Lynn Hershman Leeson

  • Artist and filmmaker Lynn Hershman Leeson is acclaimed for the pioneering use of new technologies through which she deals with issues such as identity in a time of consumerism, privacy in a era of surveillance, interfacing of humans and machines, and the relationship between real and virtual worlds. Her extensive career focuses on the changing relationship between the body and technology which led to her innovative work with artificial intelligence, biological computing, dna manipulation including bio printed body parts. Hershman Leeson’s work, more recently focuses on the ethical context surrounding genetics. As a film director she wrote, directed and produced *Strange Culture*, *Conceiving Ada* and *Teknolust*, all starring Tilda Swinton, which were in the Sundance Film Festival, Toronto International Film Festival and Berlin International Film Festival and her ground-breaking documentary *!Women Art Revolution* in 2011 has been screened at major museums internationally, also The Digital Art Museum in Berlin and Siggraph recognized her work with the develop digital art award (d.daa), for Lifetime Achievement Awards. Her retrospective of 2015, Civic Radar, organized by ZKM mediamuseum is currently at the Wilhelm Lehmbruch Museum. The accompanying catalogue CIVIC RADAR edited by Peter Weibel and published by Hatje Cantz and distributed by DAP was released in April 2016. Her work is in the collection of NY MOMA, SF MOMA, The Tate Modern and numerous private collections.

  • Trans Genesis: Evaporations and Mutations, Vilma Gold, London, 2016, Installation View

  • Trans Genesis: Evaporations and Mutations, Vilma Gold, London, 2016, Installation View

  • Lorna, Whitechapel Gallery, London, 2016, Installation view

  • Breathing Machine IV, 1968

  • Self Portrait as a Blond, 1967

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

     

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Phantom Limb Test 7, 1987, gelatin silver print, 25.4 x 46.9 cm, 10 x 18 1/2 ins

  • Shutter, 1986, gelatin silver print, 60 x 50 cm, 24 x 20 ins

  • Parton / Wayne 2, 1980-­88, chromogenic print, 20.3 x 24.1 cm, 8 x 9 1/2 ins

  • Untitled 108, 1964, acrylic and ink on canvas, 40.6 x 27.9 cm, 16 x 11 ins

  • Untitled 42, 1963, Watercolour, pencil, ink and acrylic on paper, framed, 20.3 x 27.9 cm, 8 x 11 ins

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Lynn Hershaman Leeson: Origins of the Species (Part 2), Modern art Oxford, Oxford, UK, 2015, installation view, courtesy Modern Art Oxford, photo: Andy Stagg

  • Born 1941, Cleveland, Ohio, United States

    Lives and works in San Francisco, California and New York

    1958B.S. Case Western Reserve University

    1968M.A. San Francisco State University

    Solo Exhibitions

    2017Bridget Donahue, New York (upcoming)
    Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California (upcoming)

    2016Trans Genesis: Evaporations and Mutations, Vilma Gold, London
    Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech
    Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio
    Lynn turning into Roberta, Vilma Gold, London
    Liquid Identities: Lynn Hershman Leeson, Identities in the 21st Century, The Lehmbruck Museum, Duisburg, Germany

    2015Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany
    Lynn Hershman Leeson: Origins of the Species (Part 2), Modern Art Oxford, Oxford
    Lynn Hershman Leeson: Origins of the Species, Bridget Donahue, New York

    2014Lynn Hershman Leeson: Civic Radar, ZKM Center for Media and Art, Karlsruhe, Germany
    How to Disapear, Aanant & Zoo, Berlin, Germany

    2012Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Germany Catalogue with essays by Griselda Pollock, Laura Sillers
    Museum of Contemporary Art, Krakow, Poland, Catalogue with an essay by Delfina Poltriach

    2011Lynn Hershman Leeson: Investigations, Katherine E. Nash Gallery, University of Minnesota, co-organized with the Walker Art Center, Minneapolis
    Waldburger Gallery, Brussels, Belgium, pamphlet with an essay by Katerina Gregos
    Paule Anglim, San Francisco, CA

    2010The Complete Roberta Breitmore, Whitworth Art Gallery, Manchester, UK

    2008The Floating Museum Archive, New Langton Arts, San Francisco
    Paule Anglim, San Francisco
    Found Objects, bitforms gallery, New York
    Lynn Hershman Leeson: No Body Special, DeYoung Museum, San Francisco with essays by Daniel Cornell, Steve Dietz, Rudolf Frieling, Donald Hess
    CyberActive: The Work of Lynn Hershman Leeson, The Hess Collection, San Francisco

    2007Autonomous Agents, Whitworth Art Gallery, University of Manchester

    2006bitforms gallery, Seoul

    2005Hershmalandia, Retrospective, Henry Art Museum, Seattle
    1974-2004 Selected Work, bitforms gallery, New York
    Paule Anglim, San Francisco

    2004Lynn Hershman: Reactive Sculpture and Prints, bitforms gallery, New York

    2002Paule Anglim, San Francisco

    2001Lynn Hershman: Media and Identity. Sweeney Art Gallery, University of California, Riverside
    Masquerades, University of Virginia Art Museum, Charlottesville,

    2000Feminale Film Festival, Cologne, Germany. Featuring a tribute and retrospective of her films and videos

    1999Tribute and Retrospective, The Kitchen, New York

    1996Lynn Hershman: Captured Bodies of Resistance, Centre for Contemporary Art, Ujazdowski Castle, Warsaw
    Lynn Hershman: Captured Bodies of Resistance, Leon Wyczolkowski Regional Museum, Bydgosz, Poland.
    Treasures & Visions, Kunsthaus Graz, Graz, Austria.
    Lynn Hershman: Neue Photos und Videoskulpturen, Lutz Teutloff Galerie, Cologne

    1995Virtually Yours: Retrospective of Lynn Hershman, National Gallery of Canada, Ottawa
    America’s Finest, Gallery Paule Anglim, San Francisco
    Paranoid Mirror, Seattle Art Museum, Seattle

    1994Richard L. Nelson Gallery and The Fine Arts Collection, University of California, Davis
    Electronic Diary, Artists Space, New York
    Room of One’s Own, Contemporary Arts Center, CincinnatiGroup Exhibitions

    1992Lynn Hershman, Centre International de Création Vidéo, Montbéliard-Belfort, France

    1991Lynn Hershman Retrospective, Institute of Contemporary Arts, London
    Deep Contact, International Center of Photography, New York
    Deep Contact: Video Lynn Hershman, Video Galleriet Huset, Copenhagen
    Video Viewpoints: Lynn Hershman, Museum of Modern Art, New York

