Lives and works in Berlin

1962Born Heidelberg, Germany

Solo Exhibitions (selected)

2017“Working Drawings and Other Visible Things on Paper Not Necessarily (upcoming)
Meant To Be Viewed as Art (After Mel Bochner)”, CAC Conceptual Art
Centre, Landskrona, Sweden, curated by Conny Blom and Nina Slejko (upcoming)
We wish you welcome to an active, inspiring and participatory day, OEINS, Oldenburg, Germany

2011Manifesto, De Antivader, Annet Gelink Gallery, Amsterdam

2010The Anti-Father, Milliken, Stockholm

2008I Feel so Divided, Vilma Gold, London

2007Tools and Grammar, Milliken, Stockholm

2006Röda Sten, Gothenburg

2005Revolution II, Portikus, Frankfurt, curated by Nikola Dietrich (cat.)
Film Stills, Voges + Partner Gallery, Frankfurt
Malmö Konstmuseum, Malmö, curated by Göran Christenson (cat.)

2004The Aging Revolution, Milliken, Stockholm
The Cells in an Onion, maccarone inc., New York

2002Non-Stop, Videovindue International, Copenhagen

1999Nothing becomes a Man More Than a Woman’s Face, Gasworks, London
Galleri Olsson, Stockholm

1997[a:t], Association for Temporary Art, Internet

1996 – 98Art Vandals, Malmö Konstmuseum, Uppsala Konstmuseum, Gävle , BildMuseet in Umeå, Borås Konstmuseum, Sweden and Kemin Taidemuseo, Finland. Traveling exhibition organized by Riksutställningar, Stockholm (curated by Annika Öhrner) (cat.)

1995Ein kleiner Beitrag zur Sauberkeit, Künstlerhaus Bethanien at KulturBrauerei, Berlin (cat.)

1994Painting Modernism Black, Galleri Olsson, Stockholm

Group Exhibitions (selected)

2016The Fevered Specters of Art – Die fiebrigen Gespenster der Kunst, Edith-Russ-Haus, Oldenburg, Germany
Uchronies, BPS22, Musee d’art de la Province de Hainaut, Charleroi
Upstairs Basement I, Espace MOSS, Brussels, Belgium
Upstairs Basement II, RYMD Konstrum, Stockholm, Sweden

2015A story for you to continue, Birkelunden Marked and Blackbox KHiO, Oslo, Norway
"After Picasso: 80 Contemporary Artists", Wexner Center for the Arts, Ohio, US
"A story for you to continue”, Birkelunden bruktmarked and Blackbox KHiO, Oslo, Norway
Working Drawings and Other Visible Things on Paper (after Mel Bochner) and Small Good Things (Artworks We Like That Fitted In Our Suitcases), International Sculpture Exhibition, curated by Andreas Nilsson and co-curated by Nina Slejko and Conny Blom Võru, Estonia (upcoming)
Picasso in Contemporary Art curated by Dirk Luckow, Deichtorhallen, Hamburg
Inaugural citywide festival, The Pyramid International Center of Culture, Pallati i Kongreseve and the Albanian University of Arts, Tirana, Albania
Die Winterreise curated by Geir Yttervik, Galleri LNM, Oslo

2014Search of the Industrial Culture, Ural branch of the National Center for Contemporary Art, Russia
Workers United curated by Susanne Jaschko, Kasa Gallery, Istanbul
Progress and Hygiene curated by Anda Rottenberg, Zacheta National Gallery of Art, Warsaw, Poland
Punctum, curated by Saemus Kealy, Salzburger Kunstverein,
We Fragment, Collect and Narrate curated by Sayoko Nakahara, Kunstmuseum Thun, Switzerland, Galerie Robespierre, France, Leopold Hoesch-Museum-Düren, Germany

2013Version Control, Arnolfini, Bristol

2012The evolution must be made little by little, part 1: difference and repetition, Galeria Raquel Arnaud, São Paulo, Brasil, curated by Jacopo Crivelli Visconti
The personal and the universal, Galeria Raquel Arnaud, São Paulo, Brasil, curated by Jacopo Crivelli Visconti

