Felix Gmelin

  • Version Control, 2013, Arnolfini, Bristol, Installation View

  • The Anti-Father, 2010, Vilma Gold, London, Installation view

  • The Anti-Father, 2010, Vilma Gold, London, Installation view

  • Think with the Senses – Feel with the Mind, Art in the Present Tense, curated by Robert Storr, 2007, 52nd Venice Biennale, Arsenale

  • Think with the Senses – Feel with the Mind, Art in the Present Tense, curated by Robert Storr, 2007, 52nd Venice Biennale, Arsenale

  • I Feel So Divided, 2008, Vilma Gold, London, Installation View

  • I Feel So Divided, 2008, Vilma Gold, London, Installation View

  • I Feel So Divided, 2008, Vilma Gold, London, Installation View

  • Of Mice and Men, Berlin Biennial 4, (cat.), curated by Maurizio Cattelan, Massimilia Gioni and Ali Subotnick, 2006, Berlin, Installation View

  • Of Mice and Men, Berlin Biennial 4, (cat.), curated by Maurizio Cattelan, Massimilia Gioni and Ali Subotnick, 2006, Berlin, Installation View

  • Revolution II, curated by Nikola Dietrich, 2005, Portikus, Frankfurt, Installation View

  • Revolution II, curated by Nikola Dietrich, 2005, Portikus, Frankfurt, Installation View

  • Lives and works in Berlin

    1962Born Heidelberg, Germany

    Solo Exhibitions (selected)

    2017“Working Drawings and Other Visible Things on Paper Not Necessarily (upcoming)
    Meant To Be Viewed as Art (After Mel Bochner)”, CAC Conceptual Art
    Centre, Landskrona, Sweden, curated by Conny Blom and Nina Slejko (upcoming)
    We wish you welcome to an active, inspiring and participatory day, OEINS, Oldenburg, Germany

    2011Manifesto, De Antivader, Annet Gelink Gallery, Amsterdam

    2010The Anti-Father, Milliken, Stockholm

    2008I Feel so Divided, Vilma Gold, London

    2007Tools and Grammar, Milliken, Stockholm

    2006Röda Sten, Gothenburg

    2005Revolution II, Portikus, Frankfurt, curated by Nikola Dietrich (cat.)
    Film Stills, Voges + Partner Gallery, Frankfurt
    Malmö Konstmuseum, Malmö, curated by Göran Christenson (cat.)

    2004The Aging Revolution, Milliken, Stockholm
    The Cells in an Onion, maccarone inc., New York

    2002Non-Stop, Videovindue International, Copenhagen

    1999Nothing becomes a Man More Than a Woman’s Face, Gasworks, London
    Galleri Olsson, Stockholm

    1997[a:t], Association for Temporary Art, Internet

    1996 – 98Art Vandals, Malmö Konstmuseum, Uppsala Konstmuseum, Gävle , BildMuseet in Umeå, Borås Konstmuseum, Sweden and Kemin Taidemuseo, Finland. Traveling exhibition organized by Riksutställningar, Stockholm (curated by Annika Öhrner) (cat.)

    1995Ein kleiner Beitrag zur Sauberkeit, Künstlerhaus Bethanien at KulturBrauerei, Berlin (cat.)

    1994Painting Modernism Black, Galleri Olsson, Stockholm

    Group Exhibitions (selected)

    2016The Fevered Specters of Art – Die fiebrigen Gespenster der Kunst, Edith-Russ-Haus, Oldenburg, Germany
    Uchronies, BPS22, Musee d’art de la Province de Hainaut, Charleroi
    Upstairs Basement I, Espace MOSS, Brussels, Belgium
    Upstairs Basement II, RYMD Konstrum, Stockholm, Sweden

    2015A story for you to continue, Birkelunden Marked and Blackbox KHiO, Oslo, Norway
    "After Picasso: 80 Contemporary Artists", Wexner Center for the Arts, Ohio, US
    "A story for you to continue”, Birkelunden bruktmarked and Blackbox KHiO, Oslo, Norway
    Working Drawings and Other Visible Things on Paper (after Mel Bochner) and Small Good Things (Artworks We Like That Fitted In Our Suitcases), International Sculpture Exhibition, curated by Andreas Nilsson and co-curated by Nina Slejko and Conny Blom Võru, Estonia (upcoming)
    Picasso in Contemporary Art curated by Dirk Luckow, Deichtorhallen, Hamburg
    Inaugural citywide festival, The Pyramid International Center of Culture, Pallati i Kongreseve and the Albanian University of Arts, Tirana, Albania
    Die Winterreise curated by Geir Yttervik, Galleri LNM, Oslo

