Jennifer West

  • Los Angeles based artist, Jennifer West employs various unique processes to produce alchemical transformations in her film based practice. The artist subjects 16, 35 and 70 mm film negative and leader to an eclectic range of idiosyncratic substances including nailpolish, liquid eyeliner, “Teen Spirit” deodorant, wine, spices, Jell-O shots, body glitter, paintballs, Jack Daniels, hot springs water as well as such physical interventions as skateboarding, smearing, crushing, drawing and throwing. West is influenced by classical structuralist film, urban mythology, folklore and popular culture, combining everyday actions and materials to create hypnotic, fast paced films. Performance is as essential to West’s practice as the material composition – united to not only construct the work itself, but also provide a conceptual context. The titles are similarly important. They denote the specific components, activities and participants involved in making the respective film, decipher the enigmatic imagery for the viewer and become evidence of the event/action. Her silent films have a strong synesthetic effect, in that she causes the viewers to taste or smell the “ingredients” that led to her particular visual expression.

  • Installation View: 
    Jennifer West, Film is Dead…, 2016
    70mm filmstrips, dye, ink, food coloring, spray paint, nail polish, salt, mud, film cores, 16 and 35mm filmstrips
    Three-channel high definition video (transferred from 70mm), 58 minutes
    Seattle Art Museum, Seattle, Washington, November 17th 2016 – May 7th, 2017
    Photos: Mark Woods
  • Installation View: 
    Jennifer West, Film is Dead…, 2016
    70mm filmstrips, dye, ink, food coloring, spray paint, nail polish, salt, mud, film cores, 16 and 35mm filmstrips
    Three-channel high definition video (transferred from 70mm), 58 minutes
    Seattle Art Museum, Seattle, Washington, November 17th 2016 – May 7th, 2017
    Photos: Mark Woods
  • Installation View: 
    Jennifer West, Film is Dead…, 2016
    70mm filmstrips, dye, ink, food coloring, spray paint, nail polish, salt, mud, film cores, 16 and 35mm filmstrips
    Three-channel high definition video (transferred from 70mm), 58 minutes
    Seattle Art Museum, Seattle, Washington, November 17th 2016 – May 7th, 2017
    Photos: Mark Woods
  • Flashlight Filmstrip Projections, 2016, Tramway, Glasgow, Scotland, Installation view

  • Flashlight Filmstrip Projections, 2016, Tramway, Glasgow, Scotland, Installation view

  • Serpentine Dance performance inside Flashlight Filmstrip Projection Installation Accompanied by Live Score on Synth and Theremin, 2014, PICA TBA Fest, Portland, Oregon.

  • Serpentine Dance performance inside Flashlight Filmstrip Projection Installation Accompanied by Live Score on Synth and Theremin, 2014, PICA TBA Fest, Portland, Oregon.

  • Serpentine Dance performance inside Flashlight Filmstrip Projection Installation Accompanied by Live Score on Synth and Theremin, 2014, PICA TBA Fest, Portland, Oregon.

  • Serpentine Dance performance inside Flashlight Filmstrip Projection Installation Accompanied by Live Score on Synth and Theremin, 2014, PICA TBA Fest, Portland, Oregon.

  • Serpentine Dance performance inside Flashlight Filmstrip Projection Installation Accompanied by Live Score on Synth and Theremin, 2014, PICA TBA Fest, Portland, Oregon.

  • Analogital, curated by Aaron Moulton, 2013, Utah Museum of Contemporary Art, Salt Lake City, Installation View click here to watch the 7-film Installation with Aaron Moulton

  • Analogital, curated by Aaron Moulton, 2013, Utah Museum of Contemporary Art, Salt Lake City, Installation View click here to watch the 7-film Installation with Aaron Moulton

  • Arrid Extra Dry TV Commercial Filmstrip 4, 2013, Archival inkjet print on clear film, 228.5 x 86.5 cm, 90 x 34 ins

     

  • Spiral of Time Documentary Clear Filmstrip 4, 2013, Archival inkjet print on clear film, 278.5 x 86.5 cm, 80 x 34 ins

  • One Mile Film (5,280 feet of 35mm film negative and print taped to the mile-long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors – the visitors walked, wrote, jogged, signed, drew, touched,  danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip – it was driven on by baby stroller and trash can wheels and was traced by art students – people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers – the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West – filmed Parkour performances by Thomas Dolan and Vertical Jimenez – running on rooftops by Deb Berman and Jwest – film taped, rolled and explained on the High Line by art students and volunteers)  2012, 58 minutes, 40 seconds 35mm negative and film print transferred to high-definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

  • One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York, Installation view

  • One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York, Installation view

  • One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York, Installation view

  • One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York, Installation view

  • Performance Still: One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York

  • Performance Still: One Mile Film, 2012, High Line Art, curated by Cecilia Alemani, New York