2011Saatchi Gallery, GESAMTKUNSTWERK

2010Carnegie Art Award 2010, Listasafn Islands, Reykjavic, Konstakademien, Stockholm,
Kunstnernes Hus, Oslo, Royal Academy, London
New Aquisitions, Moderna Museet, Stockholm
Konst med Alla Sinnen, Kulturhuset, Stockholm, curated by Po Hagstrom
Niet Normal: Difference on Display, Buers van Berlage, Amsterdam, curated by Ina Geves

2009Do they love their children too?, Milliken Gallery, Stockholm
The Social Critique: 1993-2005, Kalmar Konstmuseum, Kalmar, curated by Martin Schibli
Difference on Display, Beurs van Berlage, Amsterdam, Curated by Ine Gevers
Untitled (History Painting): Painting and Public Life in the 21st Century, University of Michigan Museum of Art, curated by Jacob Proctor
Every Version Belongs to the Myth, Project Arts Centre, Dublin, curated by Tessa Giblinand Amalia Pica
When the Mood Strikes... Verzameling Wilfried & Yannike Cooreman, MDD Museum Dhondt- Dhae-ens, Deurle, Belgium
Difference on Display, Beurs van Berlage, Amsterdam, curated by Ine Gevers
Curator Curator #4: Time-Challengers, HISK, Ghent, Belgium, curated by Adnan Yildiz
Opening, an arts and music picnic evening, Galleri Rostrum, Malmö, Sweden, organized by Björn Ross
Carnegie Art Award 2010, Kunsthal Charlottenborg, Copenhagen
6 Artists, 3 Shows - Felix Gmelin & Amalia Pica, Vilma Gold, London
Every Version Belongs to the Myth, Project Arts Centre, Dublin

2008On the Limit, Le Centre d’art Buda, Tournai, curated by Annette Schemmel
Vårutstillingen 2008, Fotogalleriet, Oslo
La Marge d’Erreur, La synagogue de Delme contemporary Art centre, Delme, curated by Le Bureau
Not Quite How I Remember It, The Power Plant Contemporary Art Gallery, Toronto, curated by Helena Reckitt
Así Se Escribe la Historia, La Casa Encendida, Madrid, curated by Chema González
Reenactment, Institute of Modern Art, Brisbane, (cat.), curated by Angela Goddard and Robert Leonard
Reality Check, Statens Museum for Kunst, Copenhagen, curated by Marianne Torp
History Will Repeat Itself, Centre for Contemporary Art Ujazdowski Castle, Warsaw and Goethe-Institute, Hong Kong, curated by Inke Arns and Gabriele Horn

2007Stalking with Stories: The Pioneers of the Un-Rememberable, Apexart, New York, curated by Antonia Majaca and Ivana Bago
History Will Repeat Itself, KW Institute for Contemporary Art, Berlin and Hartware, Medien KunstVerein at Phoenix
Halle Dortmund, (cat) curated by Inke Arns and Gabriele Horn
Por Favor Gracias de Nada: Re-enactments, Casa del Lago, UNAM, México City, curated by Victor Palacios
Think with the Senses - Feel with the Mind, Art in the Present Tense, La 52 Biennale di Venezia, Arsenale, (cat.) curated by Robert Storr
Left Pop (bringing it back home), 2nd Moscow Biennale of Contemporary Art - Special projects, Moscow Museum of Modern Art at Petrovka, Moscow, (cat.), curated by Diana Baldon, Nicola Lees and Georgin Jackson
Doften av Färg, Samlingarna i urval av konstnären Carl Johan De Geer, Waldemarsudde, Stockholm
Urban Connexions (I), Château du Domaine départemental de Chamarande, France, curated by Judith Quentell
System Error, War Is a Force That Gives Us Meaning, Palazzo delle Papesse, Centro Arte
Contemporanea, Siena, curated by Lorenzo Fusi and Naeem Mohaiemen
Anachronism, Argos - Centre for Art & Media, Brussels, curated by Elena Filipovic Re-Site Gallery, Sheffield, curated by Jeanine Griffin
The Backroom / Société Anonyme, Kadist Art Foundation, Paris, curated by Magali Arriola, Kate Fowle and Renaud Proch
I Love Malmö - Works from Malmö Art Museum, Turku Art Museum, Turku