    2014Search of the Industrial Culture, Ural branch of the National Center for Contemporary Art, Russia
    Workers United curated by Susanne Jaschko, Kasa Gallery, Istanbul
    Progress and Hygiene curated by Anda Rottenberg, Zacheta National Gallery of Art, Warsaw, Poland
    Punctum, curated by Saemus Kealy, Salzburger Kunstverein,
    We Fragment, Collect and Narrate curated by Sayoko Nakahara, Kunstmuseum Thun, Switzerland, Galerie Robespierre, France, Leopold Hoesch-Museum-Düren, Germany

    2013Version Control, Arnolfini, Bristol

    2012The evolution must be made little by little, part 1: difference and repetition, Galeria Raquel Arnaud, São Paulo, Brasil, curated by Jacopo Crivelli Visconti
    The personal and the universal, Galeria Raquel Arnaud, São Paulo, Brasil, curated by Jacopo Crivelli Visconti

    2011Saatchi Gallery, GESAMTKUNSTWERK

    2010Carnegie Art Award 2010, Listasafn Islands, Reykjavic, Konstakademien, Stockholm,
    Kunstnernes Hus, Oslo, Royal Academy, London
    New Aquisitions, Moderna Museet, Stockholm
    Konst med Alla Sinnen, Kulturhuset, Stockholm, curated by Po Hagstrom
    Niet Normal: Difference on Display, Buers van Berlage, Amsterdam, curated by Ina Geves

    2009Do they love their children too?, Milliken Gallery, Stockholm
    The Social Critique: 1993-2005, Kalmar Konstmuseum, Kalmar, curated by Martin Schibli
    Difference on Display, Beurs van Berlage, Amsterdam, Curated by Ine Gevers
    Untitled (History Painting): Painting and Public Life in the 21st Century, University of Michigan Museum of Art, curated by Jacob Proctor
    Every Version Belongs to the Myth, Project Arts Centre, Dublin, curated by Tessa Giblinand Amalia Pica
    When the Mood Strikes... Verzameling Wilfried & Yannike Cooreman, MDD Museum Dhondt- Dhae-ens, Deurle, Belgium
    Difference on Display, Beurs van Berlage, Amsterdam, curated by Ine Gevers
    Curator Curator #4: Time-Challengers, HISK, Ghent, Belgium, curated by Adnan Yildiz
    Opening, an arts and music picnic evening, Galleri Rostrum, Malmö, Sweden, organized by Björn Ross
    Carnegie Art Award 2010, Kunsthal Charlottenborg, Copenhagen
    6 Artists, 3 Shows - Felix Gmelin & Amalia Pica, Vilma Gold, London
    Every Version Belongs to the Myth, Project Arts Centre, Dublin

    2008On the Limit, Le Centre d’art Buda, Tournai, curated by Annette Schemmel
    Vårutstillingen 2008, Fotogalleriet, Oslo
    La Marge d’Erreur, La synagogue de Delme contemporary Art centre, Delme, curated by Le Bureau
    Not Quite How I Remember It, The Power Plant Contemporary Art Gallery, Toronto, curated by Helena Reckitt
    Así Se Escribe la Historia, La Casa Encendida, Madrid, curated by Chema González
    Reenactment, Institute of Modern Art, Brisbane, (cat.), curated by Angela Goddard and Robert Leonard
    Reality Check, Statens Museum for Kunst, Copenhagen, curated by Marianne Torp
    History Will Repeat Itself, Centre for Contemporary Art Ujazdowski Castle, Warsaw and Goethe-Institute, Hong Kong, curated by Inke Arns and Gabriele Horn