  • La Fin de La Nuit, 2012, Palais de Tokyo, Paris, Filmstrips: Dawn Surf Jellybowl Filmstrip #6 (2012), Topanga Beach Filmstrip Girls and Cops, (2012), both archival inkjet print, Installation View

     

  • 2012, Lost Property, Amsterdam, Film works: You Killed the Underground Film or the Real Meaning of Kunst bleibt… bleibt… & The Sisters, Installation View

     

  • 2012, Lost Property, Amsterdam, Film works: You Killed the Underground Film or the Real Meaning of Kunst bleibt… bleibt… & The Sisters, Installation View

  • Out of Focus: Photography, 2012, Saatchi Gallery, London, Installation View

     

  • Aloe Vera and Butter, 2012, S1 Artspace Sheffield, UK, Installation View

     

  • Aloe Vera and Butter, 2012, S1 Artspace Sheffield, UK, Installation View

  • Aloe Vera and Butter, 2012, S1 Artspace Sheffield, UK, Installation View

  • Paintballs and Pickle Juice, 2010, Kunstverein Nuremberg, Germany, Installation View

     

  • Perspectives 171: Jennifer West, 2010, Contemporary Art Museum Houston, Texas, Installation View

     

  • Perspectives 171: Jennifer West, 2010, Contemporary Art Museum Houston, Texas, Installation View

  • Celluloid: cameraless film series, Curated by Esther Schlicht, 2010, Kunsthalle Schirn, Frankfurt, Installation View

     

     

  • Skate the Sky Film 35mm film print of clouds in the sky covered with ink, Ho-HoÍs, and Melon juice – filmstrips taped to Tate Turbine Hall ramp and skateboarded over using ollie, kick flip, pop shove-it, acid drop, melon grab, crooked grind, bunny hop, tic tacs, sex change, disco flip – skateboarding performed live for Long Weekend by Thomas Lock, Louis Henderson, Charlotte Brennan, Dion Penman, Sam Griffin, Jak Tonge, Evin Goode and Quantin Paris, clouds shot by Peter West 2009

  • “Skate the Sky” Long Weekend, 2009, Curated by Stuart Comer, Tate Modern, London

     

  • Skate the Sky, 2009, 35mm film, Tate Modern, London

  • Lemon Juice and Lithium, 2008, Transmission Gallery Glasgow, Scotland, Installation View

     

  • Lemon Juice and Lithium, 2008, Transmission Gallery Glasgow, Scotland, Installation View

  • Now You See It, 2008, Aspen Art Museum Colorado, Installation View

  • If Everybody Had an Ocean: Brian Wilson, 2007an Art Exhibition, CAPC Musee d’Art Contemporain, Bordeaux, France (also shown at Tate St Ives), Installation View

  • If Everybody Had an Ocean: Brian Wilson, 2007an Art Exhibition, CAPC Musee d’Art Contemporain, Bordeaux, France (also shown at Tate St Ives), Installation View

  • Lives and works in Los Angeles
    Born in Topanga Canyon, California, USA

    2004MFA Art Center, Pasadena, California
    Bachelor of Arts, Evergreen State College, Olympia, WA

    Solo exhibitions

    2017Is Film Over?, Yuz Museum, Shanghai, China (upcoming)
    MAN_Museo d'arte Provincia di Nuoro, Italy (upcoming)
    Expect Even Better, Solo Project, The Culture Wall, Luton, curated by Mark Tichner

    2016FILM IS DEAD . . . Seattle Art Museum, Seattle, WA
    Flashlight Filmstrip Projections, Tramway, Glasgow, Scotland

    2015One Mile Film, Lisa Cooley Gallery, New York, NY
    Selected Films: Jennifer West, Stark Screens, Los Angeles County Museum of Art
    Solo Presentation: Art Brussels Art Fair, Brussels, Belgium, Presented by Vilma Gold Gallery (London)

    2014Spirals of Time Documentary Film and Salt Crystals, Focal Point Gallery, Essex, UK
    One Mile Film, Marc Foxx Gallery, Los Angeles, CA
    Spirals of Time Documentary Film and Salt Crystals, Vdrome.org, presented by Quinn Latimer, curated by
    Jens Hoffman, Andreas Lisson and Filipa Ramos

    2013Spirals, Salt and The Pill, MARC FOXX, Los Angeles, CA
    Ivory Snow and a Shark's Tooth, Mallorca Landings, Spain

    2012One Mile Film, The High Line, NYC, curated by Cecilia Alemani
    Aloe Vera and Butter, S1 Artspace, Sheffield, UK
    Jennifer West: Selected Recent Work, High Line Art, New York

    2011Heavy Metals: Iron and Zinc, Vilma Gold, London
    Mascara and Mussels, Franklin Arts Works, Minneapolis
    Shred the Gnar Full Moon Film Noir, West Gallery, MARC FOXX, Los Angeles

    2010Perspectives 171: Jennifer West, Contemporary Art Museum, Houston
    New Year's Series, Western Bridge, Seattle, Washington
    Paintballs and Pickle Juice, Kunstverein Nuremberg, Germany