2006Dreamlands Burn, Kunsthalle Budapest, Budapest,(cat.), curated by Edit Molnár and Lívia Páldi
Art, Life & Confusion, October Salon 2006, Belgrade,(cat.), curated by Barbara Heinrich and René Block
Por Favor Gracias de Nada: Re-enactments, Santa Monica Center of Arts, Barcelona, curated by Victor Palacios
Of Mice and Men, Berlin Biennial 4, Berlin, (cat.), curated by Maurizio Cattelan, Massimilia Gioni and Ali Subotnick
The Moderna Exhibition 2006, Moderna Museet, Stockholm,(cat.), curated by Magdalena Malm and John Peter Nilsson
Ahistoric Occasion: Artists Making History, MASS MoCA, North Adams, Massachusetts, (cat.) curated by Nato Thompson
Infinite Painting, Contemporary Painting and Global Realism, Villa Manin Centre for Contemporary Art, Passariano, Codroipo, (cat.), curated by Francesco Bonami and Sarah Cosulich Canarutto
Now Again the Past: Rewind Replay Resound, Carnegie Art Center, North Tonawanda, (cat), curated by Joanna Raczynska

2005Situation Comedy: Humor in Recent Art, Independent Curators International (iCI) at The Contemporary Museum, Honolulu, Chicago Cultural Center, Chicago, Museum of Art, Fort Lauderdale and Winnipeg Art Gallery, Winnipeg, Manitoba, (cat.), curated by Dominic Molon and Michael Rooks
Rewind<<, Nassauischer Kunstverein, Wiesbaden, (cat.), curated Clara Jung

2004Berlin-Moscow/Moscow-Berlin 1950 - 2000, State Historical Museum, Moscow, (cat.), curated by Jekaterina Degot and Viktor Misiano
Always Already Passé, Gavin Brown’s Enterprise, New York, curated by Chivas Clem
Delayed-on-Time, Museum of Contemporary Art, Zagreb, (cat.), curated by Nada Beros
Art and War, Holon Digital Art Lab, Tel Aviv, curated by Daniel Birnbaum and Boris Groys
Movimento/Movimenti, Palazzo Lanfranchi, Matera, curated by Francesco Bonami Ritardi e Rivoluzoni, Palazzo Bel monte Riso, Palermo, Sicily, curated by Francesco Bonami
Side Effects, Museum of Contemporary Art, Belgrade, and Galeria Nova, Zagreb, (cat.), curated by What, How & for Whom (WHW)
Balancing Acts, CCS Centre Culturel Suédois, Paris, curated by the curatorial program at Konst fack, Stockholm
Samtiden -I Betraktarens Rum, Moderna Museet, Stockholm (cat.)
Laocoonte Devorado, Arte y Violenca Politica, Artium, Vitoria-Gasteiz, Centro Guerrero, Granada, DA2 museum, Sala manca, (cat.), compiled by Javier Gonzáles de Durana

2003Delays and Revolutions, La 50 Biennale di Venezia, Italian Pavillion, Venice, (cat.), curated by Francesco Bonami and Daniel Birnbaum

2002Iconoclash, Beyond the Image Wars in Science, Religion and Art, ZKM, Zentrum für Kunst und Medientechnologie, Karlsruhe, (cat.), curated by Peter Galison, Dario Gamboni, Joseph Koerner, Bruno Latour, Adam Lowe and Hans Ulrich Obrist maccarone inc., New York