    2007Stalking with Stories: The Pioneers of the Un-Rememberable, Apexart, New York, curated by Antonia Majaca and Ivana Bago
    History Will Repeat Itself, KW Institute for Contemporary Art, Berlin and Hartware, Medien KunstVerein at Phoenix
    Halle Dortmund, (cat) curated by Inke Arns and Gabriele Horn
    Por Favor Gracias de Nada: Re-enactments, Casa del Lago, UNAM, México City, curated by Victor Palacios
    Think with the Senses - Feel with the Mind, Art in the Present Tense, La 52 Biennale di Venezia, Arsenale, (cat.) curated by Robert Storr
    Left Pop (bringing it back home), 2nd Moscow Biennale of Contemporary Art - Special projects, Moscow Museum of Modern Art at Petrovka, Moscow, (cat.), curated by Diana Baldon, Nicola Lees and Georgin Jackson
    Doften av Färg, Samlingarna i urval av konstnären Carl Johan De Geer, Waldemarsudde, Stockholm
    Urban Connexions (I), Château du Domaine départemental de Chamarande, France, curated by Judith Quentell
    System Error, War Is a Force That Gives Us Meaning, Palazzo delle Papesse, Centro Arte
    Contemporanea, Siena, curated by Lorenzo Fusi and Naeem Mohaiemen
    Anachronism, Argos - Centre for Art & Media, Brussels, curated by Elena Filipovic Re-Site Gallery, Sheffield, curated by Jeanine Griffin
    The Backroom / Société Anonyme, Kadist Art Foundation, Paris, curated by Magali Arriola, Kate Fowle and Renaud Proch
    I Love Malmö - Works from Malmö Art Museum, Turku Art Museum, Turku

    2006Dreamlands Burn, Kunsthalle Budapest, Budapest,(cat.), curated by Edit Molnár and Lívia Páldi
    Art, Life & Confusion, October Salon 2006, Belgrade,(cat.), curated by Barbara Heinrich and René Block
    Por Favor Gracias de Nada: Re-enactments, Santa Monica Center of Arts, Barcelona, curated by Victor Palacios
    Of Mice and Men, Berlin Biennial 4, Berlin, (cat.), curated by Maurizio Cattelan, Massimilia Gioni and Ali Subotnick
    The Moderna Exhibition 2006, Moderna Museet, Stockholm,(cat.), curated by Magdalena Malm and John Peter Nilsson
    Ahistoric Occasion: Artists Making History, MASS MoCA, North Adams, Massachusetts, (cat.) curated by Nato Thompson
    Infinite Painting, Contemporary Painting and Global Realism, Villa Manin Centre for Contemporary Art, Passariano, Codroipo, (cat.), curated by Francesco Bonami and Sarah Cosulich Canarutto
    Now Again the Past: Rewind Replay Resound, Carnegie Art Center, North Tonawanda, (cat), curated by Joanna Raczynska

    2005Situation Comedy: Humor in Recent Art, Independent Curators International (iCI) at The Contemporary Museum, Honolulu, Chicago Cultural Center, Chicago, Museum of Art, Fort Lauderdale and Winnipeg Art Gallery, Winnipeg, Manitoba, (cat.), curated by Dominic Molon and Michael Rooks
    Rewind<<, Nassauischer Kunstverein, Wiesbaden, (cat.), curated Clara Jung

    2004Berlin-Moscow/Moscow-Berlin 1950 - 2000, State Historical Museum, Moscow, (cat.), curated by Jekaterina Degot and Viktor Misiano
    Always Already Passé, Gavin Brown’s Enterprise, New York, curated by Chivas Clem
    Delayed-on-Time, Museum of Contemporary Art, Zagreb, (cat.), curated by Nada Beros
    Art and War, Holon Digital Art Lab, Tel Aviv, curated by Daniel Birnbaum and Boris Groys
    Movimento/Movimenti, Palazzo Lanfranchi, Matera, curated by Francesco Bonami Ritardi e Rivoluzoni, Palazzo Bel monte Riso, Palermo, Sicily, curated by Francesco Bonami
    Side Effects, Museum of Contemporary Art, Belgrade, and Galeria Nova, Zagreb, (cat.), curated by What, How & for Whom (WHW)
    Balancing Acts, CCS Centre Culturel Suédois, Paris, curated by the curatorial program at Konst fack, Stockholm
    Samtiden -I Betraktarens Rum, Moderna Museet, Stockholm (cat.)
    Laocoonte Devorado, Arte y Violenca Politica, Artium, Vitoria-Gasteiz, Centro Guerrero, Granada, DA2 museum, Sala manca, (cat.), compiled by Javier Gonzáles de Durana