    2009Pomegranate Juice & Pepper Spray, MARC FOXX, Los Angeles

    2008Electric Kool-Aid and the Mezkal Worm, Vilma Gold, London
    Statements, Art Basel 39, Basel, Switzerland (with Vilma Gold)
    Lemon Juice and Lithium, Transmission Gallery, Glasgow
    Drawing on Film, Drawing Center, New York (week long solo presentation)

    2007Occamy, MARC FOXX, West Gallery, Los Angeles
    The White Room, White Columns, New York
    Yeah Film, Project Room, Sandroni, Rey, Los Angeles

    2004Hallucination, MFA Thesis Show, Art Center College, Pasadena, California, USA

    Two person exhibitions

    2013Afterlife: Jacco Oliver and Jennifer West, Southeastern Center for Contemporary Art, North Carolina

    Selected Performances and Commissioned Projects + Residencies

    2016Commissioned Performance and Films, Art Night, ICA London, UK
    London ICA Art Night: Film Title Poem
    London ICA Art Night: Film Memory Collection
    Commissioned Exhibition and Performance, Flashlight Filmstrip Projections, Tramway, Glasgow, Scotland
    Instagram Residency Kadist Foundation

    2015Artist in Residence, EMPAC, Experimental Media and Performing Arts Center, Troy, NY
    Scaife Permanet Collection Galleries, Carnegie Museum of Art, Pittsburgh

    2014Commissioned Exhibition and Performance, Flashlight Filmstrip Projections, Portland Institute for
    Contemporary Art, TBA Festival, Portland Institute for Contemporary Art, Portland, OR, curated by Kristan Kennedy
    Tramway Artists' Moving Image Festival -'Colour' curated by Steve Cairns (ICA), Tramway 4, Glasgow

    2013Commissioned Performance and Film “Conversation and Beer,” Casal Solleric, Mallorca, Spain

    2012Commissioned Performance, Film and Screening, “One Mile Film” High Line Art, Friends of the High Line, City of New York, curated by Cecilia Alemani

    2011Commissioned Films/Residency, Massachusetts Institute of Technology, List Visual Art Center, Funded in part by the Nimoy Foundation for the Arts, curated by Joao Ribas
    Commissioned Performance and Film, “Drummed Rock Film”, 5th Biennial of the Moving Image, Mechelen, Belgium, curated by Anthony Kiendl
    Commissioned Performance and Film “Just Kids (California Style) For Patti Smith”, Kaleidoscope Arena, ROMA – Road to Contemporary Art, Rome, Italy

    2010Nuit Blanche, Collaboration with Musician Daniel Lanois, Toronto, Canada, curated by Anthony Kiendl
    Commissioned Performance and Film, “Shred the Gnar Full Moon Film Noir” Aspen Art Museum, Aspen, CO, curated by Heidi Zuckerman Jacobson
    LAND with Calvin Klein, Los Angeles, CA

    2009Commissioned Performance, Film and Screening, “Skate the Sky Film” Tate Modern, London, UK as part of UBS “Long Weekend,” curated by Stuart Comer

    Screenings

    2017Artist Focus: Jennifer West, Jewish Film Festival New York, NY (upcoming)
    Jennifer West: Film Title Poem and Other Wonders, Redcat, Los Angeles, CA (upcoming)
    The Color of Light, screening, Whitney Museum of American Art, New York, NY

    Group Exhibitions (selected)

    2017Light Play: Experiments in Photography, 1970 to the Present, Pop-Up Exhibition at LACMA
    A Stratigraphic Fiction, Berman Museum, Pennsylvania

    2016Dreamlands Expanded, Microscope Gallery, Brooklyn as part of Whitney Museum of American’s Art’s “Dreamlands” Exhibition, Curated by Chrissie Iles
    Art Night, Institute for Contemporary Art, London, UK, curated by Kathy Noble
    Folkeobservatoriet (People’s Observatory), Norsk Teknisk Museum, Oslo, Norway
    On the Verge of An Image: Reconsidering Marjorie Keller, LAND, Los Angeles, CA
    Stratographic Fiction, Berman Museum, Philidelphia
    Fuck Newton, KARST, Plymouth, UK
    NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection Museum, Miami, FL
    Active Ingredient, Lisa Cooley Gallery, New York, NY
    First Films, Marc Foxx Gallery, LA, CA

    2015AMERICANAESOTERICA, Plovdiv, Bulgaria, curated by Aaron Moulton
    Artist's Proof: Jennifer West, Carnegie Museum of Art, Pittsburgh, PA (curated films from Carnegie collection shown with my work)
    Staging Los Angeles: Reality, Fantasy, and the Space Between, Gayle and Ed Roski MFA Gallery, USC Roski
    School of Art and Design, Los Angeles, CA
    Fellows of Contemporary Art Fellowship Exhibition, FOCA, Los Angeles, CA Edible Planets/Soylent Dialogues, The Pit, Los Angeles, CA