2001Outlanders, Baltic Centre for Contemporary Art, Gateshead at Waygood Gallery, (cat.), Newcastle, curated by
Paul Stone and Sarah Martin
Money/Pengar, Kulturhuset, Stockholm, (cat.), curated by Karin Hansson and Nils Claesson

2000Århundradenas bilder, Nationalmuseum, Stockholm, (cat.), compiled by Olle Granath and Lena Holger
Shoot. - Moving Pictures by Artists, Malmö Konsthall , Malmö, Sweden, curated by Åsa Maria Bengtson,
Lisa Strömbeck, Marit Lindberg

1999Passion, Gasworks, London, curated by Peter Cross and Tim Hutchinson

1997Invasioon, Saaremaa Biennaal, Kuressaare, Estonia, (cat.), curated by Eve and Peeter Linnap
Samtida Konstnärer Ser på Liljefors, Göteborgs Konstmuseum, Gothenburg, (cat.)

1996Samtida Konstnärer Ser på Liljefors, Waldemarsudde, Stockholm (cat.)
Index Edition, Galleri Index, Stockholm

1995Revir/Territory, Kulturhuset, Stockholm (cat.)

1993Edstrandska Stiftelsens Stipendiater, Malmö Konsthall, Malmö, Sweden
Missing, Forum Arnault, Stockholm, with Sushil Kumar and Jan Håfström
90-talets nyförvärv, Moderna Museet, Stockholm

1992Waldemarsudde, Stockholm (cat.)

1991Invocation, Lalith Khala Academy, New Delhi, Madras and Ahmedabad
Enigma, Göteborgs Konsthall, Gothenburg

1990Spegling, Moderna Museet, Stockholm an and Museet for samtidskunst, Oslo (cat.)

Screenings

2008SMAK, Gent, Belgium, curated by Magnus af Petersens

2006Eine Frage (nach) der Geste, Exhibition project by Hochschule für Grafik und Buchkunst, Leipzig

2003Film Fylkingen, Fylkingen, Stockholm, compiled by Rita Stetter

2002Snowflakes, Chiangmai University Art Museum , Thailand, Cinemateket, Stockholm and Göteborg International Film Festival, Gothenburg, Sweden, compiled by Gunnel Petterson

2000Old School vs. New School, Art Node, Stockholm, compiled by Gunnel Petterson

2001Snowflakes, Bangkok Experimental Film Festival, Thailand, compiled by Gunnel Petterson

Represented in Public Collections

B.P.S. 22, Charleroi, Belgium
Frac Nord-Pas de Calais, France
Göteborgs Konstmuseum, Sweden
Jönköpings Länsmuseum, Sweden
Kadist Art Foundation, Paris
Malmö Konstmuseum, Sweden
Moderna Museet, Stockholm
Rema Hort Mann Foundation, New York
Saatchi & Saatchi collection, London
Waldemarsudde, Stockholm

Selected Bibliography

Publications

2015Picasso in Contemporary Art, exhibition catalogue, edited by Dirk Luckow, Germany

2014Chouteau-Matikian, Hélène, Peinture et document / Painting and document: David Diao, Rennes University Press / University of Strasbourg, France, March 2014
Archer, Michael, Art Since 1960, Thames & Hudson, third edition

2010Pantenburg, Volker, Die Rote Fahne, Deutsche Film- und Fernsehakademie Berlin, 1966 – 1968

2008Germania, exh. cat. Saatchi Gallery, London 2008
Meyer, James, ‘The Return of the Sixties in Contemporary Art and Criticism’, Okwui Enwezor, Terry Smith and Nancy Condee, eds. Modernity and Contemporaneity: Antimonies of Art and Culture after the 20th Century, Durham: Duke University Press

2006Nittve, Lars, ‘Felix Gmelin’, The Moderna Exhibition 2006, Moderna Museets

2005Rimanelli, David, ‘Felix Gmelin: The Aging Revolution’, exhibition catalogue. Daniel Birnbaum and Ronald Jones. ed. Robert Stasinski. Malmö Konstmuseum/ Portikus, Frankfurt am Main