    2003Delays and Revolutions, La 50 Biennale di Venezia, Italian Pavillion, Venice, (cat.), curated by Francesco Bonami and Daniel Birnbaum

    2002Iconoclash, Beyond the Image Wars in Science, Religion and Art, ZKM, Zentrum für Kunst und Medientechnologie, Karlsruhe, (cat.), curated by Peter Galison, Dario Gamboni, Joseph Koerner, Bruno Latour, Adam Lowe and Hans Ulrich Obrist maccarone inc., New York

    2001Outlanders, Baltic Centre for Contemporary Art, Gateshead at Waygood Gallery, (cat.), Newcastle, curated by
    Paul Stone and Sarah Martin
    Money/Pengar, Kulturhuset, Stockholm, (cat.), curated by Karin Hansson and Nils Claesson

    2000Århundradenas bilder, Nationalmuseum, Stockholm, (cat.), compiled by Olle Granath and Lena Holger
    Shoot. - Moving Pictures by Artists, Malmö Konsthall , Malmö, Sweden, curated by Åsa Maria Bengtson,
    Lisa Strömbeck, Marit Lindberg

    1999Passion, Gasworks, London, curated by Peter Cross and Tim Hutchinson

    1997Invasioon, Saaremaa Biennaal, Kuressaare, Estonia, (cat.), curated by Eve and Peeter Linnap
    Samtida Konstnärer Ser på Liljefors, Göteborgs Konstmuseum, Gothenburg, (cat.)

    1996Samtida Konstnärer Ser på Liljefors, Waldemarsudde, Stockholm (cat.)
    Index Edition, Galleri Index, Stockholm

    1995Revir/Territory, Kulturhuset, Stockholm (cat.)

    1993Edstrandska Stiftelsens Stipendiater, Malmö Konsthall, Malmö, Sweden
    Missing, Forum Arnault, Stockholm, with Sushil Kumar and Jan Håfström
    90-talets nyförvärv, Moderna Museet, Stockholm

    1992Waldemarsudde, Stockholm (cat.)

    1991Invocation, Lalith Khala Academy, New Delhi, Madras and Ahmedabad
    Enigma, Göteborgs Konsthall, Gothenburg

    1990Spegling, Moderna Museet, Stockholm an and Museet for samtidskunst, Oslo (cat.)


    2008SMAK, Gent, Belgium, curated by Magnus af Petersens

    2006Eine Frage (nach) der Geste, Exhibition project by Hochschule für Grafik und Buchkunst, Leipzig

    2003Film Fylkingen, Fylkingen, Stockholm, compiled by Rita Stetter

    2002Snowflakes, Chiangmai University Art Museum , Thailand, Cinemateket, Stockholm and Göteborg International Film Festival, Gothenburg, Sweden, compiled by Gunnel Petterson

    2000Old School vs. New School, Art Node, Stockholm, compiled by Gunnel Petterson

    2001Snowflakes, Bangkok Experimental Film Festival, Thailand, compiled by Gunnel Petterson

    Represented in Public Collections

    B.P.S. 22, Charleroi, Belgium
    Frac Nord-Pas de Calais, France
    Göteborgs Konstmuseum, Sweden
    Jönköpings Länsmuseum, Sweden
    Kadist Art Foundation, Paris
    Malmö Konstmuseum, Sweden
    Moderna Museet, Stockholm
    Rema Hort Mann Foundation, New York
    Saatchi & Saatchi collection, London
    Waldemarsudde, Stockholm

    Selected Bibliography


    2015Picasso in Contemporary Art, exhibition catalogue, edited by Dirk Luckow, Germany

    2014Chouteau-Matikian, Hélène, Peinture et document / Painting and document: David Diao, Rennes University Press / University of Strasbourg, France, March 2014
    Archer, Michael, Art Since 1960, Thames & Hudson, third edition

    2010Pantenburg, Volker, Die Rote Fahne, Deutsche Film- und Fernsehakademie Berlin, 1966 – 1968