    1990Lynn Hershman: Photographs Never Lie. Robert Koch Gallery, San Francisco

    1984Lynn Hershman: Hero Sandwiches, The Alternative Museum, New York
    Lynn Hershman: An Installation of Lorna/The First Interactive Laser Artdisk, Fuller Goldeen Gallery, San Francisco

    1983An Environmental “Light” Opera for Fog, Film, and Recombinant News, Chain Reaction, Alice Tully Hall, Lincoln Center, New York

    1981Non-Credited Americans, Wanamaker’s, Philadelphia
    Hero Sandwiches, Annina Nosei Gallery, New York

    1980One Story Building, Portland Center for the Visual Arts, Portland
    Lynn Hershman, Musée d’Art Moderne, Nice

    1979Two Stories Building, San Francisco Academy of Art, San Francisco

    1978Lynn Hershman is Not Roberta Breitmore, Roberta Breitmore is Not Lynn Hershman, M. H. de Young Memorial Museum, San Francisco
    Lynn Hershman’s New Works, Gallery Paule Anglim, San Francisco

    1977Dream Weekend, Melbourne

    197625 Windows: A Portrait of Bonwit Teller, Bonwit Teller, New York
    Selected Past Projects, The Clocktower, Institute for Art and Urban Resources, New York

    1975Lady Luck: A Double Portrait of Las Vegas, Circus Circus, Las Vegas
    Reforming Familiar Environments, Home of Eleanor and Francis Ford Coppola, San Francisco
    Lynn Hershman, Stefanotty Gallery, New York

    1974Forming a Sculpture Drama in Manhattan, Hotel Chelsea, Central YWCA, and The Plaza, New York

    1973The Dante Hotel. Dante Hotel, San Francisco

    1972Lynn Hershman: Completed Fragments, Berkeley Art Museum, University of California, Berkeley

    1970Lynn Lester Hershman, William Sawyer Gallery, San Francisco

    1966Adventure of a Line: Drawing Experiences by Lynn Lester Hershman, Santa Barbara Museum of Art, Santa Barbara

    1965Lynn Lester Hershman, Feingarten Galleries, Los Angeles

    Group Shows

    2016Art in Europe 1945 - 1965, Haus Der Kunst, Munich, Germany (upcoming)
    Monsters of the Machine, Laboral Centro de Arte, Gijon, Spain (upcoming)
    Dreamlands: Immersive Cinema and Art, 1905-2016, Whitney Museum of American Art, New York
    Transitions, Zuckerman Museum of Art Galleries, Kennesaw State University, Kennesaw, Georgia
    The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, California
    Postwar: Art Between the Pacific and the Atlantic, Haus der Kunst, Munich, Germany
    Opening Collection Exhibition, San Francisco Museum of Modern Art, San Francisco, California
    Flavr Savr, The Pit, Glendale, California
    Wait for Me at the Bottom of the Pool, Gladstone, Brussels, Belgium
    On Item #8, Agnes Maybach Gallery, Köln, Germany
    The Politics of Portraiture, Jessica Silverman Gallery, San Francisco, California
    Real Fine Arts Presents, New York, 809 Washington Street, New York, New York
    Concept, Performance, Documentation, Language, Mitchell Algus Gallery, New York
    The Imitation Game, Manchester Art Gallery, Manchester, UK
    Electronic Superhighway, Whitechapel Gallery, London, UK

    2015Technologism, Monash University, Melbourne, Australia
    Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis
    The Transformation Marathon, Serpentine Galleries, London, United Kingdom
    Lynn Hershman Leeson, mi art, booth in THENnow section, Milan, Italy

    2014Systems and Subjects, Museum der Moderne, Salzburg, Austria
    Vertigo of Reality, Academy of Arts, Berlin, Germany with Olafur Eliasson, Bruce Nauman, Nam June Paik and others
    Taking A Stand Against War, Lehmbruck Museum, Duisburg. Germany
    Playback. Autocenter, Berlin, Germany with Eli Cortiñas
    Pop Departures, Seattle Art Museum, Seattle with Barbara Kruger, Richard Prince and others
    Women and Women being seen: Scott Nichols Gallery, San Francisco
    Post Speculation, P! Curated by Prem Krishnamurthy and Carin Kuoni, New York

    2013Skin Trade: an in depth look at the surface of things, P.P.O.W., New York
    19 New Acquisitions, Museum of Modern Art, New York

    2012Moments, A History of Performance in 10 Acts, ZKM Museum of Contemporary Art, Karlsruhe, Germany, with Adrien Piper, Marina Abromovic and Yvonne Rainer, Catalogue
    Newtopia – Curated by Katerina Gregos, Mecheline, Belgium
    State of Mind, UC Berkeley Art Museum & Pacific Film Archive, Berkeley, CA
    A Bigger Splash, Painting After Performance, curated by Cahterine Wood, Tate Modern, London
    Under the Big Black Sun, MOCA, Los Angeles
    The Deconstructive Impulse, Contemporary Arts Museum of Huston, Texas

    2011Double Life, Tate Modern, London
    Under the Big Black Sun: California Art 1974–1981, The Geffen Contemporary at MOCA, Los Angeles (Catalogue Essays by Kristine Stiles, Paul Schimmel, Thomas Crow, Charles Desmarais)
    State of Mind: New California Art Circa 1970, Orange County Museum of Art, Newport Beach, CA
    Dolls- Figures of Projection in Contemporary Art, Museum Villa Rot, BurgriedenRot, Germany
    Touched: A Space of Relations, bitforms gallery, New York
    RESPONSE:ABILITY, transmediale.11, Haus der Kulteren Welt, Berlin
    The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power, 1973 – 1992, Neuberger Museum of Art, New York, Catalogue with essays by Kristine Stiles, Griselda Pollock, Nancy Princenthal, Helaine Posner, Tom McDonough
    New Frontier, Sundance Film Festival, Park City and Salt Lake City, Utah

    2010Know the Rules – Then Break Them, di Rosa Gatehouse Gallery, Napa CA
    The Future Lasts Forever – An Autobiography of the San Francisco Bay Area, SF Camerawork, San Francisco
    Now and When, San Francisco Arts Commission Gallery

    2009Footloose, Galerie Waldburger, Brussels
    BAC! CAM, Centre de Cultura Contemporania de Barcelona, Spain
    Darkside II, Fotomuseum Winterthur, Switzerland
    Futurist Life Redux, San Francisco Museum of Modern Art and Anthology Film Archives, New York
    100 Years (version #2), PS1, New York
    Art and Electronic Media, bitforms gallery, New York
    Vistas / Vision of U-city, Incheon Digital Art Festival, Incheon, Korea
    Primary Views, Monash University Museum of Art, Clayton, Australi