    2014Eyes on the Street, Cincinnati Art Museum, curated by Brian Sholis
    Songs Without Words, The Monteverdi Gallery, Tuscany, Italy, curated by Sarah McCrory
    Words as Doors - in Language, Art, FIlm, Kunstlerhaus KM- Halle fur Kunst & Medien, Kunsterhaus Graz, Austria
    Trouble With the Index, California Museum of Photography, Riverside, CA
    Aquatopia, Nottingham Contemporary, Nottingham, UK; (traveling) Tate St Ives, UK
    Burnt by the Sun, Mallorca Landings, Mallorca, Spain
    Coral Brush Node, Fourteen Thirty Contemporary, Portland, OR

    2013La Fin de la Nuit, Palais de Tokyo, Paris, France, curated by Martha Kirszenbaum
    Utah Biennial, Utah Museum of Contemporary Art, Salt Lake City, UT
    Emmy Moore’s Journal: An Exhibition Based on a Letter in a Short Story by Jane Bowles, The Printed Room, SALTS, Basel, Switzerland, curated by Quinn Latimer Polycromies: Surface and Light, Henry Moore Foundation Leeds City Art Gallery, Leeds, UK
    Cathy, Jean-Paul, Peg Entwistle et les autres, 8 Rue Saint Bon, Paris, France Inside and From the Ground Up, Museum of Contemporary Art, Cleveland, OH Analogital, Utah Museum of Contemporary Art, Salt Lake City, UT
    Educational Complex Edit – Videos by the Students of Mike Kelley, The Art Gallery, University of West Florida

    2012Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA
    Polycromies: Surface and Light, Leeds City Art Gallery, Henry Moore Foundation, Leeds, UK
    Inside and From the Ground Up, Museum of Contemporary Art, Cleveland
    Out of Focus Photography, Saatchi Collection Gallery, London, UK
    The Only Rule is Work, Galerie Waalkens, Finsterwolde, Netherlands
    Painter's Panting, Atlanta Contemporary Arts Center, Georgia
    Quinn Latimer Book Launch, A.P. News, Zurich, Switzerland
    A Useful Looking Useless Object, Sierra Metro, Edinburgh, UK
    Sound and Vision: Crossroads, Plugin ICA, Winnepeg, Canada
    Movable Facture, Vivo Media Arts, Vancouver, Canada

    2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue)
    Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA
    “Render: New Construction in Video Art”, California Museum of Photography, University of
    California,Riverside, CA
    The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland
    Painters Painting, Atlanta Contemporary Art Center, GA
    Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain
    Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue)
    A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland
    Sound + Vision: Crossroads, Plug-In, ICA, Winnipeg, Canada
    Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland
    You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam
    Update no.2, White Columns, New York (catalogue)
    Another Kind of Vapor, White Flag Project, St. Louis, MO
    Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium
    Adult Contemporary, Kavi Gupta, Berlin
    How Soon Now, Rubell Family Collection, Miami, FL (catalogue)
    California Dreamin, Arte Portugal Biennial, Lisbon, Portugal
    Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue)
    Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan
    One Person's Materialism is Another Person's Romanticism, Remap 3, Athens
    Greece

    2010Celluloid: the Cameraless Film, Schirn Kunsthalle Frankfurt, Germany (catalogue)
    Supernature, An Exercise in Loads, AMP, Athens, Greece
    Just a Matter of Time, Galerie Iris Kadel, Karlsruhe, Germany
    Kurt, Seattle Art Museum, Seattle, WA, curated by Michael Darling
    In Full Bloom, Galleria Raffaella Coretese, Milan, Italy

    2009Now You See It, Aspen Art Museum, Aspen CO, (catalogue)
    ARTLV 08, Tel Aviv Museum of Art, Tel Aviv, curated by Andrew Renton
    Altogether Elsewhere, Zoo Art Fair, London, UK (catalogue)
    Processed: Considering Recent Photographic Practices, Leubsdorf Gallery, Hunter College, New York, NY, curated by Amie Scully (catalogue)
    Looking Through the Other End of the Telescope, Scottsdale Museum of
    Contemporary Art, Scottsdale, AZ (catalogue)
    Pictural Abstraction, Tache-Levy Gallery, Brussels, Belgium
    The Act of Drawing, VIVID, Birmingham, UK
    Video Art: Replay, Part 1: Asking Not Telling, ICA, Philadelphia, PA
    The Source, Cubitt Art Gallery, London, UK, curated by Michelle Cotton (catalogue)
    Are You With Me, Small A, New York, NY

    2008Here’s Why Patterns, Misako and Rosen, Tokyo
    Drawing on Film, (touring) Drawing Center, New York, NY, The Rose Art Museum, Waltham, MA, curated by Joao Ribas
    The Station, Miami, FL, curated by Shamim Momin & Nate Lowman
    Angles in America, Rhona Hoffman Gallery, Chicago, curated by Terry Myers
    Come Forth! Eat Drink and Look… Gavin Brown’s Passerby, New York, NY
    25 x 25 Artists, Blum and Poe, Los Angeles, CA
    Gallery Artists, Marc Foxx, Los Angeles, CA