2004‘Felix Gmelin’, Svensk konst nu : 85 konstnärer. Sophie Allgårdh and Estelle af Malmborg, SAK / Wahlström & Widstrand, Stockholm
‘Intervju’, NU-E, The Nordic Art Magazine, Ronald Jones & Robert Stasinski, Stockholm
‘Magnus af Petersens, Contemporaries — Sharing the Space of the Beholder’, Moderna Museet - The Book, Stockholm

2002Gamboni, Dario, ‘Image to Destroy, Indestructible Image’, Bruno Latour and Peter Weibel, eds. Iconoclash, Beyond the Image Wars in Science, Religion and Art, exhibition catalogue. ZKM, Karlsruhe/ MIT Press p.88-135

20011900-talet, del 3. 1970-2000, Sveriges Konst, Mårten Castenfors, SAK, Stockholm

1997‘Image Cannibalism’, Lars O Ericsson, Invasioon, Saaremaa Biennaal, exhibition catalogue, Kuressaare, Estonia, p. 86

1996‘Felix Gmelin, Art Vandals’, exhibition catalogue. Jörgen Gassilewski, Annika Öhrner, Riksutställningar / Swedish Travelling Exhibitions

1994‘Felix Gmelin’, Ein kleiner Beitrag zur Sauberkeit, exhibition catalogue. Gertrud Sandqvist, Christoph Tannert, Künstlerhaus Bethanien / KulturBrauerei, Berlin

Articles

2011Felix Gmelin in Annet Gelink gallery, ABCD STAR, www.abcdstar.com/2011/02.felix-gemelin-in-annet-gelink-gallery.html

2010Felix Gmelin, Carnegie Art Award, http://www.carnegie.se/sv/ArtAward/artists/Felix-Gmelin/Macleod, Katarina
Wadskin, ‘Med Förädrar i Fokus: Felix Gmelin: Anti-Father, Milliken’, SVD, Nov 3
Madestrand, Bo, ‘Ömsint Pappaporträtt’, Dagens Nyheter, Kultur, Sept 9

2009Stop Making Sense, (Felix Gmelin in conversation with Helena Reckitt), Switch, The Power Plant, Winter 2008-09, p.10-14
Danby, Charles, Flash Reviews, Felix Gmelin, Vilma Gold, Flash Art, No. 264, January/February, pg.108

2008Reckitt, Helen, ‘Stop Making Sense’, Switch - The Power Plant, Winter 2008-2009
Coupe, Tom, Felix Gmelin, Kultureflash, November 6
Jones, Ronald, Felix Gmelin, Artforum, Feb
Jones, Ronald, Light deny’d, Paletten, Gothenburg, No. 4
Carlson, Benjamin, Not Quite How I Remember It, frieze, #119 Nov-Dec 2008