    2008Verbund: Held Together With Water, Istanbul Museum of Modern Art, Istanbul
    The Art of Participation: 1950 to Now, SF MoMA, San Francisco
    DIALOG: Denver, Robischon Gallery, Denver
    Zero One, San Jose, California
    WACK! Art and the Feminist Revolution, Vancouver Art Gallery, Vancouver
    WACK! Art and the Feminist Revolution, PS 1, New York

    2007e-art: New Technologies and Contemporary Art - Ten Years of Accomplishments by the Daniel Langlois Foundation, Musée des Beaux-Arts, Montréal
    Edinburgh International Film Festival, Edinburgh
    Beauty and the Blonde, Kemper Art Museum, St. Louis
    Video Positive, FACT (Foundation for Art and Creative Technology), Liverpool
    Taiwan National Museum of Fine Arts, Taiwan
    Fast Time Slow Bodies, MoCA Tapei, Taiwan
    WACK! Art and the Feminist Revolution, Los Angeles Museum of Contemporary Art, Los Angeles
    WACK! Art and the Feminist Revolution, National Museum of Women in the Arts,Washington D.C
    Identity Theft: Eleanor Antin, Lynn Hershman, and Suzy Lake, 1972-78, Santa Monica Museum of Art, Santa Monica
    Musée d’art Contemporain de Montréal, Montréal
    Faith in Exposure, Netherlands Media Art Institute, Amsterdam
    Berlin Film Festival, Berlin
    San Francisco International Film Festival, San Francisco
    Sundance Film Festival, Park City

    20064th Seoul International Media Art Biennale, Media_City Seoul, Seoul Museum of Art, Seoul
    Cyberfem. Feminisms in the Electronic Landscape, Espai d’Art Contemporani de Castelló, Castellón, Spain
    Perspectives in New Media, bitforms gallery, Seoul
    Zero One Festival, San Jose Museum of Art, San Jose
    ARCO ’06, Art Fair in Madrid, Spain, with bitforms gallery, New York
    All Digital. MOCA Cleveland
    L’Altro, lo Stesso, Franco Soffiantino Arte Contemporanea, Turin
    New Langton Arts, San Francisco
    Wood Street Gallery, Pittsburgh

    2005Inaugural Exhibition, bitforms gallery, Seoul
    Only Skin Deep: Changing Visions of the American Self, San Diego Museum of
    Art and The Museum of Photographic Arts, San Diego
    Upstarts and Matriarchs: Jewish Women Artists and the Transformation…, Mizel Center for Arts and Culture, Denver
    Inside Out Loud: Visualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington
    University, St. Louis
    Western Biennale of Art, John Natsoulas Center for the Arts, Davis, California
    Techno/ Sublime: An Exhibition + Symposium, CU Art Museum, University of Colorado at Boulder

    2004Tribeca Film Festival Awards Exhibit, Gallery Viet Nam, New York
    Digital Avant-garde: Celebrating 25 Years of Ars Electronica, Eyebeam, New York
    Ars Electronica, Linz, Austria
    Villette Numerique 2004. Grande Halle, Parc de la Villete, Paris
    Touch and Tempreature, bitforms gallery, New York

    2003V2_, Dutch Electronic Art Festival, Rotterdam
    Vectors: Digital Art of Our Time, 10th New York Digital Salon (at the World Financial Center Courtyard Gallery and Winter Garden), New York
    Preview, bitforms gallery, New York
    Identitat schreiben/Writing Identity—Autobiographie in der Kunst, Galerie für Zeitgenössische Kunst, Leipzig, Germany

    2002High Tech/Low Tech Hybrids: Art in a Digital Age, Bedford Gallery, Dean Lesher Regional Center for the Arts, California
    I-5 Resurfacing: Four Decades of California Contemporary Art, San Diego Museum of Art, San Diego
    Bay Area Conceptualism, Pasadena Museum of California Art, Pasadena
    Parallels and Intersections: Art/Women/California, 1950–2000, San Jose Museum of Art, San Jose
    e.space. San Francisco Museum of Modern Art, San Francisco
    Die Wohltat der Kunst. Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany
    PhotoGENEsis: Opus 2. Santa Barbara Museum of Art, Santa Barbara
    Crimes and Misdemeanors. Contemporary Arts Center, Cincinnati
    Only Skin Deep: Changing Visions of the American Self, International Center of Photography, New York
    Only Skin Deep: Changing Visions of the American Self, Seattle Art Museum, Seattle

    2001Beyond Boundaries, The Friends of Photography, San Francisco
    Telematic Connections: The Virtual Embrace, San Francisco Art Institute, San Francisco
    Double Life: Identität und Transformation in der Zeitgenössischen Kuns, Generali Foundation, Vienna
    Avatars & Others. Edith-Russ-Haus für Medienkunst, Oldenburg, Germany
    AKT1/AKT2/AKT3, Kunsthalle Exnergasse, Vienna
    Capturing Light: Masterpieces of California Photography, Oakland Museum of California, Oakland

    2000Art Entertainment Network/Let’s Entertain. Walker Art Center, Minneapolis
    Ich ist etwas Anderes (The Self Is Something Else). Kunstsammlung Nordrhein-Westfalen, Düsseldorf
    Media_City Seoul 2000, Seoul Metropolitan Museum of Art, Seoul
    Made in California, 1900–2000, Los Angeles County Museum of Art, Los Angeles

    1999Connected Cities, Wilhelm Lehmbruck Museum, Duisburg, Germany
    Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
    Net_Condition, NTT InterCommunication Center, Tokyo
    Net_Condition, Museu d’Art Contemporani de Barcelona, Barcelona
    Ars Electronica 99, Linz, Austria
    Meaning and Message, Oakland Museum of California, Oakland
    Digital Pioneers, The Museum of Modern Art, New York

    1998Out of Actions: Actionism, Body Art & Performance 1949–1979, Museum of Contemporary Art, Los Angeles (Catalogue with essays by Paul Schimmel and Kristine Stiles)
    Out of Actions: Actionism, Body Art & Performance 1949–1979, MAK-Austrian, Museum of Applied Arts, Vienna
    Out of Actions: Actionism, Body Art & Performance 1949–1979, Museu d’Art Contemporani, Barcelona
    Out of Actions: Actionism, Body Art & Performance 1949–1979, Museum of Contemporary Art, Tokyo
    Avatar: Of Postmodern Times and Multiple Identities. Amsterdam
    Body Méchanique: Artistic Exploration of Digital Realms. Wexner Center for the Arts, The Ohio State University, Columbus
    Frauen am Computer, Frauenkino Xenia, Zurich