    2007If Everybody Had an Ocean: Brian Wilson, an Art Exhibition, (touring) Tate St. Ives, Cornwall, England; CAPC Musee d"Art Conteporain, Bordeaux, France, curated by Alex Farquharson (catalogue)
    Words Fail Me, Museum of Contemporary Art, Detroit, MI, curated by Matthew Higgs
    Sandroni Rey, Los Angeles, CA
    Me, You, You (A Ventriloquy), Small A Projects, Portland, OR
    Viewfinder, Henry Art Gallery, Seattle
    In Apetura, Vilma Gold, London, UK
    Between Two Deaths, ZKM Museum for New Media, Karlsruhe, Germany, curated by Ellen Blumenstein and Felix Ensslin (catalogue)

    2006Grupe, Gavin Brown’s Passerby, New York, NY
    PACING, Marc Foxx, Los Angeles, CA
    Jim Shaw’s Army, Rental Gallery, Los Angeles, CA

    2005Celine and Julie Go Boating, Anna Helwing Gallery, Los Angeles, CA, curated by Michael Ned Holte (catalogue, essay by Michael Ned Holte)
    In Resonance, Bumbershoot and the Henry Art Gallery, Seattle, WA
    Amplify, Sister Gallery, Los Angeles, CA.
    Building Tradition: Selections from the Tacoma Art Museum Collection, Tacoma Art
    Museum,WA

    2003Wrapture: Love, Lust, Entanglement, Transcendence, Consolidated Works, Seattle, WA

    2002LAVA 2002, Noodleworks, Seattle, WA (catalogue, essay by Rhonda Howard)

    2001Pacific Northwest Annual, Bellevue Art Museum, Bellevue, WA, juried by Sue Spaid
    New Works Laboratory Exhibition, Seattle, WA
    Juried by Elizabeth Brown, Chief Curator, Henry Art Gallery, Seattle
    El Camino Effect and Safe, Fuzzy Engine Gallery, Seattle, WA

    Selected Screenings

    2017(forthcoming) Artist Focus, New York Jewish Film Festival
    (forthcoming) Seattle Art Museum, Seattle, WA
    (forthcoming) Jennifer West: Film Title Poem and Other Wonders, REDCAT, Los Angeles, CA
    The Color of Light, Dreamlands, Whitney Museum of American Art, New York, NY

    2016Shenzen Animation Biennial, China
    Seattle Art Museum, Seattle, WA
    Caro Sposo, with Mario Garcia Torres, Paris, FR

    20151st PARSE Biennial Research Conference on TIME, University of Gothenburg, Sweden, curated by John Hill, Flat Time House, London, UK
    “Abstract Video: The Moving Image in Contemporary Art” with Pierre Huyghe, Lynn Marie Kirby, Lutz Becker, Stan Brakhage, Robert Breer, Ariel Jackson, Jennifer West, John Whitney, Jud Yalkut and Nam June Paik, LACE, Los Angeles, CA, curated by Mark Toscano and Gabrielle Jennings
    "In the Lion's Den" James Richard and Jennifer West at KHI (Art Historic Institute in Amsterdam) Herengracht, Amsterdam
    "Psychic Geographies" with Elise Florenty & Marcel Türkowsky, Arvo Leo, Laure Prouvost, Liz Rhodes, John
    Smith, Lisa Tan, Agnes Varda, Jennifer West, lothringer13florida, Munich, Germany
    Carnegie Museum of Art, Pittsburg, PA, curated by Amanda Donnan

    2014Video Playlist, Museum of Contemporary Photography, Chicago, IL, curated by Karthik Pandian
    Colour, ICA London; traveling Cornerhouse, Manchester; Tramway, Glasgow; MK Gallery; Milton Keynes;
    and Turner Contemporary; Margate
    Artist Talk and Screening, Columbus Museum of Art,, Columbus, OH
    Artist Talk and Screening, California Museum of Photography, University of California, Riverside, CA Artist Talk and Screening, Henry Art Gallery, Seattle, WA

    2013Mute Sound, South London Gallery, London, UK
    One Mile Film, Casal Solleric, Mallorca, Spain
    Spirals, Salt and The Pill, in conversation with scholar, David James, School of Cinematic Arts, University of
    Southern California, Los Angeles, CA

    2012One Mile Film, High Line Art, New York, NY
    On the Custom of Wearing Clothes, LUX/ICA Biennial of the Moving Images, ICA,
    London, UK
    On the Custom of Wearing Clothes, Tramway Festival of Artists' Moving Image in Association with Lux, Glasgow, Scotland
    Micro/Macro: The World Inside Out, the Cinema Museum, London, UK
    Love/Not Love, Handmade Feminist Films (with Carolee Schneeman, Naomi Uman and Jennifer Reeves), Contraband Cinema, Atlanta, curated by Gregory Zinman Selected Films by Jennifer West, High Line Art, New York, NY

