room of One’s Own)
Oakland Art Museum, Oakland (Phantom Limb Photographs (3))
Museum of Contemporary Art, Warsaw, Poland (Lorna)
DG Bank, Frankfurt (Phantom Limb photographs (5))
Auchenbach Foundation for Graphic Arts, San Francisco (Roberta Dye Transfer)
Niles Collection of Women Artists, San Francisco (Cyborg Photograph)
Donald Hess, Bern, Switzerland (America’s Finest, Lorna, Deep Contact, Room of One’s Own, Cyber Roberta, Synthia Stock Ticker, Roberta Breitmore)
Arturo Schwarz Collection, Milan (Robert, Early Collages and Sculpture)
Ruth and Alan Stein Collection, San Francisco (Cyborg Light Box)
Leonard Cuneaud Collection, Bern, Switzerland (America’s Finest)
Lutz Teutloff Collection, Bielefield, Germany and Toronto, Canada (Phantom Limb, Digital Venus, Cyborg Photographs)
Jonathon Carroll Collection, United Kingdom (America’s Finest, Phantom Limb “Seduction” and “Shutter”)
Richard Sandor Collection, United States (Roberta Construction Chart #2, Phantom Limb “TV Legs”)
Steven and Livia Russell, United States (Phantom Limb “Seduction”)
Michael and Nina Zilkha, Houston Texa s (Numerous works)
David Packard, San Francisco, California (Self Portrait As Another Person)