    1997Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York
    Photography After Photography. Siemens, Munich
    Photography After Photography, Adelaide Festival, Adelaide, Australia
    Photography After Photography, Institute of Contemporary Art, University of Pennsylvania, Philadelphia
    Photography After Photography, Finlands Fotografiska Museum, Helsinki
    Das Neue Gesicht, Kunstverein Konstanz, Konstanz, Germany
    New Realities: Hand-Colored Photographs 1839 to the Present, University of Wyoming Art Museum, Laramie
    New Realities: Hand-Colored Photographs 1839 to the Present, Boise Art Museum, Boise
    New Realities: Hand-Colored Photographs 1839 to the Present, James A. Michener Art Museum, Doylestown
    New Realities: Hand-Colored Photographs 1839 to the Present, DeCordova Museum and Sculpture Park, Lincoln
    New Realities: Hand-Colored Photographs 1839 to the Present, Yellowstone Art Center, Billings
    Arte Chido, Antiguo Colegio de San Ildefonso, Mexico City
    Interakt! Schlüsselwerke Interaktiver Kunst, April 27–June 15, Wilhelm Lehmbruck Museum, Duisburg, Germany
    Deep Storage: Arsenale der Erinnerung, Haus der Kunst, Munich, Germany
    Deep Storage: Collecting, Storing and Archiving in Art, P.S.1, New York
    Deep Storage: Collecting, Storing and Archiving in Art, Henry Art Gallery, University of Washington, Seattle
    Internationaler Video Kunstpreis. Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany

    1996Ich @ Du: Communication and New Media. Museum für Gestaltung Zürich, Zürich
    European Media Art Festival, Osnabrück, Germany
    Sexual Politics: Judy Chicago’s The Dinner Party in Feminist Art History, Armand Hammer Museum of Art and Cultural Center, University of California, Los Angeles
    Alternative Spaces/Medienwelten: Kultur im Sommer. Ausstellung Festung Rüsselsheim, Rüsselsheim, Germany
    Discord, Sabotage of Realities, Kunstverein and Kunsthaus, Hamburg

    1995Utopia/Dystopia, SF Camerawork and Yerba Buena Center for the Arts, San Francisco
    New Interactive Art, Centre for Contemporary Art, Ujazdowski Castle, Warsaw
    Video Positive, Tate Liverpool, Liverpool
    Siemens Medienkunstpreis, Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe, Germany
    New Interactive Electronic Art, Ikon Gallery, Birmingham
    Art as Signal, Krannert Art Museum, University of Illinois
    Champaign Obsessions: From Wunderkammer to Cyberspace, Rijksmuseum Twenthe, Enschede, The Netherlands
    Cologne Art Fair, Lutz Teutloff Galerie, Cologne
    Scenes of a Theory: The Artwork as Agent of Filmic Discourse, Depot, Vienna
    Photography After Photography, Aktionsforum Praterinsel, Munich
    Photography After Photography, Kunsthalle Krems, Krems, Austria
    Städtische Galerie Erlangen, Erlangen, Germany
    Brandenburgische Kunstammlungen, Cottbus, Germany
    Museet for Fotokunst, Odense, Denmark
    Fotomuseum Winterthur, Winterthur, Switzerland

    1994Three Visions, Carpenter Center for the Visual Arts, Harvard University, Cambridge
    Altered Egos, Santa Monica Museum of Art, Santa Monica
    Arts Électroniques, Musée d’Art Contemporain de Montréal, Montréal
    Conceptual Art from the Bay Area, Artists Space, New York
    Doors of Perception 2: @Home, RAI Exhibition and Congress Centre, Amsterdam
    Duchamp’s Leg, Walker Art Center, Minneapolis

    1993Diaries: Michel, Long Beach Museum of Art, Long Beach
    Disorderly Conduct, Auder, Sadie Benning, Lynn Hershman, George Kuchar. PPOW, New York
    Künstliche Spiele, Medienlabor München, Munich
    Art in the Age of Electronic Media, San Francisco Art Institute, San Francisco

    1992“Bitte berühren”: Interaktive Videoinstallationen, ZKM, Karlsruhe, Germany
    Through the Looking Glass: Artists’ First Encounters with Virtual Reality, Jack Tilton Gallery, New York
    Art at the Armory: Occupied Territory, Chicago Avenue Armory, Chicago
    Chicago Video and Orality, National Gallery of Canada, Ottawa

    1991Currents, Institute of Contemporary Art, Boston
    Interaktiivisen Mediataiteen Näyttely, Gallery Otso, Espoo, Finland
    De-Persona, Oakland Museum of California, Oakland
    Images du Futur ’91, La Cité des Arts et des Nouvelles Technologies, Montreal

    1990Festival of New Journalism, Hallwalls, Buffalo
    Video Witness: Bay Area Media, San Francisco Museum of Modern Art, San Francisco

    1989Ars Electronica 89, Linz, Austria
    Extended Definitions: Video Experiments in Perception, Artists Space, New York

    1988Identity: Representations of the Self, Whitney Museum of American Art, New York
    Guerilla Art, A Space, Toronto
    Events by Eight Artists, Rochester Institute of Technology, Rochester

    1987Corporate Crime/Malicious Mischief, Power and Mediation: A Fin de Siècle Tautology, University Art Gallery, University of California at San Diego, La Jolla

    1986Tecnologia e informatica (part of XLII Biennale di Venezia), Venice Install-video-side, Galleria d’Arte Moderna, Bologna

    1985Art in the San Francisco Bay Area: 1945–1980, Oakland Museum of California, Oakland

    1984What’s Happening: Contemporary Art from California, Oregon, and Washington, The Alternative Museum, New York

    1983Inside Self, Someone Else, Dayton Art Institute, Dayton

    1981Persona, New Museum of Contemporary Art, New York
    ICA Street Sights 2: Non-Credited Americans, Institute of Contemporary Art, University of Pennsylvania, Philadelphia

    1980Women in Performance, Contemporary Arts Center, New Orleans

    1979Space, Time, Sound: Conceptual Art in the San Francisco Bay Area: The 1970’s, San Francisco Museum of Modern Art, San Francisco

    1978Museum des Geldes: über die seltsame Natur des Geldes in Kunst Wissenschaft und Leben II, Städtische Kunsthalle and Kunstverein für die Rheinlande und Westfalen, Düsseldorf