    2008Germania, exh. cat. Saatchi Gallery, London 2008
    Meyer, James, ‘The Return of the Sixties in Contemporary Art and Criticism’, Okwui Enwezor, Terry Smith and Nancy Condee, eds. Modernity and Contemporaneity: Antimonies of Art and Culture after the 20th Century, Durham: Duke University Press

    2006Nittve, Lars, ‘Felix Gmelin’, The Moderna Exhibition 2006, Moderna Museets

    2005Rimanelli, David, ‘Felix Gmelin: The Aging Revolution’, exhibition catalogue. Daniel Birnbaum and Ronald Jones. ed. Robert Stasinski. Malmö Konstmuseum/ Portikus, Frankfurt am Main

    2004‘Felix Gmelin’, Svensk konst nu : 85 konstnärer. Sophie Allgårdh and Estelle af Malmborg, SAK / Wahlström & Widstrand, Stockholm
    ‘Intervju’, NU-E, The Nordic Art Magazine, Ronald Jones & Robert Stasinski, Stockholm
    ‘Magnus af Petersens, Contemporaries — Sharing the Space of the Beholder’, Moderna Museet - The Book, Stockholm

    2002Gamboni, Dario, ‘Image to Destroy, Indestructible Image’, Bruno Latour and Peter Weibel, eds. Iconoclash, Beyond the Image Wars in Science, Religion and Art, exhibition catalogue. ZKM, Karlsruhe/ MIT Press p.88-135

    20011900-talet, del 3. 1970-2000, Sveriges Konst, Mårten Castenfors, SAK, Stockholm

    1997‘Image Cannibalism’, Lars O Ericsson, Invasioon, Saaremaa Biennaal, exhibition catalogue, Kuressaare, Estonia, p. 86

    1996‘Felix Gmelin, Art Vandals’, exhibition catalogue. Jörgen Gassilewski, Annika Öhrner, Riksutställningar / Swedish Travelling Exhibitions

    1994‘Felix Gmelin’, Ein kleiner Beitrag zur Sauberkeit, exhibition catalogue. Gertrud Sandqvist, Christoph Tannert, Künstlerhaus Bethanien / KulturBrauerei, Berlin


    2011Felix Gmelin in Annet Gelink gallery, ABCD STAR, www.abcdstar.com/2011/02.felix-gemelin-in-annet-gelink-gallery.html

    2010Felix Gmelin, Carnegie Art Award, http://www.carnegie.se/sv/ArtAward/artists/Felix-Gmelin/Macleod, Katarina
    Wadskin, ‘Med Förädrar i Fokus: Felix Gmelin: Anti-Father, Milliken’, SVD, Nov 3
    Madestrand, Bo, ‘Ömsint Pappaporträtt’, Dagens Nyheter, Kultur, Sept 9

    2009Stop Making Sense, (Felix Gmelin in conversation with Helena Reckitt), Switch, The Power Plant, Winter 2008-09, p.10-14
    Danby, Charles, Flash Reviews, Felix Gmelin, Vilma Gold, Flash Art, No. 264, January/February, pg.108

    2008Reckitt, Helen, ‘Stop Making Sense’, Switch - The Power Plant, Winter 2008-2009
    Coupe, Tom, Felix Gmelin, Kultureflash, November 6
    Jones, Ronald, Felix Gmelin, Artforum, Feb
    Jones, Ronald, Light deny’d, Paletten, Gothenburg, No. 4
    Carlson, Benjamin, Not Quite How I Remember It, frieze, #119 Nov-Dec 2008