    2011Artist’s Film Club, Institute of Contemporary Art, London, UK
    Exploring the Abstract, Tate St. Ives, UK
    MIT List Visual Arts Center, Cambridge, MA
    Structuring Strategies, California Institute for the Arts, Valencia, CA Oberhausen Film Festival, Oberhausen, Germany, curated by Marc Gloede

    2010Art Basel Miami Beach: Art Video, curated by Lauri Firstenberg

    2009Psychosomatic Acid Test, Royal Academy, London, curated by Mark
    Titchner

    2008Tomorrow is Humourless, Stedelijk Museum Bureau Amsterdam, curated by Marijn van Kreij

    2007A Night with Mark Titchner, Tate Britain, London
    Parallel Ensemble: a Momentary Companion to Various Small Fires, Royal
    College of Art Curatorial Exhibition, London, UK

    Museum and Public Collections

    Los Angeles County Museum of Art, LA, CA
    Hammer Museum, Los Angeles
    Columbus Museum of Art, Columbus, OH
    Kadist Public Collection, Paris, France/San Francisco, CA, USA
    Saatchi Public Collection, London, UK
    Rubell Public Family Collection, Miami, FL
    Museum of Old and New Art, Tasmania, Australia
    Zabludowicz Public Collection, London, UK
    Henry Art Gallery, Seattle, Washington
    Tacoma Art Museum, Tacoma, Washington

    Bibliography

    2016Iles, Chrissie. What is Cinema, exhibition cat. Whitney Museum of American Art, New York, NY (photos)
    Jeffrey, Moira. Art Review: Jennifer West, Scotsman, September 19
    West, Jennifer. Remembering Tony Conrad, Artforum
    Searle, Adrian, “Art Night review – London finally catches the 'nuit blanche' bug”, Guardian.com, July 4
    Muir, Gregor, “All-nighter arts festival to transform London”, Guardian.com, July 1
    Droschl , Sandro , Words as Doors, in Language, Art, Film, exhibition catalogue, Künstlerhaus, Halle für Kunst & Medien, Graz, Austria (cover image, photos)
    Graves, Jen, “Jennifer West's Video Store Instagram Residency”, The Stranger.com, March 14 (photo) Gonzalez, Rita and Samborska, Paulina Samborska, “Jennifer West at LACMA”. unframedLACMA.org, March 29

    2015Zinman, Gregory and Jennings, Gabrielle, Abstract Video: The Moving Image in Contemporary Art, UC Press. “Introduction: On the Horizon”, pages 1-16 (photos); “Jennifer West: Transferring Analog Aesthetics”, pages
    103-106 (photos)
    Ed. Juan Roselione-Valadez, NO MAN'S LAND: Women Artists from the Rubell Family Collection, Rubell
    Family Collection Publisher, Miami, FL (photos)
    Hoeber, Julian. “The Fan Club: Why enthusiasm, not scholarship inspires artists” Frieze, Issue 174, October,
    2015, pages 202-209 (photos)
    Jonas, Joan. Okiishi, Ken. Raven, Lucy. West, Jennifer. Ramos, Filipa. "Time as Material", MOUSSE, February
    2015, pages 222-232
    Raymond, Jon, "1,000 Words Jennifer West Talks About her Flashlight Filmstrip Projections," ARTFORUM, January 2015, pages 196-199 (photos)
    Ed. Alemani, Cecilia. McGarry, Kevin and Edwards, Adrienne. High Art: Public Art on the High Line, Skira Rizzoli Press. “Escape Into the Frame: The Unexpected Screens of High Line Channels”, pages 148-159 (photos). “The Seriousness of Play: Performance on the High Line” pages 162-191 (photos)
    Pagel, David, “Head trip in 'the pit': Video and installation art deliver a strange and playful journey” Los
    Angeles Times, December 29

    2014Mousse Editors, "Jennifer West “Flashlight Filmstrip Projections” at PICA, Portland" Larkin, Daniel. "Filmstrips Shining Like Stained Glass", Hyperallergic.com, September 25
    West, Jennifer. "Passages: Vera Chytilova" Artforum.com, August
    Kennedy, Kristan. “As round as an apple, as deep as a cup”, catalogue, published by Portland Institute for
    Contemporary Art
    Latimer, Quinn, “Jennifer West: Spiral of Time Documentary Film”, Vdrome.org

    2013Latimer, Quinn, “Highlights 2013: Quinn Latimer”, Frieze.com, Dec. 13th
    Finkel, Jori, “Jennifer West on Tony Conrad’s ‘Yellow Movie’, Los Angeles Times, pg. 15 Arts Section
    Critics Picks, “Just Add Water: Aquatopia at Nottingham Contemporary in Pictures” Guardian.com, July 22
    Hall, Emily, “Gone with a Trace: Emily Hall on Jennifer West’s ‘One Mile Film’” ARTFORUM, February 2013, page 107
    Kirzenbaum, Martha, “Jennifer West: Mind and Matter,” Paris/LA, Fall Issue, pages 4-12