    1977American Narrative/Story Art: 1976–1977, Contemporary Arts Museum, Houston
    Open to New Ideas: A Collection of New Art for Jimmy Carter, Georgia Museum of Art, The University of Georgia, Athens
    (H)errata, Angel Island, San Francisco

    1976Rooms P.S.1, P.S.1, Institute for Art and Urban Resources, New York

    1975Women, The Bronx Museum of the Arts, New York
    Images of Women, Linda Ferris Gallery, Seattle

    1974New Acquisitions, Berkeley Art Museum, University of California, Berkeley

    1973Drawings, Richard Demarco Gallery, Edinburgh

    1972The Games Show, San Francisco Art Institute, San Francisco

    1969Drawings U.S.A.: Fourth Biennial, St. Paul Art Center, St. Paul, Minneapolis

    196850th May Show: Annual Exhibition of Artists and Craftsmen of the Western Reserve, Cleveland Museum of Art, Cleveland

    Awards

    2012College Art Association, First Prize for Lifetime Contribution to Media Art Jury Prize, best film on Art, Montreal International Festival of Films on Art

    2010d.velop Digital Art Award [ddaa] for Lifetime Achievement
    Nathan Cummings Foundation Grant
    Tides Foundation Grant
    Kenneth Rainin Foundation and San Francisco Film Society, Narrative Film Grant for Killer App
    Eureka Fellowship, supported by the Fleishhacker Foundation

    2009John Simon Guggenheim Memorial Foundation Fellowship
    ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art

    2008Creative Capital Grant

    2007Marlon Riggs Award, San Francisco Film Critics Circle, for innovative contribution to media, awarded for Strange Culture

    2006ISEA/ZeroOne, Innovation Matters Award

    2005National Endowment for the Arts Grant, Media
    Stanford University Libraries acquired Hershman archive from 1966-2002 (alone with archives of Allen Ginsberg and Buckminster Fuller)
    International Digital Media and Arts Association Award for Positive Innovations in Media

    2002Alfred P. Sloan Foundation Feature Film Prize in Science and Technology, Hamptons International Film Festival, awarded for Teknolust

    1999Golden Nica, Interactive Art, Ars Electronica, Linz, Austria, awarded for The Difference Engine #3

    1995Anne Gerber Award, Seattle Art Museum, awarded for Paranoid Mirror
    Siemens Media Art Prize, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (along with Peter Greenaway and Jean Baudrillard)
    Cyberstar Award, WDR (Westdeutscher Rundfunk) Cologne and GMD, Cologne, Germany
    Honorable Mention, Interactive Art, Ars Electronica, Linz, Austria, awarded for America’s Finest

    1994Special tribute (Reaching through the Screen: A Tribute to Lynn Hershman), San Francisco International Film Festival; included retrospective of video work

    1993Honorable Mention, Interactive Art, Ars Electronica, Linz, Austria, awarded for Room of One’s Own

    1991Barbara Aronofsky Latham Memorial Award, Art Institute of Chicago, awarded for Conspiracy of Silence
    Jonas Mekas Award, Humboldt International Short Film Festival, Arcata, California, awarded for Shadow’s Song
    First Prize, Festival Internacional de Video Cidade de Vigo, Vigo, Spain, awarded for Seeing Is Believing

    1990Grand Prize (Trophée de cristal), Montbéliard Video and Television Festival, Montbéliard, France, awarded for Longshot

    1989Film of the Year, London Film Festival, British Film Institute, awarded for Longshot

    1987Golden Gate Award, San Francisco International Film Festival, Chameleon

    Films

    2016Tania Libre

    2010!Women Art Revolution

    2007Strange Culture

    2002Teknolust

    1997Conceiving Ada

    1986Electroniic Diary

    Selected Screenings OF “Tania Libre aka Tania Bruguera: A State of Vulnerability”

    2016Tate Modern, London, UK (upcoming)

    Selected Screenings OF “!WOMEN ART REVOLUTION”

    2016Screening in Special Screenings, NW Film Center, Portland Art Museum, Portland, Oregon, US

    2015RA Schools Public Programme, London, (45 minutes showing and in conversation with Ciara Moloney)

    2014The Parlour, Goldsmiths Hall, Trinity College Dublin

    2013The Whitechapel Gallery, London

    2012Ladyfest London & The London Public Library

    2011Museum of Modern Art, New York
    National Gallery of Art, Washington D.C
    Whitechapel Art Gallery, London
    Migros Museum, Zurich
    Hammer Museum, Los Angeles
    Walker Art Center, Minneapolis
    Institute for Contemporary Art, Boston
    Museum of Fine Arts, Boston
    Detroit Institute of Arts
    Phoenix Art Museum
    Mildred Lane Kemper Art Museum, St. Louis
    Museum of Fine Arts, Houston
    Wexner Center for the Arts, Columbus
    Jordan Schnitzer Museum of Art, Eugene OR
    Oklahoma City Museum of Art
    Sundance Film Festival, Park City UT
    Berlin International Film Festival
    San Francisco International Film Festival
    Northwest Film Center, Portland OR
    International House of Philiadelphia
    Virginia Film Festival, Charlottesville
    Northwest Film Forum, Seattle
    Zeitgeist Multi-Disciplinary Art Center, New Orleans
    IFC Center, New York

    2010Toronto International Film Festival

    Selected Screenings OF “Strange Culture”

    2013MoMA PS1, New York

    2012Aksioma, Institute of Contempoary Art, Lijubljana, Slovenia

    2011The Sharing, Torino, Italy
    Arsenal Berlin, Germany

    2009Art Laboratory Berlin, Germany

    2008Sundance Film Festival, Ohio
    Berlin International Film Festival, Germnay

    2007University of Manchester, UK
    Wexner Center for the Arts, Ohio
    San Francisco Museum of Modern Art, California

    Selected Screenings OF ‘‘Teknolust’’

    2015B3 Biennial of the Moving, Frankfurt, Germany
    ZKM center for art and media, Karlsruhe, Germany

    2014Glasgow Film Theatre, Scotland

    2006University of Wisconsin, Wisconsin

    2005University of Colorado Art Museum, Colorado

    2003Berkeley Art Museum and Pacific Film Archive, California
    Cambridge Film Festival, UK

    2002Sundance Film Festival, Ohio
    Hamptons International Film Festival, New York

    Selected Screenings OF ‘‘Conceiving Ada’’