    2007Boogerd, Dominic van den, The father, the son and the revolution. Felix Gmelin and the legacy of May 1968.
    Metropolis M. No 4. 2008 August/September, p. 58-63.
    McLaughlin, Bryne, Not Quite How I Remember It: Rapid Memory Gloss, Canadian Art, June,
    Armin, Janine, Not Quite How I Remember It, Critics picks, Artforum.com, June, 2008
    Lee, Pamela M., Questionnaire: Lee, October, Winter 2008, No. 123, pages 98-101
    Pil and Galia Kollectiv, Retro/Necro: From Beyond the Grave of the Politics of Re-Enactment, Art Papers, Atlanta, November/December 2007
    Felix Gmelin - Tools and Grammar, OEI Magazine, No.33 No.34 No.35, Stockholm p. 11-35.
    Poynter, Phil, Silvia Manzoni and Giovanna Battaglia, A world wide photo tour in the studios of the major artists, In L’Uomo Vogue - Biennale di Venezia, May No. 381
    Cornell, Peter, Felix Gmelin / Tools and grammar, Expressen, Stockholm, Nov 20
    Hammarström, Camilla, Själen finns i fingertopparna, Aftonbladet, Stockholm, Nov 20
    Dagbladet, Svenska, Film, Sophie Allgårdh, dia, måleri, Stockholm Nov 17
    Allerholm,Millou, Felix Gmelins utställning bland de vackraste på länge, Dagens Nyheter, Stockholm, Nov 10
    Schwendener, Martha, Stalking With Stories, New York Times, Oct 19
    Cole, Lori, Stalking with Stories: The Pioneers of the Immemorable – Apexart, Artforum.com, Oct
    Briers, David, Re- Site Gallery, Art Monthly, July 4
    Molina, Ángela, Mercaderes en Venecia, El Pais, Madrid, June 23
    Birnbaum, Daniel, The Art of Education, Artforum, June p. 476
    Gazetesi BirGün, Halkin, Venedik’te ölüm, Ayegül Sönmez, Istanbul, June 17
    Olofsson, Mikael, Krigets ständiga återkomst, Göteborgs-Posten, Gothenburg, June 14
    Stahre, Ulrika, Allt kan hända, Aftonbladet, Stockholm, June 12
    Hickling, Alfred, Re-, The Guardian, London, April 12
    Stokic, Jovana, Art, Life and Confusion, NY Arts Magazine
    Jones, Ronald, The Moderna Exhibition 2006, frieze, No. 99
    Stasinski, Robert, Felix Gmelin, Contemporary, London, No. 85 p. 44-47
    Schibli, Martin, Visiting the Berlin Biennale, New Herald, May 3

    2006Stokic, Jovana, Art, Life and Confusion, NY Arts Magazine,
    Jones, Ronald, The Moderna Exhibition 2006, frieze, #99,
    Stasinski, Robert, Felix Gmelin, Contemporary, London, #85, pages 44-47
    Schibli, Martin, visiting the Berlin Biennale, New Herald, 3 May

    2005Felix Gmelin, Two Films exchanging Soundtracks, OEI Magazine, No.22&23, Stockholm, p.5-21
    Coulson, Amanda, Blunting the Cutting Edge, Felix Gmelin’s reevaluation of revolution, Modern Painters, June p. 60-61
    Kuni, Verena, (But you won’t fool the) Children of the Revolution, Spike Art Quarterly, Summer
    Schütte, Christoph, Sex, Malerei und Video, Frankfurter Allgemeine Zeitung, May 15
    Danicke, Sandra, Vandalismus ohne Wut, Frankfurter Rundschau, Apr 20, p. 17
    Hierholzer, Michael, Rote Fahne, Frankfurter Allgemeine Zeitung, Apr 9, p. 66
    Jones, Ronald, Milliken, Stockholm, Sweden, frieze, No. 89, p. 123-124
    Allgårdh, Sophie, Upprepningar utmanar det manliga geniet, Svenska Dagbladet, Stockholm, Jan 9
    Morse, Marcia, Everyone’s a comedian, Rib-poking exhibit tickles art’s fancy, Honolulu Weekly, Sept 11Aschenbren ner, Jenny, Politisk konst - vem bryr sig?, TT Spektra / Bohuslänningen, Jan 8,p. 46
    Power Ekroth, Felix Gmelin, Flash Art, Jan