    2012Taras, Kania, “On the High Line, Falling Forward with a Season of Art”, Wall Street Journal, 6 August
    Duray, Dan, “Jennifer West Plans Mile-Long Celluloid at the High Line”, GalleristNY.com, 15 August
    O’Hagan, Sean, “Saatchi Captures Confusion of Contemporary Photography”, Guardian, Wed., May 9th
    Higgins, Jackie, Why It Does Not Have to Be in Focus, exhibition catalogue, Out of Focus Photography, Saatchi Gallery, London (photos)
    Bonham-Carter, Helen, “Jennifer West at Vilma Gold” Art In America, March
    Weist Nicholas, Cecilia Alemani is the Eye Over The Highline, artinamerica.com, 15 February Diary, Anne Collier and Jennifer West for Highline Art, New York, mousse.com, 14 February Clark, Robert, Exhibition Picks: A1 Artspace, Sheffield, The Guardian, London, UK, 3 February White, Joshua, Jennifer West - Vilma Gold, Flash Art, Vol. XLV, No. 282, Jan-Feb, pg. 132
    Tauches, Karen, More Than Painting: Professionals Pant at the Contemporary, burnaway.org 2 May

    2011Indrisek, Scott. “Destroyed Cinema: Jennifer West does damage to her films,” Modern Painters, November 2011, pp. 52-54.
    Latimer, Quinn. “The Film Looked Like a Licked Sunset: A Conversation with Jennifer West” eastofborneo, March 3.
    Mohseni, Yasmine. “Emerging LA”, The Art Newspaper, No. 228, October 2011, p. 48. Editors, “Vilma Gold: Jennifer West”, Mousse Issue 31, Diary section.
    Bushell, Laura. “Jennifer West at Vilma Gold”, Artslant.com, 20 November. Gavin, Francesca, “Dazed and Confused,” Art News, Vol.3, November
    Regan, Sheila. “Jennifer West at Franklin Art Works” City Pages, 13 September
    Indrisek, Scott,” Beyond Reason,” Modern Painters, September
    Linnert, Nicolas. “White Columns,” WILD Magazine. March
    Donelan, Charles. “CAF’s Home Show, Revisited” The Santa Barbara Independent, June Home Show Revisited, catalogue, Contemporary Arts Forum, Santa Barbara, CA (photos) West, Jennifer. “Acting Out: The Ab-Ex Effect” ARTFORUM, Summer
    Myers, Holly. “Jennifer West: Abstract Expressionist?”, KCET.org, So Cal Focus, July 11
    Finkel, Jori, “Artists Mess with Domestic Space” LATimes Culture Monster, May 11
    Nelsen, Steffie, “Space Invaders”, NYTimes.com, April 21
    Shafer, Ryan, Editor. Art in Unexpected Places, published by Aspen Art Press and The Crown Family (photos)

    2010Vogel, Wendy. “Jennifer West at Contemporary Arts Museum Houston” Artforum.com, Critics picks. July 2010
    Cassel Oliver, Valerie. “Jennifer West: A Fulcrum for the force of Rebellious, Perverse, Beautiful Celluloid”
    Perspectives 171: Jennifer West Catalogue
    Zelluloid: Cameraless Film, catalogue, Kunsthalle Schirn Frankfurt, curated by Esther Schlit (photos) Iversen, Margaret. “Chance,” Whitechapel Gallery, London, The MIT Press, Cambridge, MA, 2010, p. 219
    Allison, Genevieve. “Celluloid. Cameraless Film” Artforum.com, Critics picks, July
    Darling, Michael. “Into the Light,” How Soon Now, catalogue (photos)
    Processed: Reconsidering Recent Photographic Practices, catalogue, Hunter College Art Galleries (photos) Holte, Michael Ned. “Pop Right Now: Jennifer West in 24 Frames,” Kaleidoscope, Summer Issue, pp. 30-33 (photos)

    2009O’Neill Butler, Lauren. “500 Words: Jennifer West” Artforum.com, May (photos/links) Bedford, Christopher. Jennifer West at Marc Foxx, ARTFORUM, May
    Holte, Michael Ned. “Best of 2009,” ARTFORUM, December/January p. 193
    Shaw, Cameron. “Critic’s Picks: Are You With Me?” Artforum.com, 19 January
    Bones, Beat. “Are You With Me?” Villagevoice.com, 22 January