2007Boogerd, Dominic van den, The father, the son and the revolution. Felix Gmelin and the legacy of May 1968.
Metropolis M. No 4. 2008 August/September, p. 58-63.
McLaughlin, Bryne, Not Quite How I Remember It: Rapid Memory Gloss, Canadian Art, June,
Armin, Janine, Not Quite How I Remember It, Critics picks, Artforum.com, June, 2008
Lee, Pamela M., Questionnaire: Lee, October, Winter 2008, No. 123, pages 98-101
Pil and Galia Kollectiv, Retro/Necro: From Beyond the Grave of the Politics of Re-Enactment, Art Papers, Atlanta, November/December 2007
Felix Gmelin - Tools and Grammar, OEI Magazine, No.33 No.34 No.35, Stockholm p. 11-35.
Poynter, Phil, Silvia Manzoni and Giovanna Battaglia, A world wide photo tour in the studios of the major artists, In L’Uomo Vogue - Biennale di Venezia, May No. 381
Cornell, Peter, Felix Gmelin / Tools and grammar, Expressen, Stockholm, Nov 20
Hammarström, Camilla, Själen finns i fingertopparna, Aftonbladet, Stockholm, Nov 20
Dagbladet, Svenska, Film, Sophie Allgårdh, dia, måleri, Stockholm Nov 17
Allerholm,Millou, Felix Gmelins utställning bland de vackraste på länge, Dagens Nyheter, Stockholm, Nov 10
Schwendener, Martha, Stalking With Stories, New York Times, Oct 19
Cole, Lori, Stalking with Stories: The Pioneers of the Immemorable – Apexart, Artforum.com, Oct
Briers, David, Re- Site Gallery, Art Monthly, July 4
Molina, Ángela, Mercaderes en Venecia, El Pais, Madrid, June 23
Birnbaum, Daniel, The Art of Education, Artforum, June p. 476
Gazetesi BirGün, Halkin, Venedik’te ölüm, Ayegül Sönmez, Istanbul, June 17
Olofsson, Mikael, Krigets ständiga återkomst, Göteborgs-Posten, Gothenburg, June 14
Stahre, Ulrika, Allt kan hända, Aftonbladet, Stockholm, June 12
Hickling, Alfred, Re-, The Guardian, London, April 12
Stokic, Jovana, Art, Life and Confusion, NY Arts Magazine
Jones, Ronald, The Moderna Exhibition 2006, frieze, No. 99
Stasinski, Robert, Felix Gmelin, Contemporary, London, No. 85 p. 44-47
Schibli, Martin, Visiting the Berlin Biennale, New Herald, May 3

2006Stokic, Jovana, Art, Life and Confusion, NY Arts Magazine,
Jones, Ronald, The Moderna Exhibition 2006, frieze, #99,
Stasinski, Robert, Felix Gmelin, Contemporary, London, #85, pages 44-47
Schibli, Martin, visiting the Berlin Biennale, New Herald, 3 May

2005Felix Gmelin, Two Films exchanging Soundtracks, OEI Magazine, No.22&23, Stockholm, p.5-21
Coulson, Amanda, Blunting the Cutting Edge, Felix Gmelin’s reevaluation of revolution, Modern Painters, June p. 60-61
Kuni, Verena, (But you won’t fool the) Children of the Revolution, Spike Art Quarterly, Summer
Schütte, Christoph, Sex, Malerei und Video, Frankfurter Allgemeine Zeitung, May 15
Danicke, Sandra, Vandalismus ohne Wut, Frankfurter Rundschau, Apr 20, p. 17
Hierholzer, Michael, Rote Fahne, Frankfurter Allgemeine Zeitung, Apr 9, p. 66
Jones, Ronald, Milliken, Stockholm, Sweden, frieze, No. 89, p. 123-124
Allgårdh, Sophie, Upprepningar utmanar det manliga geniet, Svenska Dagbladet, Stockholm, Jan 9
Morse, Marcia, Everyone’s a comedian, Rib-poking exhibit tickles art’s fancy, Honolulu Weekly, Sept 11Aschenbren ner, Jenny, Politisk konst - vem bryr sig?, TT Spektra / Bohuslänningen, Jan 8,p. 46
Power Ekroth, Felix Gmelin, Flash Art, Jan

2004Sundell, Margaret, Felix Gmelin, maccarone inc. Artforum, Sept, p. 271-272
Allgårdh, Sophie, Gmelin gör upp med fadern, Svenska Dagbladet, 4 Dec, p. 9
Allerholm, Millou, Varje bild är ett val, Dagens Nyheter, Dec 4, p. 8
Kopsa, Maxine, Het waarom opgesloten tussen twee vertellingen, Metropolis No. 4
Sundell, Margaret, Felix Gmelin, maccarone inc. Artforum, Sept, pages 271-272
Ho, Christopher K, Felix Gmelin, Modern Painters, Autumn, p. 132-133
Cleving, Ulrich, Immer an der Wand lang, Frankfurter Rundschau, Sept 20 p. 10
Cornell, Peter Utopi och urscen, Expressen, Dec 2
Cotter, Holland, Politics That Makes Peace With the Beauty of Objects, New York Times, June18
Speers Mears, Emily, Critics picks, Artforum.com, June
Sholis, Brian, (Re)making history, Flash Art, October, p. 103-105