    2013The Lang Center, New York

    Bibliography

    2016"Dreamlands: Immersive Cinema and Film, 1905-2016 at the Whitney Museum", Lee, Jongho, Eyes Towards the Dov
    "An Overview of Frieze 2016 on the Fringe", aqnb, 31 October 2016e, 1 November 2016
    " 8 Radical, Feminist Artists From The 1970s Who Shattered The Male Gaze", Frank, Priscilla Frank, The Huffington Post Online, Autumn 2016, 24th October 2016
    “The Second Life of Net Art”, Gronlund, Melissa, Spike Art Quarterly, Autumn 2016, pg 75 - 83
    “A Brief History of Cyberfeminism”, Scott, Izabella, Artsy Online, October 2016
    “8 Works to Collect at EXPO CHICAGO”,Gotthardt, Alexxa, Artsy Online, September 2016
    “PERSONAE OF INTEREST, Lynn Hershman Leeson and Juliana Huxtable in conversation”, Huxtable, Juliana, Artforum International, Summer 2016, pg. 313 - 319
    “Hot Babe, Isobel Harbison Reconsiders the Issue of Obejectification in the Era of Social Media”, Harbison, Isobel, Art Monthly, No 395, April 2016, pg. 5-9
    “London Round-Up”, Gogarty, Larne, Art Monthly, No. 396, May 2016, pg.30-31
    “Lynn Hershman Leeson on Cyberfeminism, Genetics, and Retooling Technology for the Benefit of Humankind”, Thakara, Tess, Artsy Online, May 2016
    “Lynn Hershman Leeson”, Archey, Karen, Art Review, Vol.67, May 2015, pg. 126-129
    “Lynn Hershman Leeson is making a documentary about Tania Bruguera”, Greenberger, Alex, Art News Online, March 2016

    2015"What We Know, Roberta, Frankfurt, Germany Review," Draganova, Viktoria, Frieze (online), 19 August 2015
    “Civic Radar, Lynn Hershman Leeson” (ed.) Peter Wibel, ZKM Catalogue, Hattje Cantz Press
    “Lynn Hershman Leeson, Origins of the Species (part 2) - always alert to the future, Modern Art Oxford” Cumming, Laura, The Guardian, Online, Sunday 31 May 2015
    “Lynn Hershman Leeson, ZKM | Museum Of Contemporary Art, Karlsruhe, Germany”, Artforum, Diederichsen, Diedrich, May 2015, pg. 364
    “Lynn Hershman Leeson, Zentrum Für Kunst Und Medientechnologie, Karlsruhe, Germany”, Simmons, William J, Frieze, March 2015, pg. 172-173
    “Origins: Lynn Hershman Leeson in NYC”, Kaplan, Zachary, Rhizome Blog, 19 Febuary 2015
    “Electronic Superhighway (2016 - 1966). Towards a possible future for Art and the Internet”, Laia, João, Mousse Magazine, No. 52, Febuary 2015, pg. 218-210
    “Electronic Superhighway Review -50 years of internet sex and roadkill, Whitechapel Gallery”, Searle, Adrian, The Guardian, January 2015

    2010“The Studio Present,” in Jacob, Mary Jane and Michelle Grabner (eds.), The Studio Reader: On the Space of Artists, The University of Chicago Press, pp. 218-219

    2005“The Raw Data Diet, All-Consuming Bodies and the Shape of Things to Come,” Leonardo, vol. 38 no.3, MIT Press (cover)

    2000“Virtual Space, Expanded Interaction and Infinite Surveillance: Techniques for the New Reality,” Felix voyeurism, vol. 2, no. 2. 1999, pp. 287-291
    “Romantiserung des Antik–rpers. Gier und Begehren im (Cyber)space,” Ich ist etwas Anderes. Kunst am Ende des 20.
    Jahrhunderts, Kunstammlung Nordrheiin-Westfalen, Dumont, pp. 60-65

    1999“Difference Engine #3,” Artist’s Statement, Leonardo, vol. 32, no. 4, pp. 269-70

    1996Hershman, Lynn, (ed.) Clicking In, Seattle: Bay Press
    “Romancing the Antibody,” Kunstforum International, BD 132, Nov - Jan, pp. 158 - 167

    1995“Lust and Longing in Cyberspace,” Kunstforum, Sept
    “Romancing The Antibody,” Catalogue, Seattle Art Museum, Aug
    “Preliminary Notes,” ZKM Medienalle Catalogue, May
    Florian Rötzer. “Romantisierung des Antikörpers: Gier und Begehren im
    (Cyber)space,” Trans. Kunstforum International, no. 132, Nov 1995–Jan 1996, pp. 158–67
    Florian Rötzer. “Einleitende Bemerkungen,” Trans. In ZKM Siemens
    Medienkunstpreis, exh. cat. Karlsruhe, Germany: Zentrum für Kunst und Medientechnologie (ZKM)
    “Reflections and Preliminary Notes,” In Paranoid Mirror, exhibition catalogue Seattle: Seattle Art Museum
    “Room of One’s Own – Again,” Cherche La Femme, Museum of Art, Hamburg

    1994“The Fantasy Beyond Control: Lorna and Deep Contact,” Art and Design 9, Nov–Dec, pp. 32–37.
    “Re Covered Diary,” High Performance 17 (Winter), pp. 52–53
    [Contribution to] Hankwitz, Molly (ed.) Children, Youth & City: A Collaborative Publications Assemblage Book, San Francisco: Lure Art Books
    “Room of One’s Own - Slightly Behind The Scenes,” in Druckery, Timothy, (ed.)
    Iterations: the New Image, Cambridge and London: MIT Press, pp. 150 -156

    1993“Art-ificial Sub-versions, Inter-action and the New Reality,” Camerawork 20, no. 1, cover and pp. 20-25, ill.
    “Touch-Sensitivity and Other Forms of Subversion: Interactive Artwork,”Leonardo 26, no.5, pp. 431- 436, ill.
    “Lynn by Lynn,” Video Taide Media. Helsinki: Taide, p. 141

    1992“Terminal Reality and the Disembodied Presence,” NACA Journal 1, pp. 117-124, ill.
    “Preliminary Notes,” Chimaera Monographie: Lynn Hershman. Hérimoncourt, France: Édition du Centre International de Création Vidéo.
    [Contribution to] “Words on Works,” Leonardo 25, no. 1, p. 93

    1991“Changes in Performance.” Studio Art Magazine. Haifa, Israel, August, p. 63
    “The Fantasy Beyond Control,” in Hall Doug, and Fifer, Sally Jo, (eds.),
    Illuminating Video: An Essential Guide to Video Art, New York and San Francisco: Aperture in Association with the Bay Area Video Coalition, pp.267-273, ill.
    [Contribution to] Pierre Restany, Le Coeur et la Raison, Musée des Jacobins, Morlaiz, France

    1990“Photographs Never Lie” Zyzzyva 22, Summer, pp. 86-87, ill.
    “The Electronic Diary -- An Ongoing Life Cycle,” Whitewalls 25 (Spring), pp 71-79, ill.
    [Contribution to] Stretch Camera Project, Supplement to Shift 11, published by Artspace, San Francisco

    1989“Die Fantasie ausser Kontrolle,” Kunstforum 104 (September - October), pp 232-239, ill.