    2004Sundell, Margaret, Felix Gmelin, maccarone inc. Artforum, Sept, p. 271-272
    Allgårdh, Sophie, Gmelin gör upp med fadern, Svenska Dagbladet, 4 Dec, p. 9
    Allerholm, Millou, Varje bild är ett val, Dagens Nyheter, Dec 4, p. 8
    Kopsa, Maxine, Het waarom opgesloten tussen twee vertellingen, Metropolis No. 4
    Sundell, Margaret, Felix Gmelin, maccarone inc. Artforum, Sept, pages 271-272
    Ho, Christopher K, Felix Gmelin, Modern Painters, Autumn, p. 132-133
    Cleving, Ulrich, Immer an der Wand lang, Frankfurter Rundschau, Sept 20 p. 10
    Cornell, Peter Utopi och urscen, Expressen, Dec 2
    Cotter, Holland, Politics That Makes Peace With the Beauty of Objects, New York Times, June18
    Speers Mears, Emily, Critics picks, Artforum.com, June
    Sholis, Brian, (Re)making history, Flash Art, October, p. 103-105

    2003Rimanelli, David, Best of 2003, Artforum, December p. 116
    Westphahlen, Olav, Top Ten, Artforum, October p. 64
    Rothkopf, Scott, In the Bag, Artforum, September
    Rondeau, James, Jörg Heiser and Maxine Kopsa, 50th Venice Biennale, frieze, No. 77, p. 96, 97 & 106
    Wagner, Thomas, Das Hochhaus weicht dem Flugzeug aus, Frankfurter Allgemeine Zeitung, June 28

    2000Ingamaj, Beck, Konstnärliga möten mellan då och nu, Aftonbladet, Stockholm, Jan 16 p. 5
    Lind, Ingela, Fem får en kick, Dagens Nyheter, Stockholm, Jan 6 p. 4

    1999O Ericsson, Lars, Monstruösa porträtt kolliderar, Dagens Nyheter, Stockholm, Oct 2

    1998Rönkkö, Pekka, Taidevandaalit tulevat Kemin Taidemuseoon, Pohjolan Sanomat, Mar 28

    1997Birnbaum, Daniel, The Art of Destruction, frieze, London, No.35 p. 37-38
    Arndtzén, Mårten, A’rt Loving Vandals, Siksi, Helsinki, No. 1, p. 11
    Malmberg, Carl-Johan, Vitt är svart, sade kejsaren, Svenska Dagbladet, Feb 8, p.56
    Malmberg, Carl-Johan, Vandaler i konstvärldens utmarker, Svenska Dagbladet, Feb 1, p. 30
    Grahn-Hinnfors, Gunilla, Konst som slår mot konst, GP, Gothenburg, Sweden, Oct 16
    O Ericsson, Lars, Summan av förstörelsen, Dagens Nyheter, Jan 24, p. B3

    1996Lind, Ingela, Liljefors — ett hatälskat kulturarv, Dagens Nyheter, Nov 3, p. B1
    Nanne-Bråhammar, Marianne, Konstvandalism - En en skandal?, Arbetet, Malmö, Sept 27
    Jönsson, Dan, I hälarna på konstvandaler, Sydsvenska Dagbladet, Oct 13

    1996Fricke, Harald, Museumsgeschmack, taz, Berlin, Mar 12, p. 36

    1995Reissner, Katja, Das ende der Aura, Der Tagesspiegel, Berlin, Mar 3

    1994van der Heeg, Erik, Revir, Material, Stockholm No.1, p. 15
    Allerholm, Milou, Revir, tidskriften Index, No. 94/95 p. 70-71

    1993Allerholm, Milou, Konsten att läsa en sköldpadda, Expressen, June 8

    1992Cornell, Peter, Magiska rum, Expressen, Stockholm, Oct 16
    Scarpetta, Guy, Max kastar nytt ljus över August, Expressen, Stockholm, June 26
    Lind, Ingela, Ironi och frestelse, Dagens Nyheter, Stockholm, June 5
    Maj Beck, Inga, Tuktad revolt i prinsens folkhem, Aftonbladet, Stockholm, June 9
    Gassilewski, Jörgen, Den bild som är oss given, iDAG, Gothenburg, Aug 1 p. 5
    van der Heeg, Erik, “Waldemarsudde”, Material, Stockholm No. 9 p. 44-46

    1991NyheterTorkel, Dagens, Strimlade lån ur historien, Rasmusson, Stockholm, Feb 1, p. B 3
    Gassilewski, Jörgen, Det är på bildens kropp det hander, iDAG, Gothenburg, Sweden, Oct 26

    1989Alton, Peder, Parafraser och infall, Dagens Nyheter, Stockholm, Apr 28