2003Rimanelli, David, Best of 2003, Artforum, December p. 116
Westphahlen, Olav, Top Ten, Artforum, October p. 64
Rothkopf, Scott, In the Bag, Artforum, September
Rondeau, James, Jörg Heiser and Maxine Kopsa, 50th Venice Biennale, frieze, No. 77, p. 96, 97 & 106
Wagner, Thomas, Das Hochhaus weicht dem Flugzeug aus, Frankfurter Allgemeine Zeitung, June 28

2000Ingamaj, Beck, Konstnärliga möten mellan då och nu, Aftonbladet, Stockholm, Jan 16 p. 5
Lind, Ingela, Fem får en kick, Dagens Nyheter, Stockholm, Jan 6 p. 4

1999O Ericsson, Lars, Monstruösa porträtt kolliderar, Dagens Nyheter, Stockholm, Oct 2

1998Rönkkö, Pekka, Taidevandaalit tulevat Kemin Taidemuseoon, Pohjolan Sanomat, Mar 28

1997Birnbaum, Daniel, The Art of Destruction, frieze, London, No.35 p. 37-38
Arndtzén, Mårten, A’rt Loving Vandals, Siksi, Helsinki, No. 1, p. 11
Malmberg, Carl-Johan, Vitt är svart, sade kejsaren, Svenska Dagbladet, Feb 8, p.56
Malmberg, Carl-Johan, Vandaler i konstvärldens utmarker, Svenska Dagbladet, Feb 1, p. 30
Grahn-Hinnfors, Gunilla, Konst som slår mot konst, GP, Gothenburg, Sweden, Oct 16
O Ericsson, Lars, Summan av förstörelsen, Dagens Nyheter, Jan 24, p. B3

1996Lind, Ingela, Liljefors — ett hatälskat kulturarv, Dagens Nyheter, Nov 3, p. B1
Nanne-Bråhammar, Marianne, Konstvandalism - En en skandal?, Arbetet, Malmö, Sept 27
Jönsson, Dan, I hälarna på konstvandaler, Sydsvenska Dagbladet, Oct 13

1996Fricke, Harald, Museumsgeschmack, taz, Berlin, Mar 12, p. 36

1995Reissner, Katja, Das ende der Aura, Der Tagesspiegel, Berlin, Mar 3

1994van der Heeg, Erik, Revir, Material, Stockholm No.1, p. 15
Allerholm, Milou, Revir, tidskriften Index, No. 94/95 p. 70-71

1993Allerholm, Milou, Konsten att läsa en sköldpadda, Expressen, June 8

1992Cornell, Peter, Magiska rum, Expressen, Stockholm, Oct 16
Scarpetta, Guy, Max kastar nytt ljus över August, Expressen, Stockholm, June 26
Lind, Ingela, Ironi och frestelse, Dagens Nyheter, Stockholm, June 5
Maj Beck, Inga, Tuktad revolt i prinsens folkhem, Aftonbladet, Stockholm, June 9
Gassilewski, Jörgen, Den bild som är oss given, iDAG, Gothenburg, Aug 1 p. 5
van der Heeg, Erik, “Waldemarsudde”, Material, Stockholm No. 9 p. 44-46

1991NyheterTorkel, Dagens, Strimlade lån ur historien, Rasmusson, Stockholm, Feb 1, p. B 3
Gassilewski, Jörgen, Det är på bildens kropp det hander, iDAG, Gothenburg, Sweden, Oct 26

1989Alton, Peder, Parafraser och infall, Dagens Nyheter, Stockholm, Apr 28