    1988“Lust and Anger: The Commodification of Marginality (excerpts from Seven Deadly Sins),” Cinematograph 3, pp 47-48
    “The Function of Art in Culture Today,” High Performance 41/42, Spring- Summer, p. 47.

    1987“Bodyheat: Interactive Media and Human Response,” High Performance 37, pp. 45-46, ill.
    Lynn Hershman: Hero Sandwiches, Madison: Madison Art Center

    1985“Politics and Interactive Media Art,” Journal of Contemporary Studies 8, no. 1, Winter-Spring, pp. 62-70, ill. Reprinted in Corporate Crime/Malicious
    Mischief. San Diego: Installation Press, 1987

    1982Van Bibber, Jack, and Sonino, Michael, (eds.), “Imprisoned Eggs for Timothy Leary,” in California Artists Cookbook, New York: Abbeville Press, pp. 156-157, ill.
    “Objective Self/Kristine Stiles -- A Dialogue/Subjective Referent,” in Stiles, Kristine, (ed.), Questions 1977-1982, San Francisco: KronOscope Press

    1978Global Passport, San Francisco: San Francisco Museum of Modern Art. Catalogue/guide to The Floating Museum, Global Space Invasion (Phase II), Jul 7- Aug 20.
    “Floating Spaces: Notes on a Portable Alternative,” The New Arts Space: A Summary of Alternative Visual Arts Organizations Prepared in Conjunction with a Conference, Los Angeles Institute of Contemporary Art, pp. 33-34
    “Reflections on the Electric Mirror,” in Battcock, Gregory, (ed.), New Artists Video: A Critical Anthology, New York: Dutton

    1977“California Oggi,” Data 27, Jul-Sep, pp. 50-55, ill.; English translation, pp. 1-2
    “The Floating Museum Phase I and Phase II,” La Mamelle Magazine: Art Contemporary, vol. 2, no. 8, p. 66, ill.

    1976Lady Luck: A Double Portrait of Las Vegas, Artist’s book documenting a work presented at the Circus Circus Casino and Spa, Las Vegas, Nevada, Mar 2, 1975
    “Roberta Breitmore: An Alchemical Portrait Begun in 1975,” La Mamelle: Art Contemporary 5, pp. 24-27, ill.

    1975Forming a Sculptured/Drama in Manhattan, New York: Marginal Art and Stefanotty Gallery, Artist’s book/documentation of installations at the Chelsea and Plaza Hotels, and the Y.W.C.A. in New York, Oct 21 - Dec 15, 1974
    “Behind the Running Fence,” Currant, Jun-Jul, pp. 8-9, ill.
    Re:Forming Familiar Environments, Artist’s book/documentation of installation with Eleanor Coppola, San Francisco, May
    [Contributions to] Paul Kagawa, (ed.), A Survey of Alternative Art Spaces: Floating Seminar #2, San Francisco: The Floating Seminar.

    1974Y.W.C.A.: October 27-31, 1974, Artist’s book/documentation of Y.W.C.A. installation, New York, Surrounding Areas, Walnut Creek, California
    Civic Arts Gallery, exhibition catalogue Plaza Hotel: November 2-3, 1974, Artist’s book/documentation of Plaza Hotel installation, New York

    1973“Interview with [Dennis] Oppenheim,” Studio International 960, Nov, pp. 196-197, ill.
    “Visual Arts at the Edinburgh Festival,” Studio International 959, Oct, pp. 158- 160, ill.
    “Slices of Silence, Parcels of Time: The Book as Portable Sculpture,” Artists Books, exhibition catalogue, Philadelphia: Moore College of Art, pp. 8-14

    1972“Jack the Ripper: Alive and Well in San Francisco,” Artweek, Oct 21, pp. 22-23 ill. Lynn Hershman interviews Jack Chipman.
    “Tom Marioni: On Record,” Artweek, May 6, p. 2. Interview conducted by Lynn Hershman.

    1971“De Forest is De Forest is De Forest” Artweek, Nov 27, p. 1, ill.

    Panels and Lecures Since 1994

    2010“The Complete Roberta Breitmore Symposium,” Whitworth Art Gallery, Manchester, UK. Apr 24
    “75 Years of Looking Forward,” San Francisco Museum of Modern Art. Jan 15

    2009Houston Cinema Arts Festival, with Patricia Zimmerman and Tilda Swinton
    “Renegade Art and Democracy,” Sonoma, CA. Oct 4

    2008Featured Speaker, “Women and Courage,” Omega Institute, Rhinebeck, NY.

    2006“Can We Fall in Love With a Machine,” College Art Association Panel, Boston. Feb 25.
    “Artists on Film,” Sundance Film Festival. Jan 22
    “All Digital,” Cleveland Museum of Contemporary Art, Cleveland

    2005“Clones, Tele-Robots and AI: The Multi-Media Art of Lynn Hershman Leeson,”
    The Commonwealth Club of California, San Francisco. Dec 6
    “Hershmanlandia,” Henry Art Gallery, Seattle. Nov 4
    Guest Lecture, DX Arts: Center for Digital Arts and Experimental Media, University of Washington, Seattle. Nov 2
    Virtual Minds: Kongress fur Fiktive Figuren, Bremen, Germany, Feb 27-Mar 28

    2003“Conversations with Artists,” Los Angeles County Museum of Art, Nov 6
    “Great Cities, Great Ideas,” Forum Series, Regency Center, San Francisco, Oct 20
    “030303: Collective Play,” Intel Research Laboratory, Berkeley, Mar 3
    “Making Movies by the Bay,” San Francisco, Feb 26
    International Media Art Festival, Berlin, Feb 1-5

    2002“Conversation between B. Ruby Rich and Lynn Hershman Leeson,” San Francisco Film Society, San Francisco, Jun 13
    “Vision: Filmmakers in Conversation”, Film Arts Foundation, San Francisco, Mar 25