    2008Now You See It, catalogue, Aspen Art Museum, curated by Heidi Zuckerman Jacobson (photos)
    Cotton, Michelle, “The Source” Psychonauten Kunst in Ekstase /Art in Ecstasy, published by Walther König (photos) September 2008
    Lack, Jessica. “A Crush on Film: the Fine Art of Smearing Your Subject,” Guardian UK Unlimited, September 23
    Allsop, Laura “Electric Kool-aid and the Mezcal Worm”, ArtReview.com, September 10
    Latimer, Quinn. “Jennifer West,” Modern Painters, May 2008 (photos)
    Valdes, Sarah. “Substance Abuse: The Films of Jennifer West,” Art On Paper, May (cover/photos) pgs 28-29
    Kleinberg, Joanna. “Jennifer West”, Frieze, March, 2008 (photo)
    Campagnola, Sonia. “Studio Visit: Jennifer West” Flashart online, February, 2008 (photos)

    2007Holte, Michael. “On the Ground: Los Angeles” ARTFORUM, December 2007, pg. 289
    Fox, Dan. "If Everybody Had An Ocean," Frieze, August, 2007
    Jones, Jonathan. “Still Waters Run Deep”, Guardian UK Unlimited, May 29, 2007, (photo)
    Farquharson, Alex. “Sixteen Takes,” If Everybody Had An Ocean, exhibition catalogue May 2007 (photos) Ensslin, Felix. “Jennifer West,” Between Two Deaths catalogue May 2007, pgs 309-10 (photos)
    Ventur, Conrad. "Newer Than Ever," USELESS #5, March 2007

    2005Holte, Michael Ned, ed. "Celine and Julie Go Boating," exhibition catalogue Anna Helwing Gallery, Los Angeles.
    Chan, Dawn. "In Resonance," NY Arts Magazine, Nov/Dec 2005, Vol. 10, No. 11/12
    Myers, Holly. “Six Journeys of the Imagination,” Los Angeles Times, August 12, 2005
    Cassidy, Laura. “Surround Sound,” Seattle Weekly, August 31, 2005, pg. 35 (photo) Lippens, Nate. “Resonating,” The Stranger, September 1, 2005, pg. 45

    2003Hackett, Regina. "West and Macdonald Videos Are Terrific," Seattle Post-Intelligencer, May 12, 2003, F1
    Hall, Emily. "Mating Airplanes," The Stranger, June 12, 2003. Pg. 41 (photo)

    2002Hackett, Regina. "Jennifer West at James Harris," Seattle Post-Intelligencer, August 27, 2002 pg. D4
    Fefer, Mark. "Jennifer West," Seattle Weekly, August 7-14, 2002. pg.. 46.
    Hall, Emily. "Farewell Jennifer West," The Stranger, August 8-14, 2002, pg. 54 (photo) Howard, Rhonda, "Jennifer West," LAVA 2002, catalogue essay, pg. 150-3 (photos)
    Hall, Emily. "Pay Attention, Please Artists Before Eruption," The Stranger, May 30-June 5, 2002 pg. 45

    Artists Publications / Writings / Zines

    2016Remembering Tony Conrad, Artforum, September
    Movie Memories Zine, Production by ICA London for Art Night 2016, July

    2014West, Jennifer. “Passages: Vera Chytilova”, Artforum.com, August 2014

    2013Spirals of Time Zine, 2013. Produced by Jennifer West in conjunction with solo exhibition, “Spirals, Salt and The Pill” at Marc Foxx Gallery, Los Angeles. Two-color Risograph. Published by Golden Spike Press

    2012Accordion Zine 2011. 2011. Produced by Jennifer West in conjunction with solo exhibition, “Heavy Metals: Iron and Zinc” at Vilma Gold, London, UK

    2011West, Jennifer. “The AbEx Effect,” ARTFORUM, Summer Issue, 2011

    2010Artist Contribution. ThisLongCentury.com September 2010
    Smoke, Mirrors, Darts and Lavender Mist Zine. 2010. Produced by the
    Contemporary Art Museum, Houston, Texas in conjunction with Perspectives
    176: Jennifer West. Curated by Valerie Cassel Oliver.
    Shred the Gnar Full Moon Film Noir Zine. 2010. Produced by the Aspen Art Museum, Aspen, Colorado in conjunction with performance and exhibitions, Shred the Gnar Full Moon Noir. Curated by Matthew Thompson.

    2009Wheels Ink Ho-ho's and Melon, Skate the Sky Film Production Stills Zine. 2009.
    Produced by Vilma Gold and Marc Foxx in conjunction with performance and screening at Tate Modern, London, UK. Curated by Stuart Comer.

    2008Pomegranate Juice and Pepper Spray Production Stills. 2009. Produced by Jennifer West and Marc Foxx in conjunction with "Pomegranate and Pepper Spray" solo exhibition at Marc Foxx, Los Angeles.
    Electric Kool-Aid and the Mezcal Worm Production Stills Zine. 2008. Produced by Jennifer West in conjunction with solo exhibition, "Electric Kool-Aid and the Mezcal Worm" at Vilma Gold, London.
    Jennifer West. Production Stills Zine. 2008. Produced by Vilma Gold in conjunction