    2000“Interactive Net Works,” University of Ulster, Belfast, Dec
    “Interactive Net Works,” Maryland Institute of Art, Nov
    “Photography and the Digital Age,” Columbia College, Chicago, Nov
    “The Work of Art in the Age of Digital Technology,” UC Davis, May 19
    “Artists in the Digital Age,” Bay Area Video Coalition, San Francisco, May 3
    “High Touch/High Tech: Making Art in the 21st Century,” Oakland Museum, Apr 8
    “Sins of Change: Media Arts in Transition,” Walker Art Center, Minneapolis, Minnesota, Apr 6-8
    “Connected Cities,” Wilhelm Lehmbruck Museum, Duisberg, Germany

    1999Public Lecture. Columbia College Chicago. Nov 11
    “Interactivity- Digital Film,” UCLA Design and Media Department, Mar 13
    “Phantom Limbs and other Cyborgs,” Oakland Museum, Mar 12.
    “Social Simulation in the Digital Domain,” College Art Association, New York, Feb 24
    “Crash,” U.C. Berkeley Symposium on Critical Issues in Net Art, Feb 16-19
    “A Brief History,” Napa Arts Council, Napa, California.
    International Film Financing Conference, Jan. S.F. Digital Films
    Museum of Modern Art, New York
    The Kitchen Center for Art and Music
    Ars Electronica, Austria
    Lehmbruck Museum, Duisberg
    “Mediamatic”, Doors of Perception Conference, Netherlands Design Insitute

    1998“Tracking the Avant-Garde: From Spectacle to Commodity,” Society for Photographic Education Western Regional Conference. San Francisco Art Institute, San Francisco, Ca. Nov 6, 7. Featured Speaker.
    “Weaving and the Consumption of Memory” Digitale Schnitte/Digital Cuts, Cinemathek Köln im Museum Ludwig, Oct 29
    “Interactivity, Electronic Cinema, and Infinite Time,” University of Virginia, Office of Information Technolologies, Digital Directions Speakers Series
    Charlottesville, Oct 31, Demonstration and Lecture.

    1997“Visual Doublespeak,” Panel Discussion, Goethe Institut of San Francisco, Nov
    Chik-Tek 97, San Jose Museum of Art in conjunction with CADRE Insitute, San Jose State University and Art-Tech: Silicon Valley Institute of Art and Technology. Nov 2.
    “Clicking In- Digital Cinema- Infinite Reality,” Mediasalon ‘Theatralitaet-Medialitaet’ Jun 3-8, Bayerisches Staatschauspiel, Munich, Germany
    “Clicking In: Hot Links to a Digital Culture,” Museum of Contemporary Art, Los Angeles, California, Jun
    “John Cassavetes and Shadows.” Guest programmer and presenter, The Indelible Images Series, 40th San Francisco Film Festival Catalogue, Apr 24- May 8
    “Clicking In: Digital Cinema, Virtual Sets and Infinite Reality,” Art, Technology and Culture Lecture Series. University of California, Berkeley. Mar 31
    “Virtual Sets, Infinite Reality: The History of Electronic Arts,” Washington State University, Mar 27
    “An evening with Lynn Hershman Leeson,” Film Arts Foundation, May 27.
    “Who Owns the Images on the Internet,” Tech Nation Americans and Technology, with Dr. Moira Gunn, KQED-FM, Feb
    “Romantizar el anti-cuerpo,” Arte en la Era Electronica, Centre of Contemporary Culture, Barcelona, Spain, Jan 30

    1996“A Filmmaker’s Toolkit: Putting Your Career Together,” Moderator, Outdoor Art Club, Mill Valley Film Festival, California, Oct 12
    Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings, University of California Press, Kristine Stiles and Peter Selz
    “Women & Interactivity,” Camerawork Conference. Sep

    1995ZKM, Karlsruhe, Germany Siemens Award

    1994Art Institute of Chicago, Chicago Illinois, Nov 28
    Virginia Festival of American Film, Nov
    Seattle Museum of Art, Seattle, Washington
    Yerba Buena Center for the Arts, in conjunction with San Francisco Cameraworks and The Lab
    National Gallery of Canada, Ottowa

    Selected Collections

    San Francisco Museum of Modern Art (SFMOMA), San Francisco, (The Agent Ruby Files)
    Tate Modern, London (4 prints of Roberta Breitmore prints)
    Stanford University Libraries, Stanford (Working archive including 118 file boxes of preliminary conceptual research and drawings, technical specifications, media, correspondence, and photographs
    Museum of Modern Art, New York (Roberta Breitmore (31 art works), 4 films and 8 videotapes)
    Walker Art Center, Minneapolis (Lorna, Roberta Breitmore Selection)
    Whitworth Art Gallery, Manchester (Roberta Breitmore 3/3)
    University Art Museum, Berkeley (Roberta Breitmore Selections)
    Los Angeles County Museum of Contemporary Art, Los Angeles (10 Roberta Photographs)
    Seattle Museum of Art, Seattle (Paranoid Mirror)
    ZKM Media Museum, Karlsruhe, Germany (Difference Engine 3, Lorna, America’s Finest, 2 videotapes)
    Willhelm Lehmbruck Museum, Duisberg, Germany (Room of One’s Own)
    National Gallery of Canada, Ottowa (Room of One’s Own)
    Oakland Art Museum, Oakland (Phantom Limb Photographs (3))
    Museum of Contemporary Art, Warsaw, Poland (Lorna)
    DG Bank, Frankfurt (Phantom Limb photographs (5))
    Auchenbach Foundation for Graphic Arts, San Francisco (Roberta Dye Transfer)
    Niles Collection of Women Artists, San Francisco (Cyborg Photograph)
    Donald Hess, Bern, Switzerland (America’s Finest, Lorna, Deep Contact, Room of One’s Own, Cyber Roberta, Synthia Stock Ticker, Roberta Breitmore)
    Arturo Schwarz Collection, Milan (Robert, Early Collages and Sculpture)
    Ruth and Alan Stein Collection, San Francisco (Cyborg Light Box)
    Leonard Cuneaud Collection, Bern, Switzerland (America’s Finest)
    Lutz Teutloff Collection, Bielefield, Germany and Toronto, Canada (Phantom Limb, Digital Venus, Cyborg Photographs)
    Jonathon Carroll Collection, United Kingdom (America’s Finest, Phantom Limb “Seduction” and “Shutter”)
    Richard Sandor Collection, United States (Roberta Construction Chart #2, Phantom Limb “TV Legs”)
    Steven and Livia Russell, United States (Phantom Limb “Seduction”)
    Michael and Nina Zilkha, Houston Texa s (Numerous works)
    David Packard, San Francisco, California (Self Portrait As Another Person)